Willa Ross returns for a lively discussion about Heaven Can Wait. We cover Lubitsch and Raphaelson’s opposing views on the film’s unusual protagonist, its counterintuitive structure and elisions, the film’s theological implications, argue about whether or not the production code negatively impacted the film, and discuss what happened at Fox in the early 1970s and why it matters for technicolor pictures such as this.

Edited by Griffin Sheel.

We have a Discord!

Listen on: Apple Podcasts | Spotify

Writer and film historian Eloise Ross joins us to discuss Otto Preminger and his 1944 noir Laura. For information as to where to find this film, check out our resources page.

Eloise Ross's Writeup for HEAVEN CAN WAIT in Senses of CInema

Heaven Can Wait: The Simple Act of Living by William Paul

Robert Harris’s “KNIGHTS OF FILM PRESERVATION” Forum Post

Peter Labuza returns for the second of two episodes on To Be Or Not To Be. We discuss the film’s production history, the way in which the film both fulfills and frustrates conventions of comedic structure, Lubitsch’s specific habits in directing actors, the film’s unusual tonal arc, the film’s depiction of fascist ideology, and Rudolph Mate’s cinematography.

Edited by Eden Cote-Foster.

We have a Discord!

Listen on: Apple Podcasts | Spotify

Willa Ross returns to discuss Heaven Can Wait. For information as to where to find this film, check out our resources page.

Bosley Crowther’s Review of TO BE OR NOT TO BE in the New York Times

Ernst Lubitsch's Response

Independent Stardom: Freelance Women in the Hollywood Studio System by Emily Carman

Five Came Back: A Story of Hollywood and the Second World War by Mark Harris

Returning guest Dara Jaffe and first-time guest Gary Jaffe join us for the first of two episodes on To Be Or Not To Be. In this episode, we cover the interplay between theatre and film, and of improvisation and comedy; the many dimensions of the film’s relationship with Jewish identities; the use of empathy and humanism as anti-fascist tools; Lubitsch’s self-reflexive approach to diegetic reality; the key character of Greenberg, and Felix Bressart’s performance; the history of performances of William Shakespeare’s The Merchant of Venice; and the film’s influence on contemporary cinema.

Recorded at the Margaret Herrick Library in Beverly Hills, CA by Anna Citak-Scott.

Edited by Griffin Sheel.

We have a Discord!

Listen on: Apple Podcasts | Spotify

Peter Labuza returns for the second of two discussions on To Be Or Not To Be. For information as to where to find this film, check out our resources page.

Production Code Administration notes on To Be Or Not To Be

Hollywood's Other Great Anti-Nazi Movie by Thomas Doherty

David Kalat’s Commentary on the Criterion Edition of To Be Or Not To Be

Adrian Martin’s Review of To Be Or Not To Be.

To Be Or Not To Be (A Jew) by Dorian Stuber and Marianne Tettlebaum