The Blue Hotel
A Stephen Crane Story
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Narrated by:
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Deaver Brown
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By:
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Stephen Crane
About this listen
"The Blue Hotel" is considered one of Crane's finest three short stories, along with the "Open Boat" and "The Bride comes to Yellow Sky". The story starts with the hotel owner trolling for guests at the train station and finding three: the Swede, the Cowboy, and the Easterner. As with many stories, the personalities are known by their titles not their names; the two known by their names are the hotel keeper, Scully, and his son Johnny. The first major event is in a play for fun (no money) card game in which the Swede accuses Johnny of cheating. Johnny skillfully defends himself by saying he won't put up with the accusation, while side stepping the truth of the matter. The Swede is all worked up; no one comes to his rescue; he has a fight with the boy; wins; and leaves. He goes to the local saloon and gets into event number 2 in challenging the gambler after he won't take a drink. As with most Crane stories, the irony is building as the story goes on.
In the spirit of the literary times, as reflected in Spoon River by Edgar Lee Masters and Winesburg, Ohio by Sherwood Anderson, this is the key moment in the story that could change everything. The gambler does not take the free drink; he winds up killing the Swede; he goes to jail and the Swede is dead. He could have just taken the drink and didn't. Later, the Easterner tells the Cowboy that no, Johnny wasn't innocent, he was cheating and the Easterner didn't have the guts to stop it by speaking out. Then the Swede would have stayed in the hotel and wouldn't have died. Another landmark story with the last turn of events topping it off.
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Verging on death, a starving, destitute writer navigates the cold and indifferent city of Kristiania in search of his next meal. Frenzied and fevered, he chews on stale bread, devours scraps of wood, and bites his own finger, sleeping under the stars in old, pungent blankets, until one day he is able to sell an article and buy some food - only for the cycle then to repeat itself....
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Great book great narrator
- By Gunnar on 08-27-20
By: Knut Hamsun
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Fear
- By: L. Ron Hubbard
- Narrated by: Roddy McDowall
- Length: 2 hrs and 56 mins
- Abridged
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Professor James Lowry didn’t believe in spirits, or witches, or demons. Not until a gentle spring evening when his hat disappeared, and suddenly he couldn’t remember the last four hours of his life. Now, the quiet university town of Atworthy is changing - slightly at first, then faster and more frighteningly each time he tries to remember.
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The Best of Hubbard
- By JJ on 01-31-15
By: L. Ron Hubbard
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Everything That Rises Must Converge
- By: Flannery O’Connor
- Narrated by: Bronson Pinchot, Karen White, Mark Bramhall, and others
- Length: 9 hrs and 6 mins
- Unabridged
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This collection of nine short stories by Flannery O'Connor was published posthumously in 1965. The flawed characters of each story are fully revealed in apocalyptic moments of conflict and violence that are presented with comic detachment.
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Pride goeth before the fall
- By Ryan on 08-14-13
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Raffles
- The Amateur Cracksman
- By: E.M. Hornung
- Narrated by: Walter Covell
- Length: 5 hrs and 19 mins
- Unabridged
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Raffles is Sherlock Holmes' polar opposite, a foil for great detectives and a man with all the immoral charms of a hero-thief, plus a remarkable ability at cricket. Raffles is the godson of Robin Hood, the model for Cary Grant in "To Catch a Thief," and the inspiration of Leslie Charteris' "The Saint." As the great reinvention of the trickster for the 20th century, Raffles convinces readers to throw away their scruples and follow along for wit, bold adventures, and thrilling suspense.
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Fairly good
- By Paul on 01-31-08
By: E.M. Hornung
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The Curse of Jacob Tracy
- By: Holly Messinger
- Narrated by: L. J. Ganser
- Length: 12 hrs and 46 mins
- Unabridged
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St. Louis in 1880 is full of ghosts - mangled soldiers, tortured slaves, the innocent victims of war - and Jacob Tracy can see them all. Ever since Antietam, when he lay delirious among the dead and dying, Trace has been haunted by the country's restless spirits. The curse cost him his family, his calling to the church, and damn near his sanity. He stays out of ghost-populated cities as much as possible these days, guiding wagon trains west with his pragmatic and skeptical partner, Boz.
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Supernatural meets old West.
- By Mbeasley on 01-16-16
By: Holly Messinger
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Father Brown
- By: G. K. Chesterton
- Narrated by: Bill Wallis
- Length: 2 hrs and 44 mins
- Abridged
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These four stories test Father Brown in many ways, creating headaches a plenty. However, Father Brown is nothing if not redoubtable and whilst Chesterton's stories are, in his own words, "very slight and improbable", his method is all his own. Bill Wallis captures perfectly the mood and tone of Father Brown in this collection.
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Short
- By chambs on 09-22-17
By: G. K. Chesterton
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The Master and Margarita
- By: Mikhail Bulgakov
- Narrated by: Julian Rhind-Tutt
- Length: 8 hrs and 21 mins
- Abridged
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The Master and Margarita is one of the most famous and best-selling Russian novels of the 20th century, despite its surreal environment of talking cats, Satan and mysterious happenings. Naxos AudioBooks presents this careful abridgement of a new translation in an imaginative reading by the charismatic Julian Rhind-Tutt. With War and Peace and Crime and Punishment among the Naxos AudioBooks best-sellers, this too promises to be a front title.
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Very vivid and amazing writing style
- By Sina Beni on 05-04-22
By: Mikhail Bulgakov
What listeners say about The Blue Hotel
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Craig Caulfield
- 04-25-16
An American classic but best read than listened to
What did you like best about The Blue Hotel? What did you like least?
This story is classic of American fiction.
But, the dead-pan narration style makes it hard to follow and the story is best read rather than listened to. In a forward to the story, the narrator notes that the turgid style of prose and the sometimes fragmented and intermingled conversations of the characters makes narration particularly difficult, leading to pauses and gaps. Having a copy of the text is essential
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