The Art of Rivalry
Four Friendships, Betrayals, and Breakthroughs in Modern Art
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Narrated by:
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Bob Souer
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By:
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Sebastian Smee
About this listen
Rivalry is at the heart of some of the most famous and fruitful relationships in history. The Art of Rivalry follows eight celebrated artists, each linked to a counterpart by friendship, admiration, envy, and ambition. All eight are household names today. But to achieve what they did, each needed the influence of a contemporary - one who was equally ambitious but who possessed sharply contrasting strengths and weaknesses. Edouard Manet and Edgar Degas were close associates whose personal bond frayed after Degas painted a portrait of Manet and his wife. Henri Matisse and Pablo Picasso swapped paintings, ideas, and influences as they jostled for the support of collectors like Leo and Gertrude Stein and vied for the leadership of a new avant-garde. Jackson Pollock's uninhibited style of "action painting" triggered a breakthrough in the work of his older rival, Willem de Kooning. Lucian Freud and Francis Bacon met in the early 1950s, when Bacon was being hailed as Britain's most exciting new painter and Freud was working in relative obscurity. Their intense but asymmetrical friendship came to a head when Freud painted a portrait of Bacon, which was later stolen.
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In January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? The answer begins a generation earlier, when a renegade Irish American lawyer named John Quinn set out to build the greatest collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. Barr, Jr.
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Better Books on Picasso Available
- By john burke on 08-17-22
By: Hugh Eakin
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When Paris Sizzled
- The 1920s Paris of Hemingway, Chanel, Cocteau, Cole Porter, Josephine Baker, and Their Friends
- By: Mary McAuliffe
- Narrated by: Saskia Maarleveld
- Length: 11 hrs and 15 mins
- Unabridged
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When Paris Sizzled vividly portrays the City of Light during the fabulous 1920s, les Annees folles, when Parisians emerged from the horrors of war to find that a new world greeted them - one that reverberated with the hard metallic clang of the assembly line, the roar of automobiles, and the beat of jazz. Mary McAuliffe traces a decade that saw seismic change on almost every front, from art and architecture to music, literature, fashion, entertainment, transportation, and, most notably, behavior.
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Informative, but no sizzle
- By OzEnigma on 06-01-17
By: Mary McAuliffe
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The Vanishing Velázquez
- A 19th Century Bookseller's Obsession with a Lost Masterpiece
- By: Laura Cumming
- Narrated by: Siobhan Redmond
- Length: 10 hrs and 16 mins
- Unabridged
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Overall
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When John Snare, a 19th-century provincial bookseller, traveled to a liquidation auction, he stumbled on a vivid portrait of King Charles I that defied any explanation. The Charles of the painting was young - too young to be king - and yet also too young to be painted by the Flemish painter to which the work was attributed. Snare had found something incredible - but what? His research brought him to Diego Velázquez, whose long-lost portrait of Prince Charles has eluded art experts for generations.
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A fascinating study of art history
- By Ron on 07-02-16
By: Laura Cumming
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Foursome
- Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, Rebecca Salsbury
- By: Carolyn Burke
- Narrated by: Amanda Carlin
- Length: 16 hrs and 57 mins
- Unabridged
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New York, 1921: Acclaimed photographer Alfred Stieglitz celebrates the success of his latest exhibition - the centerpiece, a series of nude portraits of his soon-to-be wife, the young Georgia O'Keeffe. The exhibit acts as a turning point for the painter poised to make her entrance into the art scene. There, she meets Rebecca Salsbury, the fiancé of Stieglitz’s protégé, Paul Strand, marking the start of a bond between the couples that will last more than a decade and reverberate throughout their lives.
