Love. Betrayal. Death. Those subjects we discussed in our story-song and in other recent poems, including Christina Rossetti’s particular version of false love and twisted betrayal—Lust that isn’t love, summer friends abandoning her in her self-exile, her false love leaving her to face her trouble alone.

When we’ve endured betrayal, our memories of that traitors are as a monster.

Monsters need not have venom-dripping fangs and wicked-sharp talons. The worst monsters are in our own selves, the ones who want to stay with that “dragon who keeps so fair a cave” (Shakespeare).

As we near All Hallow’s Eve, we look for stories and poems and blogs about monsters. The horror genre gives us unreal monsters while the thriller genre gives over-the-top monsters, like Hannibal. We have fantasy monsters and domestic villains as monsters. We writers bend tropes.

The best monsters, though, never seem like monsters until we fall into their clutches.

TIMINGS

• 00:00 Welcome
• 00:40 Introduction / Monsters
• 03:55 Heinrich Heine’s “The Lorelai” / the femme fatale
• 08:10 Lessons for all Writers #1 and #2
• 11:48 Lesson #3 Find your Monster
• 15:00 Last Words / Closing

Total Run Time = 17:04

#heinrichheine #lorelai #femmefatale #blackwidow #theme #thesis #womenasmonster #goddessofrevenge #nemesis #siren #gorgon #graiae #odysseus #mythology #revenge

LINKS

Heine’s bio https://en.wikipedia.org/wiki/Heinrich_Heine

“Lorelai” http://www.poetryatlas.com/poetry/poem/2255/the-lorelei.html#:~:text=The%20Lore-lei%20has%20done!%20The%20American%20Poet%20Thomas%20Bailey

Analysis is All Original Content / No AI Used

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