Joining host Abe Kanan today for a special Audacy Check In, Neil Sanderson of Three Days Grace is here to talk about the band's brand new single "Mayday," their 2024/2025 plans after reuniting with singer Adam Gontier, and more.

After first teasing fans that an important announcement was on the way, Canadian rockers Three Days Grace revealed they would be reuniting with original vocalist Adam Gontier following a decade away along with co-founders Neil Sanderson on drums, Brad Walst on bass, Matt Walst continuing his vocal and guitar duties, and lead guitarist Barry Stock who joined the band in 2003.

Today, fans get the first taste of what's on the 3DG horizon with their first single of 2024, "Mayday." "Sometimes life is turbulent," Matt Walst told us of the new song's inspiration, "but beyond the clouds is blue skies. So, just keep going."

“First of all, I feel just gratitude for being at this point in my career,” Neil tells Abe at the start of their chat. “We've been doing this almost 25 years, and just to have so much excitement about the new music and, you know, we were able to pull this off, put it together, all good vibes. We don't look back, we only look forward and it's gonna be just bigger and better than it's ever been at this point. I'm in my 40s… it's like, ‘Damn, let's go!’”

With Adam back in the band, 3DG will now have dual singers he explains. “It's kind of crazy to think that we have this huge chapter with Adam and then this massive chapter with Matt and with like 17 number 1 singles thanks to people like you and people that care about the music and the fans… We've got all these songs that were really successful at Rock radio and now we can just play them all any way that we want. I have envy for the singers, because they only have to sing half the show. I still got to play drums the whole damn time."

On the new single, “Mayday,” both singers are featured. “At first it was like we didn't know how we were gonna kind of like slice it all up and who was going to do what,” Neil remembers, “as we first started sitting down and writing new stuff and trying things out and experimenting. As soon as each guy kind of laid their thing in, it was like, ‘Oh man, this is deeper than we would have thought. We played to each singer's strengths and they didn't try to be anything that they're not. It just creates this completely new dynamic, a new facet to the sound.”

“I did see them at one point, like rock-paper-scissors to see who's going to sing the next line, which was kind of funny, but that's how naturally organic it happened,” he adds. “It wasn't forced at all. We started thinking about bands like Pink Floyd back in the day that had two singers and they were both completely different characters with different voices -- but that's part of the magic with it. So, we just really leaned into that.”

The impetus to get Adam back in the band he says started with simple conversations. “A lot of the stuff on the Internet over the years is like all this bad blood and stuff, and I think a lot of people made that up in their mental cinema… We were kind of like, ‘Stuff happens.’ The thing about being in a band is, it's like being in a marriage with three other people. So things happen, people go different ways, people have different life directions and stuff. 13 years ago, we kind of came to a crossroads where that became a major factor, but all this time later, it just made sense to investigate what it would be like to make this thing that would be bigger than better than anything we've ever done.”

After performing guest vocals with them at a concert and seeing the crowd’s reaction, “We're like, ‘Let's sit around with some guitars and see if we can be creative together because that was the only thing that mattered,” he says. “We need to be able to vibe out; it's like we could pull a stunt or something, but that that's not what we wanted to do. He’s coming ba ...

Joining host Kevan Kenney for a special Audacy Check In on the release day of their 2024 comeback album, FROM ZERO, the members of Linkin Park are with us to talk about the brand new record, upcoming world tour, and more.

Mike Shinoda, Dave “Phoenix” Farrell, Joe Hahn, and Emily Armstrong join KROQ host Kevan Kenney today while currently in Bogota, Colombia celebrating the release of Linkin Park's 2024 album, FROM ZERO, and bringing their brand new live show to all corners of the globe.

“It's very rare to play a new spot and it came up somehow on maybe Twitter or somewhere, but the last time we had played a new show I think was in Hungary on maybe the last tour cycle,” Phoenix tells us. “But it seems like these days there's one or two new cities or new countries per cycle that we get to see for the first time. It's always a good time.”

Finally getting to this point, Mike Shinoda says was a complicated process, “For me, two years ago, it was very overwhelming and I think the best thing that we did was to just basically let things happen in the order and at the timeline that they were gonna happen -- let things happen organically and not push too hard. And I feel like what ended up evolving was we just naturally kind of found each other. We found this new line up, we found [singer] Emily [Armstrong] and [drummer] Colin [Brittain] in particular, and the music just kind of came into focus based on what we were having the most fun doing.”

