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The Enchanters
- A Novel
- Narrated by: Craig Wasson
- Length: 19 hrs and 8 mins
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Publisher's summary
AN NPR BEST BOOK OF THE YEAR • James Ellroy—Demon Dog of American Letters—goes straight to the tragic heart of 1962 Hollywood with a wild riff on the Marilyn Monroe death myth in an astonishing, behind-the-headlines crime epic.
Los Angeles, August 4, 1962. The city broils through a midsummer heat wave. Marilyn Monroe ODs. A B-movie starlet is kidnapped. The overhyped LAPD overreacts. Chief Bill Parker’s looking for some getback. The Monroe deal looks like a moneymaker. He calls in Freddy Otash.
The freewheeling Freddy O: tainted ex-cop, defrocked private eye, dope fiend, and freelance extortionist. A man who lives by the maxim “Opportunity is love.” Freddy gets to work. He dimly perceives Marilyn Monroe’s death and the kidnapped starlet to be a poisonous riddle that only he has the guts and the brains to untangle. We are with him as he tears through all those who block his path to the truth. We are with him as he penetrates the faux-sunshine of Jack and Bobby Kennedy and the shuck of Camelot. We are with him as he falters, and grasps for love beyond opportunity. We are with him as he tracks Marilyn Monroe’s horrific last charade through a nightmare L.A. that he served to create — and as he confronts his complicity and his own raging madness.
It’s the Summer of ’62, baby. Freddy O’s got a hot date with history. The savage Sixties are ready to pop. It’s just a shot away.
The Enchanters is a transcendent work of American popular fiction. It is James Ellroy at his most crazed, brilliant, provocative, profanely hilarious, and stop-your-heart tender. It is a luminous psychological drama and an unparalleled thrill ride. It is, resoundingly, the great American crime novel.
Critic reviews
"In Ellroy's latest audiobook, former cop Freddy Otash finds himself jammed up. He's investigating the death of Marilyn Monroe but has police officials, Jack and Bobby Kennedy, and a swarm of others--actors, a psychologist, and people from the seedier side of Los Angeles--getting in his way. Craig Wasson relishes his narration, bringing a high level of emotion when needed. A few fight scenes are especially well done." (AudioFile)
"James Ellroy, the neo-noir eminence of L.A. crime fiction, is back, with his favorite snake, Fred Otash, in tow. . . . And he sure can shoulder a novel. . . . To pick up a James Ellroy novel in the year 2023 is to know the score. . . . [Ellroy’s] fiction, at its most potent, is driven less by plot than by ritual. He has been canonized and censured; he writes now, in his mid-seventies, on a plane beyond the exigencies of either, enjoying a rare kind of freedom.” —The New Yorker
“James Ellroy's The Enchanters is classic Ellroy: a filthy, boozy, fast-paced, violent romp through the history and important figures of early 1960s Los Angeles, all told in Otash's frantic voice. . . . Ellroy keeps things moving at breakneck speed at all times, which is a fantastic feat considering this is a 448-page novel that delves deep into a plethora of scenes and seamlessly mixes fact and fiction. The trick to it is Ellroy's incomparable style; fast, punchy, telegrammatic prose that demands to be read quickly and that flows like an enraged river.” —NPR
“[The Enchanters] blends the real and imagined into the kind of atmospheric psychosexual spectacle fans have come to expect from the grand master of L.A.-noir. . . . Thoroughly crooked yet unexpectedly appealing, Otash … is a fixer with an eidetic memory who operates in the shadowy fringes of the west coast glamour factory. . . . The plot of The Enchanters is sprawling yet intricate, a riveting series of events made all the more vivid by the precision of the details — the heavy wiretap surveillance opens up a prominent peripheral cast of hangers on, psychiatrists, pornographers and other petty criminals that swirl around the edges of the scene. Ellroy’s writing matches its sensational subject. . . . Filtered through Freddy’s drug- and booze-addled but brilliant mind, the novel is vibrant and vivid, with a pungent whiff of decay. . . . Otash is a fascinating guide. . . . Carnivalesque—literary roller coaster meets Tilt-a-Whirl.” —The Washington Post
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- By wotsallthisthen on 04-07-24
By: George Orwell, and others
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Verity
- By: Colleen Hoover
- Narrated by: Vanessa Johansson, Amy Landon
- Length: 8 hrs and 10 mins
- Unabridged
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Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.
