• Get A Better Broadcast, Podcast and Voice-Over Voice

  • By: Peter Stewart
  • Podcast

Get A Better Broadcast, Podcast and Voice-Over Voice

By: Peter Stewart
  • Summary

  • Year THREE of short daily episodes to improve the quality of your speaking voice.


    Through these around-5-minute episodes, you can build your confidence and competence with advice on breathing and reading, inflection and projection, the roles played by better scripting and better sitting, mic techniques and voice care tips... with exercises and anecdotes from a career spent in TV and radio studios. If you're wondering about how to start a podcast, or have had one for a while - download every episode!


    And as themes develop over the weeks (that is, they are not random topics day-by-day), this is a free, course to help you GET A BETTER BROADCAST, PODCAST AND VOICE OVER VOICE.


    Look out for more details of the book during 2024.

    Contacts: https://linktr.ee/Peter_Stewart

    Audio recording script and show notes (c) 2021, 2022, 2023 Peter Stewart


    Peter has been around voice and audio all his working life and has trained hundreds of broadcasters in all styles of radio from pop music stations such as Capital FM and BBC Radio 1, the classical music station BBC Radio 3 and regional BBC stations. He’s trained news presenters on regional TV, the BBC News Channel and on flagship programmes such as the BBC’s Panorama. 


    He has written a number of books on audio and video presentation and production (see contacts clink above) and presented hundreds of radio shows (you may have heard him on BBC Radio 2, BBC Radio 4, Virgin Radio or Kiss, as well as BBC regional radio) with various formats. He has read tens of thousands of news bulletins and hosted 3,000+ podcast episodes.


    The podcast title refers to those who may wish to change their speaking voice in some way. It is not a suggestion that anyone should, or be pressured into needing to. We love accents and dialects, and are well aware that how we speak changes over time. The key is: is your voice successfully communicating your message, so it is being understood (and potentially being acted upon) by your target audience?


    This podcast is London-based and examples are spoken in the RP (Received Pronunciation) / standard-English / BBC English pronunciation, although invariably applicable to other languages, accents and dialects.


    The 'Peter Stewart' show is perhaps of great interest to those in broadcast voice overs, the broadcast voice, how to start a voice podcast, broadcasting voice training, your speaking voice, breathing technique, and conversational speaking. You may also find it useful if you are searching for information on voice coaching, voice training, voice overs, podcasting, broadcasting, presenting, being a voice over actor and newsreading, audio branding, public speaking, the recorded voice, vocal tips, performance, vocal health education, vocal technique and voice over training.


    Music credits: all Kevin MacLeod (incompetech.com)

    Licensed under Creative Commons: By Attribution 4.0 License

    http://creativecommons.org/licenses/by/4.0/

    License: https://filmmusic.io/standard-license 

    "Beauty Flow" Kevin MacLeod (incompetech.com)

    Link: https://incompetech.filmmusic.io/song/5025-beauty-flow


    Hosted on Acast. See acast.com/privacy for more information.

    Peter Stewart
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Episodes
  • 1000 - The End
    Sep 26 2023

    2023.09.27 - 1000 - The End

    Thanks for the loan of your ears, for one-thousand consecutive daily episodes.

    All of my contacts are here: https://linktr.ee/Peter_Stewart




    Hosted on Acast. See acast.com/privacy for more information.

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    5 mins
  • 0999 – The Diction-ary of Voice – V and W
    Sep 25 2023

    2023.09.26 – 0999 – The Diction-ary of Voice – V and W


    **V

    Verbal tic – the repeated use of words or phrases such as “like” or “y’know what I mean?

    Velum – the soft palate at the back of the roof of the mouth. The back of your tongue touches the velum when pronouncing letters such as ‘k’.

    Vocal elements – the various ways (such as inflection, pause, pace and phrasing) that one can make the spoken word more engaging he techniques for making a voice interesting and effective

    Vocal fold – located in the larynx, a multi-layered fold of tissue that vibrates to produce sound when air passes over them

    Vocal loading – the amount of impact of the stresses and strains on the vocal folds from talking or singing. The loading can be affected by the amount, volume or the tone of the sound, and also by the speaker’s levels of stress or tension

    Voice actor – different from a ‘voice over’, who tends to be an ‘anonymous voice’, an actor will appear in audio dramas, audio books, computer games and so on, where they are reading the lines to be spoken by a character in a specific situation

    Voice guide – a director in a recording situation who will read a script, perhaps line-by-line, for the ‘voice talent’ to repeat ‘parrot fashion’, and mimic the cadence. Usually used when the actor is inexperienced in script reading, but has a great voice or high-profile name that is wanted for publicity reasons. A voice guide may also be the temporary voice-over track, recorded so video editors can choose shots and time their cuts to which the ‘professional’ voice talent can talk to later

    Voice of God (or ‘VoG’) - loud and large, stentorious and dramatic reads, reminiscent of 1950s (American) radio announcers, and often heard at sports and showbiz events

    Voice over – the reading of a scrip, or narration over a video

    Voice quality – one’s personal vocal attributes and characteristics

    Volume - the loudness of a voice

    Vowel - speech sounds of a, e, i, o, and u

     

    **W

    Watermark or more accurately, an audio watermark. This is a snippet of sound (such as a tone or ‘beep’) used to protect your recording, sample or audition. The sound briefly overlaps with your voice at points during the recording say veery few seconds, or over the brand name. This protects your audio from being misused for example, without payment

    Whisper phonation – the proper term for when you are whispering

    Windpipe – the trachea.

    Windscreen – the covering over or in front of a microphone to eliminate unwanted noises such as that made by plosives

    Wowing – the changing in pitch of a sound causing distortion

    Wrap - the end of a recording

    Wrap — a recorded news or other content feature, of interview clips linked (or ‘wrapped up’) by a presenter or reporter  


    **X

    XLR - a type of cable connector, very common on microphones. 


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    8 mins
  • 0998 – The Diction-ary of Voice – T
    Sep 24 2023

    2023.09.25 – 0998 – The Diction-ary of Voice – T


    **T

    Tag (or ‘slogan’) – the branding phrase at the end of a commercial

    Take (as in ‘go for a take’) – a recording. Also see ‘pickup’

    Take a level (or ‘take a bit for level’) – the instruction given by an audio engineer to a presenter to ask them to say some words so the volume on a mic channel can be checked

    Talk back – the push-to-talk microphone in a gallery/production area, via which a director / producer will talk to you while in the studio.

    Tape - recorded audio, almost never on tape

    Tempo - the rate of speech

    Thin – a voice which is weak, with a lack of air, energy and resonance. It may be trained to become stronger and fuller with exercises in the areas of posture, relaxation and breath control

    Thoracic cavity - the area enclosed by the chest

    Throw – a passing link made from one presenter to another, “And now with the latest weather here’s Susie Celsius”

    Throwaway (as in ‘a throwaway line/word’) – when a speaker gives little or no emphasis on a word or phrase, reducing its significance

    Tonal quality – the overall timb re, resonance of a voice

    Trachea – commonly called the ‘windpipe’, along which flows air from mouth to lungs

    Track – a layer of recorded audio (or an empty ‘lane’ where recorded audio will sit), which can be adjusted independently of other layers before being mixed (or merged) together in a final mix

    Transients - very short sounds, such as the beginning of a drum hit

    TX – used to mean ‘transmission’


    **U

    Unidirectional microphone – one that only picks up sound from a single direction


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    7 mins

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