
The Rest Is Noise
Listening to the 20th Century
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Narrado por:
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Grover Gardner
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De:
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Alex Ross
Acerca de esta escucha
Ross, music critic for The New Yorker, is the recipient of numerous awards for his work, including two ASCAP Deems Taylor Awards for music criticism. In addition, he was named a 2008 recipient of a MacArthur Foundation fellowship, given for achievements in creativity and potential for making important future cultural contributions.
©2007 Alex Ross (P)2007 Blackstone Audio, Inc.Los oyentes también disfrutaron...
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Reseñas editoriales
Like the origins of a musical idea waiting to be developed through the course of symphony, Adrian Leverkühn, the titular musical genius of Thomas Mann's Doktor Faustus, foreshadows The Rest is Noise. Mann has Leverkühn attend a performance of Richard Strauss' Salome in 1906, the same event that opens The Rest is Noise. Alex Ross lists Leverkühn's fictional attendance along with that of the historically correct presence of Mahler, Puccini, Schoenberg, the cream of doomed European society - and the 17-year-old Adolf Hitler. in Mann's book, Leverkühn contracts syphilis around the same time from a prostitute who goes on to haunt his work; the implied germination of something dark and destructive - musically and historically - sets the tone for Ross' hugely ambitious book.
if writing about music is like dancing about architecture, Alex Ross, the classical music critic of the New Yorker, is Nureyev with a notebook. Critics may quibble with the lack of academic theory in his descriptions of music (in this regard, it's constructive to compare his book with Charles Rosen's The Classical Style), but he has an undeniable gift for enabling the reader to 'hear' the outline of the music he describes (or at least make them believe that is what they're hearing): "Strings whip up dust clouds around manic dancing feet. Brass play secular chorales, as if seated on the dented steps of a tilting little church...Drums bang the drunken lust of young men at the center of the crowd." Consequently, there are countless moments in this book where the temptation to download the music is overwhelming - clearly, copyright issues and running time barred inclusion of musical segments in this recording, and it's a tribute to Ross' style that this omission isn't a critical blow.
The author's forte - obsession, even - is to conjure up sweeping historical vistas and then focus in on the tiny details that bring biographies to life: Charles ives' stint as an insurance salesman, the discovery by Alban Berg's brother of the teddy bear as a marketable toy. Ross also likes to draw historical parallels between the careers of very different composers. However, comparisons with works outside the genre don't always convince of their relevance, for example Sibelius' 5th with John Coltrane's A Love Supreme. Everyone from Britten to Björk, Ellington to Einsturzende Neubauten is invoked, which is fun but can feel arbitrary. At these points, the listener is reminded of the author's other career as a prolific blogger - blog writing seems to invite a certain loftiness of authorial position from which vantage point sweeping generalisations are made; The Rest is Noise can occasionally fall into this trap. -Dafydd Phillips
Reseñas de la Crítica
- National Book Critics Circle Award, Criticism, 2007
Featured Article: Turn Up the Volume—These Are the Best Listens for Music Fans
There’s nothing quite like the electricity that flows through the crowd at a concert: from the moment the lights come up on stage to the amazing sense of communal energy, it’s an experience unlike any other. So it's been a painful few months for fans, musicians, and venues as the pandemic upended album releases, festivals, concert tours, and other events. These listens offer a much-needed dose of the rhythm, artistry, and melodies you might be missing.
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John Eliot Gardiner grew up passing one of the only two authentic portraits of Bach every morning and evening on the stairs of his parents’ house, where it hung for safety during World War II. He has been studying and performing Bach ever since, and is now regarded as one of the composer's greatest living interpreters. The fruits of this lifetime's immersion are distilled in this remarkable book, grounded in the most recent Bach scholarship but moving far beyond it.
-
-
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The Indispensable Composers
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Narración:
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War and Peace is one of the greatest monuments in world literature. Set against the dramatic backdrop of the Napoleonic Wars, it examines the relationship between the individual and the relentless march of history. Here are the universal themes of love and hate, ambition and despair, youth and age, expressed with a swirling vitality which makes the book as accessible today as it was when it was first published in 1869.
