The Corrections
A BBC Radio 4 Full-Cast Dramatisation
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By:
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Jonathan Franzen
About this listen
In 2006, Bret Easton Ellis declared the novel 'one of the three great books of my generation'.
This dramatisation of Jonathan Franzen's acclaimed, epic, award-winning novel revolves around the troubles of an elderly Midwestern couple and their three adult children, tracing their lives from the mid-20th century to 'one last Christmas' together near the turn of the millennium.
A family saga, that sits against the backdrop of this century's changing face of America, the novel was published 10 days before 9/11 but is widely considered an observation of what happened to the American psyche after 9/11.
It traces American societies, changing attitudes and standing on the world stage through the eyes of the Lambert's three children: Gary, a banker in Philadelphia whose greed is determined to make his parents sell their Midwest property; Chip, a struggling professor who leaves his life to pursue being a writer in New York City; and Denise, who has escaped a disastrous marriage and had an equally disastrous affair.
In the finale, the final Christmas together, can they settle their differences, bridge gaps and make the changes they need to survive?
The novel won the 2001 National Book Award for Fiction and the 2002 James Tait Black Memorial Prize, and was a finalist for the 2002 Pulitzer Prize.
In 2005, The Corrections was included in TIME magazine's list of the 100 Best English-Language Novels Since 1923.
Adapted by Marcy Kahan for BBC Radio 4, directed by Emma Harding and starring Richard Schiff (The West Wing), Maggie Steed (The Imaginarium of Doctor Parnassus), Colin Stinton (Rush, The Bourne Ultimatum) and Julian Rhind-Tutt (Lucy, Rush, Notting Hill).
Full Cast List:
Narrator - Richard Schiff
Enid Lambert - Maggie Steed
Alfred Lambert - Colin Stinton
Gary Lambert - Richard Laing
Chip Lambert - Julian Rhind-Tutt
Denise Lambert - Rosyln Hill
Julia Vrais - Kelly Burke
Eden Procuro - Elaine Claxton
Gitanas Misevicius - Sam Dale
Melissa Paquette - Bettrys Jones
Caroline Lambert - Jane Slavin
Caleb Lambert - Adam Thomas Wright
Jonah Lambert - Sean McCrystal
First aired on BBC Radio 4 Extra on 10th and 11th January 2015
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Story
The Turners have lived on Yarrow Street for over 50 years. Their house has seen 13 children grown and gone - and some returned; it has seen the arrival of grandchildren, the fall of Detroit's East Side, and the loss of a father. The house still stands despite abandoned lots, an embattled city, and the inevitable shift outward to the suburbs. But now, as ailing matriarch Viola finds herself forced to leave her home and move in with her eldest son, the family discovers that the house is worth just a 10th of its mortgage.
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The narrator's performance made the difference.
- By KT on 06-11-15
By: Angela Flournoy
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This Is Your Life, Harriet Chance
- By: Jonathan Evison
- Narrated by: Susan Boyce
- Length: 6 hrs and 45 mins
- Unabridged
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Overall
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Performance
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Story
With her husband Bernard two years in the grave, seventy-nine-year-old Harriet Chance sets sail on an ill-conceived Alaskan cruise only to discover through a series of revelations that she's been living the past sixty years of her life under entirely false pretenses. There, amid the buffets and lounge singers, between the imagined appearance of her late husband and the very real arrival of her estranged daughter midway through the cruise, Harriet is forced to take a long look back, confronting the truth about pivotal events that changed the course of her life.
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Why I Didn't Like This Story
- By Kathy in CA on 10-02-15
By: Jonathan Evison
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Too Bright to Hear Too Loud to See
- By: Juliann Garey
- Narrated by: Dan Butler
- Length: 11 hrs and 7 mins
- Unabridged
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Overall
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Performance
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Story
In her tour-de-force first novel, Juliann Garey takes us inside the restless mind, ravaged heart, and anguished soul of Greyson Todd, a successful Hollywood studio executive who leaves his wife and young daughter and for a decade travels the world giving free reign to the bipolar disorder he's been forced to keep hidden for almost 20 years.