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intriguing but skip if triggered by child abuse
- By Amazon Customer on 05-16-19
By: Colleen Hoover
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Oregon
- By: Don Winslow
- Narrated by: Ed Harris
- Length: 1 hr and 6 mins
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It was 1970 in a defeated Rhode Island fishing town. Vietnam and Nixon dominated the national news. Both the near and distant future looked bleak. But they were five inseparable high school friends with something incredible in common: an unwavering resolve to look after each other no matter what hell life threw at them. And they were on a mission. The plan was simple: Go off the grid before they turned 18 to avoid the draft. They’d sell some grass, stack some cash, then head west and start a commune. What could possibly go wrong?
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This really hit home.
- By Ray Beaulieu on 05-26-24
By: Don Winslow
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Home Is Where the Bodies Are
- By: Jeneva Rose
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- Length: 8 hrs and 27 mins
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After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before.
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Disappointing
- By DF4841 on 06-09-24
By: Jeneva Rose
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A Murder to Remember
- By: Brynn Kelly
- Narrated by: Brittany Pressley, Max Roll
- Length: 10 hrs and 3 mins
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Jane Austen fan Amelia Bennett sneaks away from a dull tour of an English country manor, only to run into a man more dashing than Mr. Darcy himself. About to lose his ancestral home to family debts, charming aristocrat Tom Calder invites his American guest to join him in drinking his way through the estate’s priceless wine collection. But when they wake in his bed the next morning, they’re convinced that in their drunken haze they witnessed a murder. Problem is, the body has vanished and no one believes them.
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Fun rom-com mystery
- By C. Wright on 03-01-24
By: Brynn Kelly
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After You've Gone
- By: Margot Hunt
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- Length: 2 hrs and 59 mins
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Tessa and Charlie have been best friends since childhood. Now Tess is a famous travel writer who documents her adventures on social media while Charlie rarely leaves the safety of her home, living in fear after narrowly escaping a vicious attack years earlier. But despite their different lives, their bond of friendship remains unbreakable...even in death.
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Not too short, not too long, fun story
- By Darla S on 06-29-24
By: Margot Hunt
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Too Late
- Definitive Edition
- By: Colleen Hoover
- Narrated by: Ryan Gray, Maxine Mitchell, Joe Arden
- Length: 10 hrs and 19 mins
- Unabridged
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- By Katherine Epperson on 07-11-23
By: Colleen Hoover
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One of Us Is Dead
- By: Jeneva Rose
- Narrated by: Andi Arndt, Hillary Huber, Elizabeth Evans, and others
- Length: 9 hrs and 22 mins
- Unabridged
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Buckhead isn’t a place you live, it’s a place you survive. And that applies even to the wealthy housewives that have it all. Fancy cars, designer clothes, and daily salon appointments aren’t nearly enough to keep them fulfilled and happy. Because in this town, privilege and opulence go hand in hand with betrayal and revenge. Jenny, the owner of Glow, an exclusive membership-only beauty salon, knows that better than anyone, because she knows everything about these housewives—down to each individual strand of hair.
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Great mystery. Sexually graphic.
- By Sue on 09-04-22
By: Jeneva Rose
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The Shouts Beneath
- By: Paige Cowan-Hall
- Narrated by: Jade Anouka
- Length: 4 hrs and 38 mins
- Unabridged
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Emily has spent her life running away. She never speaks about what happened between her and her mother at her family home when she was a child. All anyone knows is that same night her father packed up the car and drove Emily away. For her safety, he said. She hasn’t been home since. When her mother dies on her 28th birthday, everything changes. She sees her mother everywhere. She catches glimpses at the corner of her eye. She haunts her dreams.
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Okay if you like supernatural occult fiction
- By TerriSweeta on 06-30-24
By: Paige Cowan-Hall
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Deep in the isolated Northwest Territories, four friends are on the trip of a lifetime. Dropped by helicopter into the remote Canadian wilderness, Hutch, Terry, Phil, and David are looking to escape the events of a tumultuous year for two weeks of hunting, fishing, and camping. Armed only with a bow and arrow and the basics for survival, they've chosen a place far from civilization, a retreat from their turbulent lives. But they quickly discover that another group has targeted the remote region and the secluded hamlet of Fiddler Falls for a more menacing purpose.