Giving off a smile when Kevan said it felt like the band was getting back to its “roots,” Mike explains, “I love that there's such a strong Linkin Park DNA in the record -- it does really feel like Linkin Park -- but I think there's a part of it that's the old sound, and part of it that's every era of the band, to me, on the record.”

“I don't know if I know well, what the Linkin Park DNA is,” Phoenix admits. “It's kind of like when you're too close to something, you just do it, and then other people tell you, they almost interpret it, and then you kind of say, ‘OK, cool, I'm glad that came across.’ But I think in any and all of that creation of an album, or working on new music, or new stuff, or when there's, I don't know ‘interstitials’ or whatever you might want to call it… for me, those things are just us doing us, figuring that out, and moving forward."

"In this process," he adds, "one of the things that was so fun and rewarding and cool and energizing was just how, when we started gradually integrating Emily and Colin, it felt like Linkin Park. It just felt like it fit for me and for us, and those were the coolest moments in the entire process. Just feeling like things were kind of gelling and coming together, and we're having a blast doing it the whole time. So, at this stage being ready to finally have the album out, having people be excited about it, that feels great.”

Don't miss Kevan Kenney's full Check In with Linkin Park above, and stay tuned for more conversations with your favorite artists right here on Audacy.

Words By Joe Cingrana, Interview by Kevan Kenney

Joining host Abe Kanan today for a special Audacy Check In is Breaking Benjamin's Benjamin Burnley – along with his son Ben Jr. -- giving us details about the band's brand new music, upcoming album plans, and plenty more.

Although Breaking Benjamin has not dropped a full length since 2018's 'Ember,' the longest span of time they have had in between albums, they have kept themselves quite busy in the meantime. The band just wrapped up their most recent co-headlining tour with Staind and special guest Daughtry, and at the start of the month released their brand new single "Awaken," which landed at the top of several Billboard charts.

Before discussing new music, Abe wanted to know from Ben Jr. what it’s like having a mega rockstar dad who performs in front of tens of thousands of people at his concerts each night. “It's like something special to me because, you know, I play on stage. I entertain like thousands of people and I'm grateful for that,” he tells us.

“Every time he's with me, he plays on stage with us,” Ben’s dad explains. “And also too, I want to mention, for real, the last chorus of ‘Awaken,’ there's like a pad vocal that's going on in the background and he's singing that. So, he's singing on the record. Yeah, he's singing on that song.” Giving us a taste of the raw audio featuring his son, Ben proudly says, “Not many people know, but, I mean, I'm kind of just spreading the word that he's singing on that track.”

The new single’s runaway success has, in a way, passed Burnley by since the band has been busy on the road since its release earlier this month. “I had no idea,” he tells us, “because I'm out on tour and just doing my thing out here. We have so much going on during the day… I haven't really checked in. I didn't know it was doing so well. I'm very, very thankful and grateful for that.”

“Our day to day out here on tour, we do a meet and greet and then we do the concert and we're not really, because we're traveling so much -- today is the last day of the tour -- the only kind of interaction that we get with actual people is at our meet and greet,” Ben explains. “So, we've gotten some good reactions from that and out here on tour, in the wild, that's really the only gauge that we get, because the rest of the day is stuff like this and the concert.”

The positive reaction he admits is “definitely gonna give us a little bit of a pep in our step,” to finish the rest of the album, “but we are already the type of band that we're going to give it our all no matter what,” he says. “That's what's taking so long… that and COVID.”

Taking his time writing music during what he considers such an uninspiring period, felt like the best course of action, he believes. “Everybody has a different personality, everybody works best under different conditions, and I'm just the type that I can have the negativity of COVID and all of that be turned into a positive thing. But I'm the type that it has to be after it's over and I reflect on it, not while I'm in it -- and that's like with anything. Like, if something bad happens and I'm hurting or whatever the case may be or even if I'm happy it has to be at a time, which is weird, I guess, but it has to be at a time when that's over and I'm looking back on it, not during. I'm too busy going through it during.”