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A Truly Great Book and a Truly Astounding Narrator
- De A Midwesterner in Jersey en 05-18-09
De: Leo Tolstoy
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Composers
- Their Lives and Works
- De: DK
- Narrado por: Richard Trinder
- Duración: 13 h y 32 m
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Introduced with more than 90 biographical entries that trace the friendships, loves, and rivalries that inspired each musical genius and their work. Profiles offer revealing insights into what drove each individual to create the musical masterpieces - symphonies, concertos, and operatic scores - that changed the direction of classical music and are still celebrated as masterpieces today.
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Exceeded my expectations
- De PavFan en 02-21-22
De: DK
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Mozart
- The Reign of Love
- De: Jan Swafford
- Narrado por: Tim Campbell
- Duración: 30 h y 22 m
- Versión completa
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Historia
Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: A man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
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Comprehensive Bio
- De Judy en 01-07-21
De: Jan Swafford
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Year of Wonder
- Classical Music to Enjoy Day by Day
- De: Clemency Burton-Hill
- Narrado por: Clemency Burton-Hill
- Duración: 10 h y 44 m
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Classical music has a reputation for being stuffy, boring, and largely inaccessible, but Burton-Hill is here to change that. An award-winning writer, broadcaster, and musician with a deep love of the art form, she wants everyone to feel welcome at the classical party, and her desire to share her passion for its diverse wonders inspired this unique, enlightening, and expertly curated treasury. Year of Wonder introduces listeners to one piece of music each day of the year, artfully selected from across genres, time periods, and composers.
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Unusable
- De PA en 01-01-19
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How Music Works
- De: David Byrne
- Narrado por: Andrew Garman, David Byrne
- Duración: 13 h y 10 m
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Utilizing his incomparable career and inspired collaborations with Talking Heads, Brian Eno, and many others, David Byrne taps deeply into his lifetime of knowledge to explore the panoptic elements of music, how it shapes the human experience, and reveals the impetus behind how we create, consume, distribute, and enjoy the songs, symphonies, and rhythms that provide the backbeat of life. Byrne’s magnum opus uncovers thrilling realizations about the redemptive liberation that music brings us all.
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Kind of all over the place
- De Amazon Customer en 02-17-23
De: David Byrne
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Time's Echo
- The Second World War, the Holocaust, and the Music of Remembrance
- De: Jeremy Eichler
- Narrado por: Jeremy Eichler, Sherrill Milnes
- Duración: 11 h y 5 m
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In 1785, when the great German poet Friedrich Schiller penned his immortal “Ode to Joy,” he crystallized the deepest hopes and dreams of the European Enlightenment for a new era of peace and freedom, a time when millions would be embraced as equals. Beethoven’s Ninth Symphony then gave wing to Schiller’s words, but barely a century later these same words were claimed by Nazi propagandists and twisted by a barbarism so complete that it ruptured, as one philosopher put it, “the deep layer of solidarity among all who wear a human face.”
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The Beauty of Truth’s Cacophony
- De rrs2 en 06-27-25
De: Jeremy Eichler
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Elements of Jazz: From Cakewalks to Fusion
- De: Bill Messenger, The Great Courses
- Narrado por: Bill Messenger
- Duración: 5 h y 59 m
- Grabación Original
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General
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Historia
Jazz is a uniquely American art form, one of America's great contributions to not only musical culture, but world culture, with each generation of musicians applying new levels of creativity that take the music in unexpected directions that defy definition, category, and stagnation. Now you can learn the basics and history of this intoxicating genre in an eight-lecture series that is as free-flowing and original as the art form itself.
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A Disappointingly Distorted, Myopic View Of Jazz
- De Parallax View en 08-18-13
De: Bill Messenger, y otros
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Music
- A Subversive History
- De: Ted Gioia
- Narrado por: Jamie Renell
- Duración: 17 h y 55 m
- Versión completa
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Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, Ted Gioia reclaims the story of music for the riffraff, insurgents, and provocateurs. Gioia tells a 4,000-year history of music as a global source of power, change, and upheaval.
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Squeezing cherry-picked facts into a simplistic narrative
- De Erik A. Ritland en 11-24-20
De: Ted Gioia
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Listening to the Big Bang
- De: Brian Greene
- Narrado por: Brian Greene
- Duración: 2 h y 44 m
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A Russian dissident, a Jesuit priest, and an American mule skinner are but a few of the bold visionaries who crafted the scientific story of cosmic origins. The collective insights of these and numerous creative thinkers advanced human understanding from mythology to mathematics, yielding falsifiable alternatives to ancient folklore and campfire tales. Listening to the Big Bang tells the dramatic human story—filled with colorful characters, unsung catalysts, and glorified heroes—which made the Big Bang the leading cosmological theory.
