Janet Damita Jo Jackson was born on May 16, 1966, in Gary, Indiana to a family destined for musical greatness. As the youngest of 9 children of Joe and Katherine Jackson, Janet grew up surrounded by music from a young age. The Jacksons were not wealthy but lived a modest life until the success of Janet's older brothers Jackie, Tito, Jermaine, Marlon and Michael as The Jackson 5 catapulted the family into superstardom. As a child, Janet was shy and did not harbor ambitions of entering show business. But when her father Joe Jackson noticed 8-year-old Janet mimicking and matching seasoned dancers on TV, he recognized her natural talent and enrolled Janet and her older sister LaToya in dance lessons. Unlike her brothers, Janet found confidence through dance expressing herself physically before being able to do so vocally. In 1976, 10-year-old Janet joined the rest of the Jackson family in Las Vegas for the debut of their new variety show at the MGM Grand Hotel. While Michael was fast becoming a global phenomenon with hits like "ABC" and "I'll Be There", Janet was adjusting to a new lifestyle foreign to a little girl. Publicly she put on a smile. But privately Janet battled with shyness and insecurity struggling to form an identity amongst such famous siblings. These formative struggles with self-confidence and independence sowed early seeds influencing Janet's later songwriting focused heavily on themes of self-assertiveness, social empowerment, and overcoming self-doubt. They also fueled an iron-clad work ethic to prove herself on her own terms rather than ride on the family name. While studying theater in high school, 16-year-old Janet landed her first big break becoming a regular cast member on the sitcom "Good Times." Child stardom though derailed her senior year when producers abruptly canceled the show. Unsure of her future, Janet focused again on honing her skills taking more acting lessons with famed teacher Peggy Feury who saw immense promise in the blossoming teenager. This validation at a crossroads cemented Janet's own confidence in pursuing entertainment as a career. She signed with her father Joe's new record label, recorded her self-titled debut album with Angela Winbush, Rene Moore and Leon F. Sylvers producing. Janet Jackson (1982) fused disco with rhythm and blues to craft emotionally resonant songs about young romance like "Young Love." It sold over a quarter million copies achieving #6 R&B and confirming the now 16-year-old’s own musical potential. Commercial pressures however compromised her early artistic identity. Janet chafed under the bubble gum pop aesthetics and image crafted for her. Desperate for independence in a domineering family, an 18-year-old Janet eloped in 1984 with singer James DeBarge of the family group DeBarge. The rebellious marriage quickly dissolved under the weight of DeBarge's substance abuse. Still, it marked Janet publicly seizing control of her own life for the first time - a harbinger of the career-defining album to soon follow. Upon annulling her marriage, Janet left her father's label and signed with A&M Records in 1985 determined to reinvent her sound & image. Pairing with production duo James Harris III and Terry Lewis, Janet found her artistic voice collaborating closely on every song's melody, lyrics, vocals, and visuals concepts. Control (1986) announced Janet Jackson as a creative tour de force guiding every aspect of her art and persona as a fiercely independent woman both socially and sexually. Smash singles "What Have You Done For Me Lately," "Nasty," & "Control" made clear that this was Janet's declaration of freedom telling the world and doubters she would accomplish everything on her own uncompromising vision. While often erroneously credited solely to her male producers, Janet co-wrote all 8 singles from Control. The iconic album with big beats and intimate vocals fused R&B, funk, dance, and rock to become her first RIAA-certified Platinum No. 1 album establishing Janet as a pop groundbreaker. Rather than be a flash in the pan, Jackson cemented her ascendance on Rhythm Nation 1814 - melding industrial hip hop textures and rock guitars behind fiery socially conscious anthems like "State of the World" while also delivering the vulnerable ballad "Come Back To Me." She took creative risks pushing boundaries few Black artists enjoyed in the late 80s. Launching 7 top 5 Billboard singles, going sextuple platinum, and selling a record 15 million copies worldwide, Janet stood musically and culturally unrivaled heading into the 90s. Pop prowess aside, Janet craved pushing further into acting like idol Doris Day. Her relationship with director John Singleton led to a star-making turn as a troubled singer in Poetic Justice (1993) displaying serious dramatic chops. She incorporated poetic interludes and songs written for the film into that year's Janet. an album where Janet confronted sexual taboos head-on with carefree carnal anthems like "That's the ...
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Jan 22 20242 mins