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Psychosis or Syphilis?
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By: Juliann Garey
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Bettyville
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- Narrated by: Jeff Woodman
- Length: 10 hrs and 57 mins
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Overall
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Story
When George Hodgman leaves Manhattan for his hometown of Paris, Missouri, he finds himself - an unlikely caretaker and near-lethal cook - in a head-on collision with his aging mother, Betty, a woman of wit and will. Will George lure her into assisted living? When hell freezes over. He can't bring himself to force her from the home both treasure - the place where his father's voice lingers, the scene of shared jokes, skirmishes, and, behind the dusty antiques, a rarely acknowledged conflict...
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Title Should Be Georgeville-It's All About George
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By: George Hodgman
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All We Ever Wanted Was Everything
- By: Janelle Brown
- Narrated by: Rebecca Lowman
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A smart, comic pause-resister about a Silicon Valley family in free fall over the course of one eventful summer from the author of Watch Me Disappear and Pretty Things. When Paul Miller’s pharmaceutical company goes public, making his family IPO millionaires, his wife, Janice, is sure this is the windfall she’s been waiting years for - until she learns, via messengered letter, that her husband is divorcing her (for her tennis partner!) and cutting her out of the new fortune.
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The Perfect Life Ain't So Perfect
- By Theresa on 12-28-08
By: Janelle Brown
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Saints for All Occasions
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Performance
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Nora and Theresa Flynn are 21 and 17 when they leave their small village in Ireland and journey to America. Nora is the responsible sister; she's shy and serious and engaged to a man she isn't sure that she loves. Theresa is gregarious; she is thrilled by their new life in Boston and besotted with the fashionable dresses and dance halls on Dudley Street. But when Theresa ends up pregnant, Nora is forced to come up with a plan - a decision with repercussions they are both far too young to understand.
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The narration ruined it
- By Janis Reynolds on 06-12-17
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The Patriots
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Overall
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Performance
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Story
Florence Fein grows up in Brooklyn in the 1930s, in a family that is gaining a foothold in the middle class. At City College she becomes engaged politically with the left-leaning student groups, and eventually, in the midst of the Depression, she takes a job with a trade organization that has a position for her in Moscow. There, she falls in love with another expatriate American and has a son. Soon after, Florence is sent to a work camp and her son to an orphanage.
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Point of View of characters, past and present collide
- By Angela Adams on 01-29-19
By: Sana Krasikov
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The Deep Blue Good-By
- A Travis McGee Novel, Book 1
- By: John D. MacDonald
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Overall
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Performance
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Story
He's a self-described beach bum who won his houseboat in a card game. He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out, and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.
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Before the A-Team, there was Travis McGee
- By Jim "The Impatient" on 11-12-16
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Before We Visit the Goddess
- By: Chitra Banerjee Divakaruni
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Overall
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Performance
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The daughter of a poor baker in rural Bengal, India, Sabitri yearns to get an education, but her family's situation means college is an impossible dream. Then an influential woman from Kolkata takes Sabitri under her wing, but her generosity soon proves dangerous after the girl makes a single unforgivable misstep. Years later, Sabitri's own daughter, Bela, haunted by her mother's choices, flees abroad with her political refugee lover - but the America she finds is vastly different from the country she'd imagined.
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Absolutely Worth a Credit
- By Texastanya on 08-27-16
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The Opposite of Loneliness
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Marina Keegan's star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash. Even though she was just 22 when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation.
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Probably buy the book too.
- By Soupergirl on 09-14-15
By: Marina Keegan
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What listeners say about The Corrections
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- Linda M. Gulyn
- 09-30-21
Don't use your valuable audible credit on this!!
This was a cheesy drama of a long novel - and supposedly a good one. I wanted an audiobook. Terrible disappointment. Good-bye expensive credit!
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