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At age 20, marine scout-sniper Jack Valentine had his first kill in Iraq, at the start of the Persian Gulf War. Now it's 2006, and he's back in Baghdad, obsessed with taking down al-Qaeda terrorist Abu Musab al-Zarqawi. Jack missed his first shot at Zarqawi, and it's haunted him ever since - even though the attack struck fear into the black hearts of the jihadists and earned him the name the Ghost of Anbar.
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Boring and Too Much Profanity
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James Ellroy's American Tabloid
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In 1995, James Ellroy’s novel American Tabloid shocked the world with its gritty reimagining of the events leading up to the JFK assassination. Now, an all-star cast brings Ellroy’s masterwork to life in this gripping new audio adaptation.
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Why did they take out all the racist/homophobic dialogue?
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By: James Ellroy
What listeners say about The Enchanters
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- bugsmeany
- 06-18-24
Most enjoyable Ellroy novel in years
The Enchanters is a welcome break from the DOURNESS of Perfidia and This Storm. Despite what he says in interviews about Fred Otash (a real-life figure), it's clear Ellroy has found a character he likes to write for. Frankly, I needed a break from Dudley Smith anyway.
Craig Wasson's brand of mannered over-acting, which might derail another author's work, continues to be a perfect fit for Ellroy. I wish they'd re-release all of Ellroy's essential titles (especially White Jazz) with Wasson behind the microphone.
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- Michael Dean
- 11-17-23
Epic and electric
James Ellroy's electric prose rendered with verve and gusto by Craig Wasson. An epic vision of early 60s LA in all its pulp glory. Ellroy is the master crime novelist. Loved it!
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- Elijah
- 11-24-23
Ellroy’s Prose Crackles, Wasson’s deeply emotional performance
Craig Wasson, star of the ever underrated De Palma flick Body Double, hits this reading out of the park. The characterizations, the emotions he takes on & transmutes, all while slamming home Ellroy’s fastball web of jargon, fractured language and repetitious rhythms. This & Wasson’s version of Blood’s a Rover are not to be missed. I didn’t think I liked books on tape in general, especially not epics like latterday Ellroy, until I heard these.
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- Tom
- 01-09-24
Essential Ellroy
His evocation of Post-War L.A. may or may not be accurate but the Real-Life Characters seem on point. Hoffa, Eddie Fisher, Peter Lawford, Marilyn Monroe, L.A. Cops, JFK, and RFK all sound like their PR projections I remember.
All this wrapped up in the Ellroy-style Enchanted haze of booze, pills, smoke, brass-knuckles, and guns. Enjoyable trip to Pre-JFK America. Four Stars. ****
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- Torin Evatt
- 06-24-24
Charming, but not Enchanting
Got this book because there was a 2 for 1 deal going on ‘select books’ and the synopsis sounded interesting. First time reading James Ellroy and the style was a bit of an acquired taste. Did come to enjoy it and the narrator’s delivery was awesome. Content was a bit trashy at times but I believe that to be part of what he was going for in this late 50’s-early 60’s era noir gumshoe. Fred Otash, the real-life notorious alcoholic pill-junky ex-cop turned private eye protagonist/narrator, will not be everybody’s bag. But then again, I also think that might have been part of what the author was going for. The book had a lot of character, and even more characters. In brief, what it lacked in exciting plot it made up for in whit. I’m certainly going to check out more of James Ellroy’s books.
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- Mr Dangerous
- 09-30-23
Great to have Wasson back!
The 2nd book in the series is just okay with a fantastic backdrop. It just never quite got there for me. Solid just not quite great. first book was better.
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- Amazon Customer
- 11-23-23
the old mastard still has it
like an old boxer waiting in the shadows he steps into the ring and delivers a masterpiece of chaos. For those James Ellroy loyalists it's Christmas morning.
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- GARY R ZION
- 10-25-23
Great Fun
A huge cast from the early 60’s of characters from the movie biz, the criminal underworld and the LA police. Lots of dope, sex and crime.