Looking back now as a major headliner, Ben still remembers the early days quite fondly, playing at 11AM when the festival gates officially opened. “Yeah, I'm kind of surprised we're not doing that,” he says humbly. “I'm surprised we're not playing 11 o'clock. I'm really grateful that we're where we are, but I definitely do. I was just talking about that recently, you know how we've all been there, we've all done that. We all do the same things out here, and every step of the way is its own fun, its own allure, because I miss those days kind of in a way, because the climb, you know, the climb is fun. Reaching thin ...

Back on the music scene with three new solo singles, “Rockstar,” “New Woman” featuring Rosalía, and the latest “Moonlit Floor,” LISA checked in with Audacy’s Mike Adam at the Hard Rock Hotel New York to chat all about the new tracks, who's on her collab wish list, and what’s next.

LISA’s latest trio of singles, away from BLACKPINK, follows her first solo project, LALISA, a two-song set released in 2021 featuring title tune “LALISA,” and fan favorite “MONEY.”

Delving right it, Mike started the conversation discussing LISA’s latest single “Moonlit Floor,” asking her if she was familiar with the Sixpence None The Richer song “Kiss Me,” before she sampled it in the song. “Yeah, actually I remember when I was young, I don't know, five or six, my dad always played that in a car,” LISA recalled. “So I [was] kind of familiar with that song.”

Already stacking up an impressive list of collaborators like Ryan Tedder, Max Martin, and Rosalía with the three tracks she’s released thus far, LISA revealed she has a wish list of “a lot” more rockstars she’d love to work with, but at the moment, at the top of that list is Doja Cat.

Sharing some things she’s learned and picked up from the people that she’s worked with, LISA expressed, “when I did a music video with Rosalía… I learned something from her. She's amazing, she’s a professional, like every single take, that like action, she's just doing her thing. So I learned that confidence and identity, she just maintains her identity with her music, with her art and everything. So, yeah, I wanted to be someone like her that can maintain my identity.”

With dancing being such a big part of her career, LISA also shared a bit about starting dance lessons at the young age of four or five. Recalling her first day at dance school, which her mom dressed her for in a skirt, LISA said, “I just went in and they just tell me to kick… and I was like, I'm in the miniskirt.”

Noting, that dancing was something she had a great passion for and worked really hard on, “because I love it,” and “want to be good,” LISA went on to say, “I improved a lot when I moved to Korea, when they give me like intense dance lessons.” Especially through the power of repetition. “I just keep repeating it until my body memorize it."

Also discussing how she has the rights to her solo music, which Mike rightfully acknowledged is “just huge,” LISA concurred, saying, “I’m just so lucky, to have that on my own, I'm just so thankful… I’m so lucky.”

In addition to new music, also on the horizon, the K-Pop star is set to make her acting debut in season 3 of the hit HBO anthology, 'The White Lotus.' And while she didn’t share any scoop about the super secretive series that’s set to hit the small screen in 2025, she did share that she reached out to friends like band member Jennie, who also starred in an HBO series — 'The Idol,' for some guidance. “Yeah, I actually asked, like how do you memorize all the lines? Revealing the slightly unimaginative, but still helpful advice she received was, “you just memorize it.”

To catch the entire conversation, check out LISA's entire interview above.

Words by Maia Kedem Interview by Mike Adam

She’s an icon, she’s a legend, she is Kylie Minogue, and she checked in with Audacy’s Mike Adam at the Hard Rock Hotel in New York to chat all about her new album, Tension II, her upcoming TENSION Tour, and more.

From putting together her setlist to touring North America again, while gaining new fans, and reflecting on the days of cassettes and CDs -- Kylie covers it all.

Starting off expressing her excitement to be touring in North America after “too, too, too long,” Kylie admitted that putting together the setlist for, as Mike put it, “a show of this magnitude,” currently “lives rent free” in her head.

“Obviously it’s the TENSION Tour, so we're going to have songs from 'Tension' and 'Tension II,' even 'Disco,' my previous album I didn't get to tour,” Kylie noted. "But," she added with a smile, “we’re going to serve you ‘Can’t Get You Out of My Head,’ and ‘All The Lovers,’ and even take you back to ‘Locomotion.’”

Pointing out how Kylie’s influence spans generations, Mike mentioned how “it's gotta be mind-blowing,” to have songs on the setlist like ‘Locomotion’ that have “the eighties babies dancing,” but also have a song like ‘Padam Padam’ that has their kids’ heart rates rising, Mike asks Kylie if she expects her shows to be a family affair.

