I Don't Need an Acting Class

By: Milton Justice
  • Summary

  • Become a Paid Subscriber: https://podcasters.spotify.com/pod/show/actingclass/subscribe Academy Award winner and celebrated acting teacher Milton Justice invites you into his weekly acting class, based on his years of study with the legendary Stella Adler. I Don’t Need an Acting Class delves deep into the craft of acting, breaks down concepts, tools and techniques, explores endless possibilities and offers you a foundation on which to build a solid, dependable process. Produced by Walker Vreeland.
    Milton Justice
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Episodes
  • Avoid Boring Yourself to Death
    Nov 5 2024

    In this episode, Milton discusses the importance of understanding specific relationships to text and sequence of thoughts. The discussion highlights a common actor's problem of moving too quickly to performance without fully understanding the text's underlying thoughts and relationships. The episode concludes with practical examples of how to break down and connect with text by being more specific about your relationship to each thought.

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    26 mins
  • What Does That Mean
    Oct 29 2024

    This episode delves into the importance of conveying big ideas in acting. Milton emphasizes the need for actors to grasp the magnitude of concepts in great plays, avoiding monotonous delivery that reduces dialogue to a mere "grocery list." He advises performers to explore ideas deeply by asking "What does this mean?" and to get specific with examples to bring concepts to life. He also talks about the difference between artistic pursuits and conventional careers.

    WANT MORE? Become a subscriber on Spotify for bonus content!

    ⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠

    Have a question for Milton? Send us a voice note below or email us at: ⁠questionsformilton@gmail.com⁠ Also, check out our website: ⁠www.idontneedanactingclass.com⁠

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    10 mins
  • A Tear in the Curtain
    Oct 22 2024

    You have to give yourself permission to fail. If you’re too afraid of being bad, you’ll block your creative energy. Like Venessa Redgrave, indulge yourself in all the worst, most cliche choices first. Get them out of your system, and once they are, then go back and really get to work. But most of that work is done at home. Between rehearsals. It’s about the creative, imaginative research. Talking out. Getting more specific— like “the tear in the curtain.” And you’ll know it’s a good choice because you love it. It excites and fuels you in the part.


    WANT MORE? Become a subscriber on Spotify for bonus content!

    ⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠

    Have a question for Milton? Send us a voice note below or email us at: ⁠questionsformilton@gmail.com⁠ Also, check out our website: ⁠www.idontneedanactingclass.com⁠

    Show more Show less
    13 mins

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The Size of the Idea!

How wonderful that this podcast exists.
Milton is brilliant and full of gems of wisdom. It is extremely rare to find acting masters who actually studied and worked with Stella Adler herself. Milton always provokes deeper thinking and richer understanding of the technique.

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