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A competent account of four interesting lives
- By Sil A. on 11-21-20
By: Carolyn Burke
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Empire of Self
- A Life of Gore Vidal
- By: Jay Parini
- Narrated by: John Lescault
- Length: 16 hrs and 23 mins
- Unabridged
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The product of 30 years of friendship and conversation, Jay Parini's Empire of Self probes behind the glittering surface of Gore Vidal's colorful life to reveal the complex emotional and sexual truth underlying his celebrity-strewn life. But there is plenty of glittering surface as well - a virtual who's who of the American Century, from Eleanor Roosevelt and Amelia Earhart through the Kennedys, Princess Margaret, and the creme de la creme of Hollywood.
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Well done!
- By Christopher on 03-22-16
By: Jay Parini
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City Boy
- My Life in New York During the 1960s and '70s
- By: Edmund White
- Narrated by: Robert Blumenfeld
- Length: 9 hrs and 31 mins
- Unabridged
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In the New York of the 1970s, in the wake of Stonewall and in the midst of economic collapse, you might find the likes of Jasper Johns and William Burroughs at the next cocktail party, and you were as likely to be caught arguing Marx at the New York City Ballet as cruising for sex in the warehouses and parked trucks along the Hudson. This is the New York that Edmund White portrays in City Boy: a place of enormous intrigue and artistic tumult.
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Pretense upon pretense.
- By Shalin Desai on 06-01-15
By: Edmund White
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Proust's Duchess
- How Three Celebrated Women Captured the Imagination of Fin-de-Siecle Paris
- By: Caroline Weber
- Narrated by: Suzanne Toren
- Length: 29 hrs and 52 mins
- Unabridged
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Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style."
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Enthralling, entertaining and brilliant
- By Uli Baer on 01-14-19
By: Caroline Weber
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Mademoiselle
- Coco Chanel and the Pulse of History
- By: Rhonda Garelick
- Narrated by: Tavia Gilbert
- Length: 16 hrs and 36 mins
- Unabridged
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Little black dresses. Fake pearls. Jersey knit. Blazers. Ballet flats. Today - and for nearly the last hundred years - we all see some version of Gabrielle "Coco" Chanel every time we pass a woman on the street. But few among us realize that Chanel’s role in the events of the twentieth century was as pervasive as her influence on fashion, or how deeply she absorbed and then brilliantly reimagined the historical currents around her.
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An Unlikable Portrait
- By Sara on 09-25-16
By: Rhonda Garelick
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The Mistress of Paris
- The 19th-Century Courtesan Who Built an Empire on a Secret
- By: Catherine Hewitt
- Narrated by: Sarah Nichols
- Length: 9 hrs and 41 mins
- Unabridged
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Story
Comtesse Valtesse de la Bigne was painted by Édouard Manet and inspired Émile Zola, who immortalized her in his scandalous novel Nana. Her rumored affairs with Napoleon III and the future King Edward VII kept gossip columns full. But her glamorous existence hid a dark secret: She was no comtesse. She was born into abject poverty, raised on a squalid backstreet among the dregs of Parisian society. Yet she transformed herself into an enchantress.
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Dry bio of Vanity
- By BVerité on 12-29-18
By: Catherine Hewitt
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Alice Behind Wonderland
- By: Simon Winchester
- Narrated by: Simon Winchester
- Length: 2 hrs and 43 mins
- Unabridged
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On a summer's day in 1858, in a garden behind Christ Church College in Oxford, Charles Dodgson, a lecturer in mathematics, photographed six-year-old Alice Liddell, the daughter of the college dean, with a Thomas Ottewill Registered Double Folding camera, recently purchased in London. Simon Winchester deftly uses the resulting image - as unsettling as it is famous, and the subject of bottomless speculation - as the vehicle for a brief excursion behind the lens, a focal point on the origins of a classic work of English literature.
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Not Long Enough
- By thefrogman on 06-18-12
By: Simon Winchester
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So Much Longing in So Little Space
- The Art of Edvard Munch
- By: Karl Ove Knausgaard
- Narrated by: Matthew Waterson
- Length: 5 hrs and 52 mins
- Unabridged
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Overall
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Story
In So Much Longing in So Little Space, Karl Ove Knausgaard sets out to understand the enduring and awesome power of Edvard Munch's work by training his gaze on the landscapes that inspired Munch and speaking firsthand with other contemporary artists, including Anselm Kiefer, for whom Munch's legacy looms large. Bringing together art history, biography, and memoir, Knausgaard tells a passionate, freewheeling, and pensive story about not just one of history's most significant painters, but the very meaning of choosing the artist's life, as he himself has done.
