The Merchant of Venice
The Merchant of Venice (Dramatized)
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Narrated by:
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Warren Mitchell
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Martin Jarvis
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Samuel West
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Full Cast
About this listen
In this BBC full-cast production of The Merchant of Venice, love, bigotry, greed and justice are entwined.
Shakespeare's classic play explores the eternal themes of love and hate, mercy and justice, with parallel stories centred on the moneylender, Shylock, and the lovers, Portia and Bassanio. Shylock's angry insistence on the repayment of his debt from Bassanio ends in the Venetian courts, where he demands his pound of flesh. Portia meanwhile, a wealthy young Venetian woman, must marry one of her many suitors. Her late father's will has set the challenge by means of three caskets: one gold, one silver and one lead.
Warren Mitchell stars as Shylock, with Martin Jarvis as Antonio, Samuel West as Bassanio and Juliet Aubrey as Portia.
This superb production of Shakespeare's dramatic and complex play is directed by the award-winning Peter Kavanagh, and features specially-composed music by the renowned Barrington Pheloung.
BBC radio has a unique heritage when it comes to Shakespeare. Since 1923, when the newly-formed company broadcast its first full-length play, generations of actors and producers have honed and perfected the craft of making Shakespeare to be heard.
In this acclaimed BBC Radio Shakespeare series, each play is introduced by Richard Eyre, former Director of the Royal National Theatre. Revitalised, original and comprehensive, this is Shakespeare for the modern day.
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Oakland-bred LaVeesha “Vee” Gilliam (Coco Jones) is a determined single mother of an autistic son and a gifted aspiring coder. When Vee loses her job as a food-services worker at the onsite restaurant at Grapengine, a large Silicon Valley tech company, she’s unable to pay for her son’s much-needed specialized education. By a twist of fate, mistaken identity, and her tech skills, Vee meets Troy Wilson (Keith Powers), the company’s wealthy founder and CEO and a wunderkind in the tech industry, who believes that Vee is a college-educated techie who works at his company.
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Overdue Diverse Representation in Tech!
- By Jatai Pollock on 09-26-24
By: Michael Elliot
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Ghost Stories: Stephen Fry's Definitive Collection
- By: Stephen Fry, Washington Irving, M.R. James, and others
- Narrated by: Stephen Fry
- Length: 8 hrs and 18 mins
- Unabridged
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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Fahrenheit 451
- By: Ray Bradbury
- Narrated by: Tim Robbins
- Length: 5 hrs and 1 min
- Unabridged
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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Starship Troopers
- By: Robert A. Heinlein
- Narrated by: R.C. Bray
- Length: 8 hrs and 15 mins
- Unabridged
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Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.
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The definitive version!
- By Kristopher G. Hesson on 10-03-24
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
What listeners say about The Merchant of Venice
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Douglas
- 02-27-08
Who am I to review Shakespeare?
Dramatized, and not bad. Not my favorite Shakespeare, but not bad.
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Overall
- E. Magill
- 11-25-10
Good for Shakespeare Fans
Clocking in at just over two hours, this BBC radio production of The Merchant of Venice flies by at a serious clip. On the plus side, there isn't much dead air, but on the minus, it takes away some of the drama by keeping the voice actors from incorporating pauses. The voice acting is mostly good, especially the actress voicing Portia, but it gets difficult to tell many of the characters apart. Unfortunately, the most memorable voices are also the most ludicrous and cartoonish. On the whole, however, the actors do their best under their constraints, and some very good work does shine through.
Listeners should be familiar with the play before listening to this, as it would be nearly impossible to follow without knowing what would be happening on stage. For fans of Shakespeare and this play in particular, this audio is a nice addition to your library, but it is no replacement for an actual performance.
Of course, the big question is how this performance treats Shylock, and it's a decent middle ground. Shylock isn't portrayed as a pure villain, but he also isn't portrayed as wholly sympathetic either. His exit is handled a little sloppily, giving the final act the play's trademark uncomfortableness, but it's certainly not the worst handling of Shylock out there.
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5 people found this helpful