“I'm so glad that you've recognized that,” Kylie responded, adding, how “because that’s been… such a buzz. That the OGs fans that have been around… they’re having a blast. And then the newer fans, new people who come to the Kylie party… I know they've been introduced, a lot of them with ‘Padam Padam’ or 'Tension,' whatever -- but they lose their minds over ‘Locomotion,’ which is just brilliant. So it means I can encompass the scope of my career, which is over five decades.”

When asked if there is a key to longevity in this crazy business, Kylie expressed, “There's a few things that definitely count,” listing them off, “persistence, tenacity, passion, luck.”

Noting he’s nostalgic about the long-ago days of cassettes and CDs, “when you would find the secret song at the end when you would just let the final track play.” Mike asked Kylie if there was anything she missed about the industry, from when she was first getting into it.

“Just the thrill of, you had to make the effort, go to the shop… that was like your kind of own private Idaho is to have put that record on, "Or, have to argue with your brother and sister, like, ‘what are we playing?’, Kylie answered. Also noting that “until I got a Walkman… You didn't have music on the move. So, I guess I can be nostalgic about all of that, but cut to now and it's great to go, ‘What do I want to listen to? What's new?' So much has changed.”

Talking about the changes she’s seen for women in the industry since her start, Kylie expressed, “It’s very encouraging that I'm proof, I'm sat here,” ...

It’s been eight years since Grace VanderWaal was the bashful 12-year-old girl who wowed and won America’s Got Talent with her ukulele playing and textured, breathy vocals. Now 20 and all grown up, Grace is back with brand new music and a scandalous Megalopolis role, and she’s checking in with Audacy’s Bru to chat about it all.

Despite some admitted “ups and downs” throughout 2024 thus far, Grace told Bru she currently feels “like I have some strong footing right now, I feel very confident in what we're brewing up.”

Newly signed to Pulse Records, Grace shared a bit of insight into some of the changes this year brought, that had her feeling those “ups and downs.”

Starting off with a positive, Grace admitted the decision to sign with Pulse has been “the best thing that ever happened to me.” Going on to note, “There were so many things that happened that was like so destined and just me writing ‘What's Left of Me,’ and then Columbia dropping me, and got rid of everyone around me,” which she admitted, “wasn't planned.”

“I was already getting rid of everyone around me,” she continued, “and then I got that call and they were like, ‘oh you can't have any of the music that you've made in this long time.’” Which Grace revealed was around “40 songs.”

Feeling determined to rise above, Grace decided, “I’m going to f***ing write an album, I'm going to write an album and I'm going to do this right… the way that I knew it always should be.”

Comparing the way things went down to a bad relationship that you’re being gaslit about, Grace expressed, “I feel like every single day for the past six months, at least once a day, I'm like, ‘I f***ing knew it was real. I knew it was real, and I'm doing it right now, and I knew that people could work like that.'”

Feeling invigorated in this new chapter, Grace confessed, “I was so afraid of change for a really, really long time because I've been doing this for so long,” so much so that the people she surrounded herself with evolved to feel more like family, “like I've known you since I was like 12 years old.”

“So you can feel so trapped and stuck… but I knew that a change needed to happen because things weren't really working. Also my personal life was weirdly exactly mirroring this as well," Grace added, “like the similar parallel of things are going wrong because I can't let go of things and staying in places for the mere fact of staying there, but not for any other benefits.”

Deciding to “pull the trigger,” and make a change, “five great things happened,” and she realized, “good things are happening when I do that,” and she understood it was time to let go.

Delving into those exciting things she’s got brewing, which includes that album she ment ...

Joining Bru for an Audacy Check In, Gwen Stefani is here to fill us in on her forthcoming album Bouquet. From finding the right sound, to feeling inspired by the “group of amazing songwriters” she worked with, the “spiritual” recording process, and more.

Following Bru wishing Gwen a happy belated birthday, (it's October 3), Stefani shared some deets about this year’s memorable celebration, after feeling a bit lonely during her birthday last year.

“A year ago… I had a show in Hawaii on my birthday and I was like, oh, yeah, I'll go get a little pile of money and come home and I don't care about my birthday.” However, as Gwen revealed, “I went on my own and I, like, spiraled into this like place. I was like, everybody needs to have a birthday I think like a celebration.”

