Faithspotting Hosts Mike Hatch and Kenny Dickson discuss and spot faith reflected in the AppleTV+ series starring Oscar winners Cate Blanchett and Kevin Kline. Disclaimer is the first television series directed by four time Oscar winning director Alphonso Cuaron and is based on the psychlogical thrilling novel by Renee Knight.

Faith Notes:

Disclaimer depicts the impact impact of unresolved grief and anger that grows into hate, as well as the destructive power of hate fueled revenge. Disclaimer demonstrates the impact of not effectively working through grief and anger. While people process grief in different ways and times, intervention is necessary when one becomes supresses or gets stuck in the mourning and grief process. In a similar way, holding on to anger can lead to destructive consequences to health and relationships. Discalaimer is rated -R- for Language, Sexuality, and depictions of Sexual Violence, and Drug use.

For Christians, faith in the new life assured now and eternally through the resurrection assists persons in the midst of loss and grief. The destructive power of unresolved and unforgiven anger often leads to thoughts or acts of revenge which impacts not only the people directly involved but family, friends, and others who suffer collateral wounds. Forgiveness is commanded by Christ. Forgiveness helps protect and preserve the physicial, psychological, and spiritual health and well-being of individuals directively involved as well as others. Forgiveness ifsoften very difficult, but even when it seems God can work within one to bring them to a state of forgiveness and peace.

Mike and Kenny discuss the wonderful film and spot faith elements reflected in Titus Kaphar's feature length directorial and screenwriting debut. Included in the episode is an indepth conversation with Titus Kaphar. Based on Kaphar's life, Exhibing Forgiveness examines the need and difficulty many face in offering forgiveness. Titus Kaphar is a well known artist whose paintings and sculptures are highly sought after by private collectors and galleries. The forgiving process mirrors Kaphars understanding of art as a way to disrupt past narratives which breaks the power of past events in the present and future.

Faith Issues:

The true nature, difficulty, and process of offering forgiveness.

When one withholds forgiveness, one allows the other to keep power over oneself.

The healing that can come through replacing anger and resentfullness with forgiveness changes the narrative and arc of one's emotions, spirit, and life.

Kenny and Mike discuss Beetlejuice Beetlejuice, Tim Burton's sequel to his 1988 classic horror conference Beetlejuice. Michael Keaton returns as Betelgeuse, the bio-exorcist along with Winona Ryder and Catherine O'Hara who reprise their roles as Lydia and Delia Deitz. Jenna Ortega, Justin Theroux, Willem Dafoe and Monica Bellucci join the cast as Betelgeuse continues his pursuite of Lydia while avoiding his recently reconnected and now murderous ex-wife Delores (Monica Bellucci.) Kenny also shares some of his experiences at the Venice Film Festival where Beetlejuice Beetlejuice had its world premiere in late August, 2024.

Faith Spotted:

As persons of faith we believe in the promise of new life that is available through grace by faith. Through God's forgiveness we are not bound by the mistakes we make, have made or by our background. As Easter people we believe in restoration and that our true identity is as a beloved child of God. We should not label others or accept the labels others have toward us. The resurrection hope and promise of new life and is not limited to that which we receive in full after we die, but is available in our life and time here.

Faith Spotted II: (Faith issues not mentioned in the podcast.)

The Struggles of both Lydia, and Delia, as well perhaps as Betelgeuse, have by not working through past failure, pain, and loss in life. Though painful, it is in facing, and doing, the grief work and process that we are able to move beyond mourning, pain and loss, and begin the new normal life that God desires for us.

As persons of faith we are called to live and be in the moments of life, whether difficult, exciting, or routine. Each day is a gift and even in the midst of pain or routine, evidence of God's presence and grace abound and offer joy.

Venice Film Festival Photos:

Kenny and Mike talk and spot faith elements in the popular 2000 fim Almost Famous, written / directed by Cameron Crowe, and starring Kate Hudson, Billy Crudup, Patrick Fugit, Frances McDormand, Phiip Seymour Hoffman, and Anna Paquin. Crowe won an Academy Award for best screenplay.

Faith Spotted:

The place and function of community as a source of accountability and support to help one mature as a person as well as in faith.

The importance of love that serves serves others and brings others together rather than seeking to lift up and serve oneself.

The difficulty but necessary process of letting a loved one experience life, loss, and success rather than keeping strict control over the individual.

Kenny and Mike review and spot faith elements presented in the powerful A24 film Sing Sing, The film is based on the true story of John Divine G Whitfield (Colman Domingo) who was falsely convicted and spent 25 years in Sing Sing prison. While there he co-founded the Rehabilitation Through Arts program where persons who are incarcerated stage theatrical programs. The episode includes interviews Mike and Kenny had with Divine G and director Greg Kwedar.

Faith Elements:

The transformative power of story,

Redemption, Rehabiliation, Repentance and Community.

Kenny and Mike and Faithspotting is hosting a free screening of the film on July 24th at &pm at the AMC Northpark Theaters. Sign up below

https://www.eventcreate.com/e/singsingdallas

John Divine G Whitfield

Greg Kwedar

Hosts Mike and Kenny celebrate 7 seasons, 4 years and 100 episodes of talking film and spotting faith on the Faithspotting podcast. Listen as they discuss and reflect on their favorite moments, episodes, and play some of their favorite interviews.

Kenny and Mike recording the Nope Episode at the Faithspotting "Studio" at Button Memorial UMC.

Mike and Kenny with Director Fran Kranz and Ann Dowd from MASS

Mike, Kevin Von Erich, and Kenny at The Iron Claw premiere party.

Kenny and Mike begin the seventh season of Faithspotting by discussing and spotting faith reflected in the newest Pixar film, Inside Out 2. Considering how much Mike and Kenny enjoyed the film and thought the message of Inside Out, that all emotions have purpose and value, both entered the theater with high expectations and hopes Inside Out 2 would be a worthy sequal.

Faith Spotted:

The teaching in Psalm 139, and other places, that we are children of God and are wonderfully made even when considering our imperfections and brokenness. How living this teaching allows for true joy and a rich and joyfilled life.

Justification by Christ through faith rather than one's deeds.

While not possible, the drive to justify oneself reflects a lack of faith in God's assurance of grace and love.

The place and purpose of confession and the possibility of repentance and redemption.

Kenny and Mike are joined by our good friend and regular Faithspotting contributor Dr. Ryan Parker for the annual Oscars preview episode where we predict winners and share our choices for who wins the Oscars. Ryan works in public relations and marketing for independent films, and is also the Executive Director for the Misssissippi Film Society.

We agreed that this was a solid year for films and nominations. We were grateful that folks had a reason to get excited again as was experienced in the "Barbenheimer" moment, we also were happy that folks are discussing cinema thoughout various genres. While we agreed on many of the awards, there were a few differences of opinions.

Faith Spotted:

In addition to picking and justifying winners we also discussed which films most effectively and powerfully reflected faith lived and experienced in life. Subjects included the temptation and corrosive power of evil as experienced at communal and individual levels in the past as well as seems to be recurring now before our eyes and ears. The most significant question that emerges from several of the nominated films is, reminded now of the past sins of commission and omission by society, nations, and faith traditions, how will we respond as individuals and communities of faith? Will we be taken by, or stand against, the tide that seems set to pull many away from the rightsouness God desires as presented in Scripture and the life and ministry of Jesus?