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not just for Munch fans
- By Alexander on 08-19-24
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Mad, Bad, Dangerous to Know
- By: Colm Toibin
- Narrated by: Colm Toibin
- Length: 6 hrs and 7 mins
- Unabridged
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Elegant, profound, and riveting, Mad, Bad, Dangerous to Know illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways these men surface in their work. Through these stories of fathers and sons, Tóibín recounts the resistance to English cultural domination, the birth of modern Irish cultural identity, and the extraordinary contributions of these complex and masterful authors.
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Eminently re-readable
- By Ellen-A on 01-02-19
By: Colm Toibin
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When John Snare, a 19th-century provincial bookseller, traveled to a liquidation auction, he stumbled on a vivid portrait of King Charles I that defied any explanation. The Charles of the painting was young - too young to be king - and yet also too young to be painted by the Flemish painter to which the work was attributed. Snare had found something incredible - but what? His research brought him to Diego Velázquez, whose long-lost portrait of Prince Charles has eluded art experts for generations.
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A fascinating study of art history
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In So Much Longing in So Little Space, Karl Ove Knausgaard sets out to understand the enduring and awesome power of Edvard Munch's work by training his gaze on the landscapes that inspired Munch and speaking firsthand with other contemporary artists, including Anselm Kiefer, for whom Munch's legacy looms large. Bringing together art history, biography, and memoir, Knausgaard tells a passionate, freewheeling, and pensive story about not just one of history's most significant painters, but the very meaning of choosing the artist's life, as he himself has done.
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From the summer of 1870 to the spring of 1871, famously dubbed the "Terrible Year" by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans-then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris.
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An artist who loved the book
- By David Cuzick on 05-07-15
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The Vanishing Velázquez
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When John Snare, a 19th-century provincial bookseller, traveled to a liquidation auction, he stumbled on a vivid portrait of King Charles I that defied any explanation. The Charles of the painting was young - too young to be king - and yet also too young to be painted by the Flemish painter to which the work was attributed. Snare had found something incredible - but what? His research brought him to Diego Velázquez, whose long-lost portrait of Prince Charles has eluded art experts for generations.
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Ninth Street Women
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Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of 20th-century abstract painting - not as muses but as artists.
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Painful pronunciation issues!
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Venier family waned, and the project was left abandoned and unfinished. Yet in the early 20th century, it attracted three fascinating women: Luisa Casati, Doris Castlerosse and Peggy Guggenheim.
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Nostalgia At Its Best
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Art has the power to change our lives. For many, becoming an artist is a lifelong dream. But how to make it happen? In How to Be an Artist, Jerry Saltz, one of the art world’s most celebrated and passionate voices, offers an indispensable handbook for creative people of all kinds. From the first sparks of inspiration - and how to pursue them without giving in to self-doubt - Saltz offers invaluable insight into what really matters to emerging artists: originality, persistence, a balance between knowledge and intuition, and that most precious of qualities, self-belief.
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Terrible Book Waste of Money
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Portrait of an Artist
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Georgia O'Keeffe, one of the most original painters America has ever produced, left behind a remarkable legacy when she died at the age of 98. Her vivid visual vocabulary, sensuous flowers, bleached bones against red sky and earth, had a stunning, profound, and lasting influence on American art in this century.
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Peggy Guggenheim
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Acclaimed best-selling author Francine Prose offers a listen of Guggenheim's life that will enthrall enthusiasts of 21st-century art as well as anyone interested in American and European culture and the interrelationships between them. The lively and insightful narrative follows Guggenheim through virtually every aspect of her extraordinary life, from her unique collecting habits and paradigm-changing discoveries to her celebrity friendships, failed marriages, and scandalous affairs.
