
You Wanna Be on Top?
A Memoir of Makeovers, Manipulation, and Not Becoming America's Next Top Model
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Narrado por:
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Sarah Hartshorne
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De:
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Sarah Hartshorne
Acerca de esta escucha
In this revealing memoir, a fan favorite America’s Next Top Model contestant pulls back the curtain on the iconic but deeply flawed reality competition show, exposing the manipulation and chaos behind the scenes.
"A delicious, hilariously relatable behind-the-scenes memoir. A page-turning lark turns into an internal (rather than external) makeover." —Maria Bamford, New York Times bestselling author of Sure, I'll Join Your Cult
Tyra Banks’s America’s Next Top Model was a cultural phenomenon with more than six million weekly viewers at its peak. Over its fifteen-year run, the show captured the glitz of the early aughts as well as its most toxic attitudes—from the glamorous but often questionable photo shoots to the cutting feedback from its highly respected if out-of-touch judges. Watching ANTM now, it feels impossible to imagine a show like this airing today, and as its fans have grown up, they’ve also begun to reckon with the enduring ways that the show has affected their body image and self-esteem.
Sarah Hartshorne would have never guessed that her first foray into modeling would start with being blindfolded alongside three dozen other girls on a charter bus winding through Puerto Rico. In You Wanna Be On Top?, Cycle 9’s only plus-size contestant takes us into the heart of the unforgiving auditions; the labyrinthian cruise ship the girls weren’t allowed to enjoy; and, of course, the L.A. “model house” teeming with hidden cameras and elaborately constructed tensions. As the season unfolds and the producers’ interview questions about her weight and her opinions of the other girls become increasingly pointed, Hartshorne uncovers the destabilizing methods employed to film “reality.”
Drawing on her experience as well as interviews with other contestants and production crew, Hartshorne answers the questions you always wanted to ask: Why didn’t the house have a microwave or a dishwasher? Why did girls regularly faint during eliminations? Which judge was the meanest off camera? Why is it that the girls had their most meaningful conversations in closets? (Answer: It was the one place camera crews couldn’t fit.)
With tender honesty and sharp wit, Hartshorne dissects the iconic show with an unflinching gaze that refuses to smize.
Reseñas de la Crítica
“A delicious, hilariously relatable behind-the-scenes memoir. A page-turning lark turns into an internal (rather than external) makeover.”—Maria Bamford, New York Times bestselling author of Sure, I'll Join Your Cult
“You Wanna Be on Top? takes a frank and philosophical look at the chaos undergirding the production of America’s Next Top Model. Hartshorne is refreshingly candid about the poisonous dysfunction of the reality show world, but she never takes the easy way out by making her fellow competitors into caricatures or the crew members into villains. In her funny, thoughtful telling, the show comes alive in a whole new way.”—Rax King, author of Tacky
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Historia
Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.
De: Jeffrey Seller
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Pretend We're Dead
- The Rise, Fall, and Resurrection of Women in Rock in the '90s
- De: Tanya Pearson
- Narrado por: Kendra Hoffman, Carrington MacDuffie, Suehyla El-Attar
- Duración: 7 h y 6 m
- Versión completa
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General
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Narración:
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Historia
In 2018, during an interview with journalist Tanya Pearson, Shirley Manson lamented: "It’s a blanket fact that after September 11th, nonconformist women were taken off the radio.” This comment echoed a reality Pearson had personally witnessed as a musician and a fan, and launched her into a quest to figure out just what happened to these extraordinary female figures. Pretend We’re Dead seeks to answer two big questions.
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The well investigated content and personal interviews
- De meg jones en 01-29-25
De: Tanya Pearson