Bryan and Dave take a trip back to Japan for their Toho 3-in-a-ro-ho, looking at 1977's psychedelic haunted house freakout by Nobuhiko Obayashi, House (Hausu if you're nasty). You'll see a young woman be eaten by a piano, a grown man get turned into a pile of bananas, a flying severed head biting girls on the butt. This movie has everything! It's recognizably a horror movie by a director who stradfastly refused to let it be purely horrifying, instead putting the focus on high-flying visual style and storybook production values. You've never seen so many matte paintings. It's a real challenge to talk about a movie so rich in visual aesthetic but we're going to do our best to break it all down.

We close out our two part examination of the Godzilla/King Ghidorah beef with a close look at the Heisei era movie where Americans from the future presume to travel back in time and destroy Japan with a monstrous weapon and then force what's left over to conform to their political and economic interests. This time around the America/Japan relationship is bopped real hard on the nose. We also discuss the cultural and social conditions of Japan at the time which made American attitudes toward Japan so weird and more than a little racist. Don't worry though, there's plenty of chatter about Godzilla, King Ghidorah and the peerless thrill of big, loud, Japanese special effects movies.

Join us this week as we take a trip to Japan to talk Godzilla. This is the movie that introduced the world to Godzilla's arch-nemesis, Ghidorah, the floppiest golden dragon the world has ever seen. We also get short changed on Mothra, are delighted by those little fairy ladies who summon her, and can't help but talk shit about Rodan, one of the least compelling Godzilla monsters out there. You'll learn about Kaiju, Bryan will struggle to pronounce some Japanese words, and we'll tell you all about the several eras of Godzilla. We assure you nothing less than good time.