Bryan and Dave take a look at one of the deepest of cult movie deep cuts, The Beaver Trilogy by Trent Harris, a story about fame, guilt, and Olivia Newton John. It’s the story of a chance encounter with a strange young man one day in Beaver, Utah in 1979 that came to determine the entire trajectory of its director’s life. For reasons that we’ll dig into in the episode the movie is a document of the natural human inclination to seek fame, the natural human inclination to consider how our actions impact the lives of others, and maybe how we become our own worst enemies in the absence of answers. Harris, obsessed with the subject of his own work but unable to speak to him, works out his issues and tries to fill in the blanks as he remakes his own documentary twice with the help of Sean Penn and then again with Crispin Glover. It all culminates in a one-of-a-kind hybrid of documentary and scripted drama that you’re most likely going to become obsessed with.

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This week we look at the first proper X-Files monster of the week episode which pits Mulder and Scully against Eugene Tooms, a man who can squeeze his body through seemingly any opening in order to commit the cannibal murders which sustain his impossible physiology. It's an amazing home run for such an early entry in a long television series. As usual we also walk you through a brief history lesson of the week this episode aired and man... it's a doozy.

Take a trip back in time with Bryan and Dave this week as they go black and white with this unassailable classic of the golden age of horror. It's Paramount's remarkably gritty pre-code horror movie, Dr. Jekyll and Mr. Hyde, a movie meant to capitalize on and compete with the sudden popularity of Universal's 1931's horror movies, Dracula and Frankenstein. Paramount, however, takes things a bit further with a movie movie more explicitly sexy and violent than you're probably expecting from the 1930's.

It's a dynamic, kinetic movie shot on elaborate sets and featuring powerful performances from both Fredrich March and Miriam Hopkins and it makes use of a brilliant in-camera trick to transform Jekyll into Hyde before your very eyes. Learn all about it and more in this episode.

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