The Betrayals
Bridget Collins, Book 2
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The Betrayals
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Narrated by:
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Bridget Collins
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Sam Woolf
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Sarah Ovens
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By:
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Bridget Collins
About this listen
Winning was everything....
Until it destroyed them.
Two young men, Léo and Carfax, close friends and fierce rivals.
A family ripped apart by madness and tragedy.
One woman, her life built upon a lie, with a mysterious connection to them all…
Lose yourself in the most epic book of the year.
©2020 Bridget Collins (P)2020 HarperCollins Publishers LimitedCritic reviews
"A sumptuous act of imaginative world-building.... Settle in, and enjoy getting lost in this captivating book." (Observer)
"Dizzyingly wonderful...a perfectly constructed work of fiction." (The Times)
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What listeners say about The Betrayals
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall4 out of 5 stars
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Performance5 out of 5 stars
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Story4 out of 5 stars
- Karen McCarthy / Brenda Dass
- 11-24-20
Beautiful performances, story not quite at the level of The Binding
A very entertaining read, and beautifully performed. The idea of the grand jeu is intoxicating. The story is often a little strained though, and certain interesting characters are underdeveloped.
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Overall1 out of 5 stars
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Performance1 out of 5 stars
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Story1 out of 5 stars
- Biblio
- 03-21-21
Suffering through it - don’t care for the characters/story nor narration
Chapter 1: Forced myself to get through the ENTIRE chapter about a rat which I’m still confused about whether this is a girl or a rat. Almost gave up and returnes the book at chapter 1 but thought I’d persist.
Léo: was called ‘Arrogant, unkind, self absorbed’ by another character which is nicer than what I would have written. Initially thought the woman called him Theo then realised it’s Leo. Still can’t draw up any sympathy for him. Don’t like the narrator’s accent for Léo - doesn’t fit what a Minister for Culture would sound like to me. Couldn’t even cooperate with his class mate who is top ranked for a grand jeu game - so immature and somewhat emotionally bullies the other. No redeeming qualities that I’ve discovered
Grand jeu: what a cop out to say you can’t describe the game and then say it isn’t music, math etc but never really paint what it is
Magister: every single time this word is narrated ‘ma-gi-ster’ I wince (g like guitar not g like magic magician; if this was the intended pronunciation the maggister like maggot would make more sense). That’s a lot of wincing in this book.
Contemplating whether to DNF and return but still trying to continue to listen to whether this is the same book that some rate so highly
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