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Narrado por:
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Grover Gardner
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De:
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Yevgeny Zamyatin
Acerca de esta escucha
Set in the 26th century A.D., Yevgeny Zamyatin's masterpiece describes life under the regimented totalitarian society of OneState, ruled over by the all-powerful "Benefactor." Recognized as the inspiration for George Orwell's 1984, We is the archetype of the modern dystopia, or anti-Utopia: a great prose poem detailing the fate that might befall us all if we surrender our individual selves to some collective dream of technology and fail in the vigilance that is the price of freedom. Clarence Brown's brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than 60 years' suppression.
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We (Russian: Мы, romanized: My) is a dystopian novel by Russian writer Yevgeny Zamyatin, written 1920–1921. The novel was first published as an English translation by Gregory Zilboorg in 1924 by E. P. Dutton in New York. The novel describes a world of harmony and conformity within a united totalitarian state. It is believed that the novel had a huge influence on the works of Orwell and Huxley, as well as on the emergence of the genre of dystopia.
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Historia
Part noir, part psychedelic romp, all Thomas Pynchon - Private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era. In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the '60s, you weren't there. It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with.
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Fun Pynchon, don't be afraid
- De Darryl en 08-21-09
De: Thomas Pynchon
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The Windup Girl
- De: Paolo Bacigalupi
- Narrado por: Jonathan Davis
- Duración: 19 h y 34 m
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Anderson Lake is a company man, AgriGen's Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok's street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history's lost calories. There, he encounters Emiko...Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman.
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Good and also Frustrating
- De txkimmers en 11-16-09
De: Paolo Bacigalupi
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Brave New World
- De: Aldous Huxley
- Narrado por: Michael York
- Duración: 8 h
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When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.
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Michael York should stick to the stage and leave narration to the pros.
- De SD en 08-21-19
De: Aldous Huxley
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Anathem
- De: Neal Stephenson
- Narrado por: Oliver Wyman, Tavia Gilbert, William Dufris, y otros
- Duración: 32 h y 25 m
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Fraa Erasmus is a young avout living in the Concent of Saunt Edhar, a sanctuary for mathematicians, scientists, and philosophers, protected from the corrupting influences of the "Saecular" world by ancient stone, honored traditions, and complex rituals. Over the centuries, cities, and governments have risen and fallen beyond the concent's walls. Three times during history's darkest epochs, bloody violence born of superstition and ignorance has invaded and devastated the cloistered mathic community.
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I love Neal, but Good lord... ugh!
- De SpiderGrrl en 10-08-19
De: Neal Stephenson
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The City & The City
- De: China Mieville
- Narrado por: John Lee
- Duración: 10 h y 16 m
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When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borl ú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined. Borl must travel from the decaying Beszel to the only metropolis on Earth as strange as his own.
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Reviews, Dishonesty and The Emperor's New Clothes
- De Robert en 01-27-13
De: China Mieville
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The Master and Margarita
- De: Mikhail Bulgakov
- Narrado por: Julian Rhind-Tutt
- Duración: 8 h y 21 m
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The Master and Margarita is one of the most famous and best-selling Russian novels of the 20th century, despite its surreal environment of talking cats, Satan and mysterious happenings. Naxos AudioBooks presents this careful abridgement of a new translation in an imaginative reading by the charismatic Julian Rhind-Tutt. With War and Peace and Crime and Punishment among the Naxos AudioBooks best-sellers, this too promises to be a front title.
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Very vivid and amazing writing style
- De Sina Beni en 05-04-22
De: Mikhail Bulgakov
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Uglies
- Uglies, Book 1
- De: Scott Westerfeld
- Narrado por: Brianne Tju
- Duración: 10 h y 11 m
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Tally is about to turn sixteen, and she can’t wait. In just a few weeks, she’ll have the operation that will turn her from a repellent ugly into a stunningly attractive pretty. And as a pretty, she’ll be catapulted into a high-tech paradise where her only job is to have fun. But Tally’s new friend Shay isn’t sure she wants to become a pretty. When Shay runs away, Tally learns about a whole new side of the pretty world—and it isn’t very pretty. The authorities offer Tally a choice: find her friend and turn her in, or never turn pretty at all. Tally’s choice will change her world forever.
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Excellent Storyteller
- De Me en 12-06-24
De: Scott Westerfeld
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A Clockwork Orange
- De: Anthony Burgess
- Narrado por: Tom Hollander
- Duración: 7 h y 44 m
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A vicious 15-year-old droog is the central character of this 1963 classic, a frightening fable about good and evil, and the meaning of human freedom. In Anthony Burgess' nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology.
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Great book, great narration, but not for everyone
- De Steve en 06-28-09
De: Anthony Burgess
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The Moon Is a Harsh Mistress
- De: Robert A. Heinlein
- Narrado por: Lloyd James
- Duración: 14 h y 12 m
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In what is considered one of Heinlein's most hair-raising, thought-provoking, and outrageous adventures, the master of modern science fiction tells the strange story of an even stranger world. It is 21st-century Luna, a harsh penal colony where a revolt is plotted between a bashful computer and a ragtag collection of maverick humans, a revolt that goes beautifully until the inevitable happens. But that's the problem with the inevitable: it always happens.
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Heinlein's Masterpiece
- De Peter en 12-04-06
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The Man in the High Castle
- De: Philip K. Dick
- Narrado por: Jeff Cummings
- Duración: 9 h y 58 m
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It's America in 1962. Slavery is legal once again. The few Jews who still survive hide under assumed names. In San Francisco, the I Ching is as common as the Yellow Pages. All because some twenty years earlier the United States lost a war - and is now occupied by Nazi Germany and Japan.