That being said, something good came out of it. “I ended up writing this song called ‘Swallow My Tears,’ which is on the new record,” Gwen offered. “But this birthday, I was like, OK, no, we got to do something,” she continued, sharing all about the Colorado trip her hubby Blake Shelton took her family on.

With Gwen’s upcoming fifth studio album, Bouquet, set to drop on November 15, the singer shared her current emotional state about everything as a whole, saying, “I feel so grateful… it was one of those like… all I can do is look back at all of the whole career and be like, wow, how did that happen?”

After 2020, Gwen felt the want to start writing again, but also felt that she had so many things going on. “I'm a mom… I felt guilty to even go to the studio and try to write music because a lot of times you go and nothing happens,” Gwen shared. “But I started working on it and I think I went down like a lot of like, weird cul-de-sacs musically, because I didn't really know what I wanted to be or who I was. I was trying to chase the old me like, okay, I want to do reggae or I'm gonna do this, and nothing was landing.”

After a few failed attempts, and less than stellar reviews when she’d play the material for people, Gwen came to the realization that, “it really just comes down to, you have to like it, you as the person doing it.”

“I wanted to always be real and truthful and honest and I just had to find that real honest place.” Noting it also has a lot to do with “the people that I actually end up writing the songs with, like finding the right chemistry, the right everything to make it all come together.”

“Once I wrote ‘Purple Irises’… that was like, finally, okay, I landed in the spot, and then the record kind of happened pretty quick after that.”

Discussing the sound she landed on for the album, Gwen said, “I knew I wanted to make something that I wanted to listen to. The older I get, the more I go back to the songs that I grew up with as a kid. Which I think we kind of call it yacht-rock now, but ...

Hozier joined host Bru backstage at the Kia Forum in Los Angeles for a special Audacy Check In while on his 2024 Unreal Unearth Tour, revealing he's ready to get back into creative mode once his overseas dates wrap up.

Currently taking a break at home before bringing his show to Australia and New Zealand to wrap things up by the end of November, Hozier tells us the tour so far has been “super rewarding… the crowds have been amazing,” especially after releasing brand new music while out on the road.

Now a decade since the release of his first album, Hozier finds it funny how he doesn’t seem to have felt that time went by very quickly. “It's so weird,” he admits, “maybe 6 to 7 years of that was me on the road, or promoting, or touring or something, and life on the road kind of becomes this blur -- it feels like no time passes and it feels like a lifetime as well.”

Once the tour wraps overseas, Hozier is “super eager to get back creating. I really enjoyed making the last record,” he says of 2023’s Unreal Earth. “I'm kind of at that point now where I'm hungry again to have space and time to think about new music, and I've pretty much emptied all of my pockets now at this point… I'm kind of hungry to feel my way through new work again.”

“We start fresh,” he adds, revealing he does have some tracks from previous writing sessions that will never see the light of day. “Everything that I felt like, ‘this nearly made the record, that this could have made the album, or if we'd finished it in time, or this was battling out for another song,’ I feel really glad that I've released a lot of that after-work, or work that didn't make the album proper. That's been super-rewarding, but yeah, I'm just at the end of that.”

Choosing which songs make it onto a release can be “like picking which children go on the right boat,” he admits. His latest hit "Too Sweet," is just one example of a track that almost didn't make the cut on his 2024 Unheard EP.

“It can be tough. There's ones that you really feel so close to and you feel very protective of certain songs -- you really want them to see the light of day because they mean so much to you," he adds. "Everybody has their favorites; Your producer or the team that you work with are gonna have their thoughts, you have your thoughts… it's a whole process.”

Hozier also got a chance to work with Noah Kahan recently on his “Northern Attitude,” and aside from sharing incredible songwriting prowess and similar luscious locks a beard, Hozier joked that they also share fashion senses.

“Noah's amazing and he's having such an incredible couple of years, and this wild kind of hurricane is going on around him. He's so cool, he's so grounded, he's just so down to earth. He's a really nice guy as well too, and he carries it very lightly. Jumping on ‘Northern Attitude,’” he adds, “I remember first hearing that song before they'd reached out, I f***ing loved that track and was so delighted to hop on.”

Don’t miss Bru’s full Audacy Check In with Hozier above -- and stay tuned for more conversations with your favorite artists on Audacy.com/Live.

Words by Joe Cingrana Interview by Bru