The Evidence
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Narrated by:
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Michael Maloney
About this listen
Todd Fremde is an author, a writer of police procedurals and criminal mysteries. Invited to the remote island of Dearth, far across the Dream Archipelago, to talk at a conference, he finds himself caught up in a series of mysteries. How can Dearth claim to be completely crime-free, yet still have an armed police force? Why are they so keen for him to appear, but so dismissive when he arrives? Is his sense of time confused, or is something confusing happening to time itself?
And how does this all connect with a murder committed on his home island, ten years before, and seemingly forgotten?
Fremde's investigation and research will lead him to some dangerous conclusions...
Christopher Priest is a genre-leading author of SFF fiction. His novel, THE PRESTIGE, won a number of awards and was adapted into a critically acclaimed, Oscar-nominated film directed by Christopher Nolan (TENET, INCEPTION) starring Hugh Jackman (THE GREATEST SHOWMAN, X-MEN), Christian Bale (THE BIG SHORT, BATMAN BEGINS), Michael Caine (THE ITALIAN JOB) and Scarlett Johansson (MARRIAGE STORY, THE AVENGERS).
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John Milton tries to exit British intelligence
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Project Hail Mary
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Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.
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Bazinga
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George Orwell’s 1984
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
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By: George Orwell, and others
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The Martian
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Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.
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I love Wil Wheaton but why not R. C. Bray?
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By: Andy Weir
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Starter Villain
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- Unabridged
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Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.
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Volcanic Lairs, Death Rays & Cats… Oh My! 😼
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What listeners say about The Evidence
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Tezby
- 11-12-20
An odd return to the Dream Archipelago...
Two key things to know about this book: you don't need to have read any of the other Dream Archipelago series to read The Evidence. Like all the other books in series, it's self contained and requires no previous knowledge to enjoy. The other thing to know is that the plot summary is misleading - it really only describes the first few chapters. Yes, the main character is a crime novelist who visits an island in the Archipelago that boasts no crime... but that is just the beginning.
The Evidence on its own merits is an odd book. Once the narrator is back home, he becomes consumed with a 'who did it' inquiry into a crime committed ten years before. He pieces it all together with the help of a cop with uncertain motivations and hidden back story. The prose is marked by a distinct feel of 'telling not showing' in that the narrator describes things that have happened, or second hand, and while I enjoyed it, there is an odd alienation effect from what is otherwise the main thrust of the plot. We are witnessing the telling of the story, not the story itself.
The other strange aspect of The Evidence is that the writer discusses genre fiction - its pros and cons, and whether readers prefer plot or character and so on, seen from the perspective of a crime writer. There is also extended description of the writing process, from how the author prefers his home office, to research, to agents and so on, and at some crucial stages, the believability of certain tropes, such as the twin or double in fiction.
Threaded through this is a concept that is both classic Priest and the kind of thing that has kept me engaged in the Dream Archipelago stories from The Affirmation onwards. To describe it would be to give the main idea of the book away, and most of the pleasure in The Evidence is thinking through how this concept is affecting not just the story, but the way it's being told.
The Dream Archipelago is a place that is a mirror or double of our own world, very similar, but also very different. The protagonist of The Evidence [if such a passive character can be called proactive] is Priest's double: a genre writer who lives with his partner on an obscure island, hugely popular to his readers, but not so well known in the mainstream. Like many of Priest's characters, he's creative, but also pedantic - there are long descriptions of the writer's computer for example - but this is just the kind of eccentricity I love in these books.
If you're like me, and love the uncanny dreaminess of the Dream Archipelago, then it's worth noting this is a very different kind of story. It's very self aware, ironic and wryly humorous, but it didn't weave the same spell produced by The Affirmation, The Islanders or The Gradual.
Put it this way - if you like obtuse metafictions set in an alternative world, then this is for you!
By the way, welcome back Michael Maloney as the narrator of the audio book. He's got a great tone, and almost perfect delivery, and the ideal voice to tell these stories.
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