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Easy and informative
- De Nikki/Tony en 07-12-25
De: Brian Greene
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Austerlitz
- De: W. G. Sebald
- Narrado por: Richard Matthews
- Duración: 7 h y 10 m
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A small child when he comes to England on a Kindertransport in the summer of 1939, Jacques Austerlitz is told nothing of his real family by the Welsh Methodist minister and his wife who raise him. When he is a much older man, fleeting memories return to him, and obeying an instinct he only dimly understands, Austerlitz follows their trail back to the world he left behind a half century before. There, faced with the void at the heart of twentieth-century Europe, he struggles to rescue his heritage from oblivion.
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To each their own
- De Sebastian Romero en 04-23-20
De: W. G. Sebald
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Leonardo da Vinci
- De: Walter Isaacson
- Narrado por: Alfred Molina
- Duración: 17 h y 1 m
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Leonardo da Vinci created the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and engineering. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry.
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Wish the sample was not from the preface!
- De Chris M. en 11-13-17
De: Walter Isaacson
If you could sum up The Rest Is Noise in three words, what would they be?
How fusty old composers overcame life's vicissitudes to produce meaning in sound -- Alex Ross's prose makes his critical ear accessible to me. Walking in the park, listening to his words, I could almost hear the tension of the notes that made the first listeners uneasy.He Writes What He Cares About and So I Care
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B-O-R-I-N-G!!!!!!!!!!!!
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Ross is a wonderful writer who employs rich descriptive language and a nice balance between facts and occasional humorous antidotes. The narrator does a fine job of endeavoring to bring the text to life without letting too much unnecessary drama get in the way. It's a large book, and he moves it along at a good pace.
As already indicated by several other reviewers, this book is not for everyone. It would be particularly relevant to the serious music enthusiast, students and music educators, and arts historians. Recommended.
Excellent for serious music enthusiasts
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Solid and Fun Listening
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Disconnected series of factoids
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The best book I've "read" on the subject
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Great, entertaining and very informative
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What did you love best about The Rest Is Noise?
A superb combination of history, biography and musical analysisWhat was one of the most memorable moments of The Rest Is Noise?
The extent to which the US government, in Germany after WW II, used music to shape the culture away from Aryan extremism.Which character – as performed by Grover Gardner – was your favorite?
No characters, a nice piece of non-fiction. He's got a great, and well measured voice. Really appreciated it.If you were to make a film of this book, what would the tag line be?
Not sure one would be made but how about Jazzing up the Repertory.Any additional comments?
If you've got half an ear for classical music and haven't caught on to modernism (which is almost 100 years old now) this is the book for you. You'll refer back to it many times.Excellent in all respects
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Ross starts us out at the turn of the 20th century in the hotbed that was German late-Romantic music (Strauss, Mahler), and we walk through the remainder of the 20th century, not necessarily in chronological order. Instead, Ross deals with places and chunks of time, putting composers and the way they wrote into the context of social and political history: Weimar Germany, Nazi Germany, 20's Paris, New-deal USA, Soviet Russia, Post- WWII Europe, 60's NYC, and so on. The trick for the listener is to remember that this is world history seen through the lens of music history.
Yeah, you're gonna learn quite a bit about what went on musically. But even if you already knew a lot about that, you're gonna understand what it was like to be a musician, why composers wrote music the way they did at certain times and places, and how people reacted to that music.
I would caution the listener that it's a fairly musically sophisticated book. Ross hastens to assure us that he did not write it as a music history text, but as a guide for the educated concertgoer/ listener, and I think that's true. However, be prepared for some fairly advanced terminology. This is not for the newcomer to the world of "classical" music.
It's taken me almost 2 months to wade through this book. It's long and dense, and I went back over some sections again because I just really wanted to absorb all the information. It's totally worth the work though, for a fine understanding of musical history and just-well- history. Ross also has a website connected with the book which is chock full of exerpted recordings of the pieces he discusses.
Learn! Listen! Enjoy!
Learned so much!
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Being able to listen to the music on my own was helpful. Anyone who would enjoy many varieties of music should be listening and / or reading "The Rest is Noise ".
Enables a View of Musical History
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