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Alternative history
- De Michael G Kurilla en 07-28-15
De: Philip K. Dick
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Worlds of Exile and Illusion
- Three Complete Novels of the Hainish Series in One Volume—Rocannon's World; Planet of Exile; City of Illusions
- De: Ursula K. Le Guin
- Narrado por: Michael Crouch, Alyssa Bresnahan
- Duración: 16 h y 38 m
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Three remarkable journeys into the stars: Worlds of Exile and Illusion includes Rocannon's World, Planet of Exile, and City of Illusions. These three spacefaring adventures mark the beginning of grand master Ursula K. Le Guin’s remarkable career. Set in the same universe as Le Guin’s groundbreaking classics The Left Hand of Darkness and The Dispossessed, these first three books of the celebrated Hainish series follow travelers of many worlds and civilizations in the depths of space.
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Well and Beautifully Told
- De K.E.H. en 04-07-25
Yevgeny Zamyatin's "OneState" under its "Benefactor" are not as fully developed as Orwell's Oceania and Big Brother - Zamyatin wanted to represent ideas which were (obviously) allusions to the communist regime that he had to flee, but he didn't go as far as Orwell did in creating a society meant to be believable and similar to our own. Also, the prose (allowing for the translation from Russian) is often clunky, the dialog sometimes laughable, and the plot verges into the absurd. But it is an early work of science fiction and deserves its laurels for inspiring the better novels that came after it.
Besides the obvious dystopian elements of OneState and the iconic figurehead of a "Benefactor," one can also see Orwell's inspiration in the up-is-down, black-is-white logic of OneState, which holds annual elections so everyone can vote in perfect unanimity for the Benefactor and which manages to reify ideas into what Orwell would later call "thoughtctimes."
In OneState, everyone lives in a glass apartment building. Society runs according to strict scientific algorithms, making everyone equal and everything fair. For example, human beings have been freed from lust and jealousy by the simple expedient of making everyone a public good - if you want to have sex with someone, you just put in a request for their number and at an appointed time they will show up to perform their duty.
I can see a few obvious problems with this scheme that even a dystopian police state would have trouble controlling, but again, this book is more of a thought experiment than a carefully designed setting.
Zamyatin's tale of D-503, a scientist/drone whose previously unquestioned loyalty to OneState is suddenly shaken by a desire to get laid by someone sexier than his assigned short, plain, girlfriend O-90, is at heart a fairly typical story that even has a few pulp action scenes at the end. I can see it being an inspiration not only for George Orwell but also Isaac Asimov and other writers of the generation who would have read Zamyatin's novel growing up.
It was interesting to read, but We is very much an artifact of its time, and Zamyatin's writing unfortunately fell flat for me as most Russian writers tend to.
Rough inspiration for 1984
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“We” tells the story of D-503 in the 26th Century. While being written in the 20’s — some of the stories and ideas within “We” are still valid today, while others do feel a bit dated.
I can definitely tell where Orwell picked up some of his dystopian ideas for 1984 within this book — a lot of the plotlines seem similar “Benefactor” vs Big Brother, main male character writing his thoughts down (and ends up writing down thoughts against the world he currently lives in), and the way a girl/woman can pull them from their normal everyday lives to a new and unique life.
The narration is really well done, the book is very flowy until it’s choppy (which makes no sense until I explain it). Basically, the story is a journal from D-503. And sometimes he just stops writing because their leisure time is up, or his thoughts are confused. And others — D-503 writes long and crazy stories about what is happening to him and what is going to happen. It’s a bit crazy, but I really enjoyed it.
Overall, “We” is a must read for those who love dystopians. It’s one of the world’s first — and even though it’s almost 100 years old, a lot of the premises will still give you chills today.
The grand-daddy of all Dystopians
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The story itself was good. The overall premise of a dystopian world told from a believers point of view was unique to me and this is what set it apart.
Outstanding performance!
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Everyone should read this book
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[I listened to this as an audio book performed by Grover Gardiner, who did an excellent job of conveying the irony of the book without sacrificing believability]
Couldn't be more topical . . . great narrator
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The story does bog down, and get very strange 2nd half - need to listen again. Main thrust is the main characrer's order versus soul battle.
Orwell and Huxley Ripped Him Off!
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WE are not impressed
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Anti-Utopia
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WE is one of the earliest examples of dystopian literature---you can see elements of WE in 1984 (Orwell), Brave New World (Huxley), Anthem (Rand), Player Piano (Vonnegut) and many others.
The story is presented as D305's personal journal. The prose is a bit dated---it was written around 1920 and has very flowery internal narration and not a lot of dialog, and I started to find it getting tedious, until we got close to the end.
The audio book starts with a fairly long and involved history of WE and its publication (and the various translations). Usually, I find such intros boring and low-value, but in this case, I found it helpful.
Grover Gardner's narration is quite good...he doesn't really add anything to the story but he doesn't take anything away, either.
[Footnote: According to Wikipedia, Aldous Huxley denied having read WE before writing Brave New World, but Orwell definitely cited it as a source for 1984.] Of course, all have different themes and draw different conclusions.
Interesting history, prose a little outdated
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If you could sum up We in three words, what would they be?
Freedom from imaginationWhat other book might you compare We to and why?
1984, Brave New World. All three are about modern dystopia.Have you listened to any of Grover Gardner’s other performances before? How does this one compare?
I have enjoyed Grover Gardner's performance elsewhere, but I really enjoyed his poem-like presentation in this book.Was there a moment in the book that particularly moved you?
No. I am not easily moved. I weigh 240 lbs.Any additional comments?
I enjoyed reading the precursor to 1984. I enjoyed the story and expected the outcome, but the presentation was fantastic. I enjoyed how the character referred to Ancient Times and wondered why we were so difficult. I loved his explanation of our election process differences. It was a good story that ended too soon.Not you, not me, but WE
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