Take a trip to Italy with Bryan and Dave this week as they put a little garlic on it and talk about Michele Soavi's ambitious, absolutely mesmerizing but ultimately frustrating, Cemetery Man (also known as Dellamorte Dellamore). Adapted from the novel by weirdo Italiano extraordinaire, Tiziano Sclavi, Cemetery Man is also a backdoor adaptation of the wildly successful comic book series, Dylan Dog. It's top to bottom unreliable narrators, naked women, and zombies, headed up by a man so handsome it'll make you angry, Rupert Everett.

Bryan and Dave take a trip back to Japan for their Toho 3-in-a-ro-ho, looking at 1977's psychedelic haunted house freakout by Nobuhiko Obayashi, House (Hausu if you're nasty). You'll see a young woman be eaten by a piano, a grown man get turned into a pile of bananas, a flying severed head biting girls on the butt. This movie has everything! It's recognizably a horror movie by a director who stradfastly refused to let it be purely horrifying, instead putting the focus on high-flying visual style and storybook production values. You've never seen so many matte paintings. It's a real challenge to talk about a movie so rich in visual aesthetic but we're going to do our best to break it all down.

Bryan and Dave are joined this week for their episode celebrating Latin American History Month by Dracula enthusiast, Michael Varrati! Long thought of as a lost movie, the fully restored version of Dracula, produced in tandem with Tod Browning's version with Spanish-speaking actors, the movie is practically the same film with some key differences which have, since its restoration in the 90's, caused many people to declare it the better version of Dracula. Is it? Well, it's complicated. We're going to give you all the facts and tell you all about it in this episodio.