Internationally bestselling author Tess Gerritsen’s books have been translated into 40 languages, and more than 40 million copies have been sold around the world. She has won both the Nero Wolfe Award (for VANISH) and the Rita Award (for THE SURGEON). Time Magazine named THE SURGEON one of the best mystery/thrillers ever written. Tess's first medical thriller, Harvest, marked her debut on the New York Times bestseller list. Her novels have hit bestseller lists ever since.

Among other things, Tess and Carter discuss how thrillers really aren’t about the violence, how to differentiate your characters when writing from multiple POVs, and retiring from being an author. At the end of their conversation, they make up a beautiful story using a line from Araminta Hall’s One of the Good Guys.

Andrew DeYoung is the author of The Temps, a speculative novel about the end of the world. He works as an editor at a children's book publishing company, and he lives with his wife and two children in the Twin Cities area in Minnesota. The Day He Never Came Home is his first domestic thriller. Stay Away From Him is coming out in July 2025.

Among other things, Andrew and Carter discuss initial fears of not being a good writer, balancing writing when you have children, and embracing variety in your writing style. At the end of their conversation, they make up a random story using a line from Kurt Vonnegut’s Slaughterhouse-Five.

Sydney Leigh spent several years running a seasonal business, working in the summer so she could spend cold months in cool places. Now she writes modern cozy mysteries and thinks about murder. She is a member of Sisters in Crime, International Thriller Writers, and served on the board of Crime Writers of Canada from 2018-2021.

Among other things, Sydney and Carter discuss how receiving feedback motivated Sydney to continue her writing journey, struggling to find an agent after having “failed” books, and the genre of cozies versus thrillers. At the end of their conversation, they make up a fascinating story using a line from Matt Goldman’s The Murder Show.