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The Regret
- Narrated by: Esther Wane
- Length: 8 hrs and 54 mins
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- By: Lisa Jewell
- Narrated by: Joanne Froggatt
- Length: 11 hrs and 56 mins
- Unabridged
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On a beautiful summer night in a charming English suburb, a young woman and her boyfriend disappear after partying at the massive country estate of a new college friend. One year later, a writer moves into a cottage on the edge of the woods that border the same estate. Known locally as the Dark Place, the dense forest is the writer’s favorite place for long walks and it’s on one such walk that she stumbles upon a mysterious note that simply reads, “DIG HERE.”
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Oh my… gave me chills
- By Kelly on 09-10-21
By: Lisa Jewell
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The Flatshare
- A Novel
- By: Beth O'Leary
- Narrated by: Carrie Hope Fletcher, Kwaku Fortune
- Length: 9 hrs and 58 mins
- Unabridged
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Tiffy and Leon share an apartment. Tiffy and Leon have never met. After a bad breakup, Tiffy Moore needs a place to live. Fast. And cheap. But the apartments in her budget have her wondering if astonishingly colored mold on the walls counts as art. Desperation makes her open minded, so she answers an ad for a flatshare. Leon, a night shift worker, will take the apartment during the day, and Tiffy can have it nights and weekends. He'll only ever be there when she's at the office. In fact, they'll never even have to meet.
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so much language!!
- By H H on 10-12-19
By: Beth O'Leary
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The Cows
- By: Dawn O'Porter, Laura Kirman
- Narrated by: Dawn O'Porter, Karen Cass
- Length: 11 hrs and 41 mins
- Unabridged
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The Cows is a powerful novel about three women. In all the noise of modern life, each needs to find her own voice. It's about friendship and being female. It's bold and brilliant. It's searingly perceptive. It's about never following the herd. And everyone is going to be talking about it.
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Smart, funny, feminist
- By Mark on 11-05-17
By: Dawn O'Porter, and others
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Dying to Tell
- By: Keri Beevis
- Narrated by: Eilidh Beaton
- Length: 13 hrs and 40 mins
- Unabridged
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As the only survivor of a horrific car crash, Lila Amberson believes she's on the road to recovery after being released from the hospital. Her memories of the accident are blurred though and a series of unsettling incidents leave her fearing for her safety. Does she have survivor's guilt or is something more sinister at play? Jack Foley's reeling from the shock of losing his sister in the crash, so when he first meets Lila, he lashes out, blaming her for Stephanie's death. But when she gives him a locket that she believes belonged to his sister, it presents more questions than answers.
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Dying for it to be over
- By NahaniWhereUAt on 01-11-21
By: Keri Beevis
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In at the Deep End
- By: Kate Davies
- Narrated by: Nicola Barber
- Length: 11 hrs and 32 mins
- Unabridged
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Julia hasn't had sex in three years. Her roommate has a boyfriend - and their sex noises are audible through the walls, maybe even throughout the neighborhood. Not to mention, she's treading water in a dead-end job, her know-it-all therapist gives her advice she doesn't ask for, and the men she is surrounded by are, to be polite, subpar.
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Actually stupid
- By Gabriella Hupfer on 07-21-24
By: Kate Davies
What listeners say about The Regret
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- S. Arnold
- 01-06-23
“What was that?!” …that line overused!
There was interesting enough plot aspects, though I suspect the writer/editor isn’t an actual mom, so there’s a disconnection with parts of the details regarding relationships. However, you DO get the impression there’s keen knowledge regarding anorexia, and at least some research was done regarding hacking/fraud. The last chapter/ending became so eye-rolling I started to think I’d wasted my time to read this book. My lasting feeling is that I definitely need to become more skeptical regarding cheap fiction novels before using my monthly credit... However, to be fair, there were plenty of times the story held my attention. Why though -all the questions posed inside the mind of the main character combined with the way it was narrated, did this person have to be made so ditzy?! To listen to THAT much internal dialogue where there’s hardly anything beyond frightful, confused weakness starts to make you as the reader feel dumb for going along with the story much of the time. …and then there’s the ending, which I’m going to leave alone other than to say, not impressed.
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