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- Stefan Filipovits
- 03-30-24
Noir with a pulse
I've always loved noir as a genre. Novels like "The Maltese Falcon", "Farewell, My Lovely", and "Double Indemnity" as well as films like "Out Of The Past", "Kiss Me Deadly", and "Touch Of Evil" always had a way of grabbing me and keeping me immersed. And how not? In a genre rife with femme-fatales, driven yet morally ambiguous protagonists, and labyrinthine plots, it was impossible for me not to become enamored with the dangerous allure of "noir" as we know it. Yet it wasn't until I first read James Ellroy that I became what addicts call a "lifer". His work opened up a world of visceral, gritty danger. His staccato prose, enthralling mysteries, implacable yet irreparably broken characters, and the palpable, simmering atmosphere he conjured up with his stories grabbed me (and many others) by the throat and never let us go. That said, I had begun to fear that "The Demon-Dog of American Letters" had lost a step. Some of his novels in recent years had seemingly begun to lose their focus and impact. "This Storm" in particular was tedious, desperately in need of another edit (or four), and had a plot that was practically incomprehensible. Fortunately, the reigning king of noir is back with a vengeance with "The Enchanters".
The story begins with "Widespread Panic" protagonist, and Hollywood's sleaziest private eye (i.e. shakedown artist), Freddy Otash getting word that America's biggest star, Marilyn Monroe, has been found dead. What looks to the outside world as an accidental overdose, or possible suicide, is to Freddy anything but. Otash had been investgating Monroe at the behest of Jimmy Hoffa in the hopes of taking some of the luster off the Kennedy's and Camelot. After months of surveillance, wiretaps, and almost banal brutality, Otash has seen how volatile, dangerous, and uncontrollable her life had become in the year leading up to her death. What follows is an investigation that takes Otash straight to the black heart of 1960's Hollywood like a shot of adrenaline. Like the Ellroy of old, the author gives "The Enchanters" a pace that grips you by the throat and squeezes. Political intrigue, Cold War paranoia, Hollywood exploitation, and casual violence abound. In “The Enchanters”, Ellroy plays with the conspiracies surrounding Monroe's death in much the same way he played with the JFK assassination conspiracies in "American Tabloid". He exhaustively studied the actual historical event and uses it as a jumping off point to craft a narrative that is entirely his. And while "American Tabloid" might be his finest work, "The Enchanters" is no less impressive, no less compelling, and no less engrossing.
History geeks and readers new to the Ellroy style might need to prepare themselves for a...let us be polite and say "less than reverential" look at historical figures like Monroe, Jack & Robert Kennedy, and many others, however. At this point, any practiced Ellroy reader is entirely cynical and jaded (myself included) and very well aware that "America was never innocent". If, however, you are new to the works of James Ellroy, do prepare yourself. The casual racism, sexism, homophobia (to say nothing of violence) of the setting are in abundance and so is Ellroy's own nihilistic sensibilities in regards to power and the people who wield it. This is not the reverential "icon of the silver screen" take on Monroe we’re all used to. Ellroy writes her as an exploited, mentally unstable, almost pathetic fantasist who is entirely in over her head and blind to the very real danger she's in. JFK is not written as the inspiring, noble, and progressive president most americans hold in such high esteem. Ellroy establishes him as a philandering, exploitative, hypocritical trust-fund baby. Even Otash himself, a real historical figure that Ellroy himself had met a time or two is not spared from a scalding characterization and the contempt the author feels for the man is palpable. This iconoclastic take on titanic figures of American history is not out of the ordinary for Ellroy however, and the characterizations never take the reader out of the novel.
"The Enchanters" is Ellroy at his very best. The story and mystery sucks the reader in and never lets them catch their breath. It's a story with despicable characters you cant help but follow, a mystery so captivating you won’t want to stop, and a gritty atmosphere so palpable you'll want to take a bleach-bath after you finish reading it. It is noir with a pulse….
And I loved every second of it.
If you enjoyed "The Enchanters" as much as I did and are looking for similar works, then definitely check out some of Ellroy’s earlier efforts like the aforementioned “American Tabloid" or "Widespread Panic". You might also enjoy “The Black Dahlia”, “L.A. Confidential”, or “Perfidia”. If however you’re looking to explore the dark side of old Hollywood some more, you might also appreciate “Tinseltown: Murder, Morphine, and Madness” by William J Mann, “Helter Skelter” by Vincent Bugliosi, "The Garden On Sunset" by Martin Turnbull, or "The City of Angles" by Jonathan Leaf.
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Overall
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Performance
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- butwhatdoIknow
- 11-29-23
Ellroy is tired
A formerly rabid fan of Ellroy. Read every book. But the love affair has lost his spark. The man is rolling out pastiche, the narratives are tired, and what was fun now feels like a chore.
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3 people found this helpful