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The Slip
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For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world.
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The narrator mis-pronounces everones name
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Last Light
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One of the nation’s top art critics shows how six great artists made old age a time of triumph by producing some of the greatest work of their long careers—and, in some cases, changing the course of art history. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.
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An art history course in one slim book
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Fierce Poise
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At the dawn of the 1950s, a promising and dedicated young painter named Helen Frankenthaler, fresh out of college, moved back home to New York City to make her name. By the decade's end, she had succeeded in establishing herself as an important American artist of the postwar period. In the years in between, she made some of the most daring, head-turning paintings of her day and also came into her own as a woman: traveling the world, falling in and out of love, and engaging in an ongoing artistic education.
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Fierce Poise
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Geneviève Halévy Bizet Straus; Laure de Sade, Comtesse de Adhéaume de Chevigné; and Élisabeth de Riquet de Caraman-Chimay, the Comtesse Greffulhe--these were the three superstars of fin-de-siècle Parisian high society who, as Caroline Weber says, "transformed themselves, and were transformed by those around them, into living legends: paragons of elegance, nobility, and style."
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Enthralling, entertaining and brilliant
- By Uli Baer on 01-14-19
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The Mistress of Paris
- The 19th-Century Courtesan Who Built an Empire on a Secret
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- Narrated by: Sarah Nichols
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Comtesse Valtesse de la Bigne was painted by Édouard Manet and inspired Émile Zola, who immortalized her in his scandalous novel Nana. Her rumored affairs with Napoleon III and the future King Edward VII kept gossip columns full. But her glamorous existence hid a dark secret: She was no comtesse. She was born into abject poverty, raised on a squalid backstreet among the dregs of Parisian society. Yet she transformed herself into an enchantress.
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Dry bio of Vanity
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By: Catherine Hewitt
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Boom
- Mad Money, Mega Dealers, and the Rise of Contemporary Art
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Performance
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Story
The contemporary art market is an international juggernaut, throwing off multimillion-dollar deals as wealthy buyers move from fair to fair, auction to auction, party to glittering party. But none of it would happen without the dealers - the tastemakers who back emerging artists and steer them to success, often to see them picked off by a rival. Dealers operate within a private world of handshake agreements, negotiating for the highest commissions. Michael Shnayerson, a longtime contributing editor to Vanity Fair, writes the first-ever definitive history of their activities.
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Outstanding
- By Clifford I. Davis on 07-04-19
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Reductionism in Art and Brain Science
- Bridging the Two Cultures
- By: Eric R. Kandel
- Narrated by: James Anderson Foster
- Length: 4 hrs and 1 min
- Unabridged
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Performance
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Story
Are art and science separated by an unbridgeable divide? Can they find common ground? In this book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism - the distillation of larger scientific or aesthetic concepts into smaller, more tractable components - has been used by scientists and artists alike to pursue their respective truths.
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Nothing new or original
- By clifford on 01-13-20
By: Eric R. Kandel
What listeners say about The Art of Rivalry
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Mama&cubs
- 07-09-24
Fun look at art
Really engaging look at several artists, nice jumping off point to learn about some new artists.
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- Barbara
- 09-16-23
Interesting stories
It was an interesting book with collection of artists rivalries however not as insightful as I had hope, more of a collection of book I have already read.
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- Joselo
- 03-31-17
Artists are people too.
The book itself:
When we think of artists whose acclaim we now take for granted, some of which completely changed the course of modern art, it's hard to imagine the kind of challenges and periods of great doubt that they experienced before fully developing their work. The author sympathetically looks at a rather human side of these people who became greater than life. He chooses four couples of painters who influenced each other as friends, but also as rivals: Francis Bacon and Lucien Freud, Manet and Degas, Matisse and Picasso, Pollock and de Kooning. The book is very accessible and fascinating from start to finish.
The narration:
I can't say that I'm a fan of Bob Souer's work here. He's competent at reading in English, but makes a mess whenever he reads in other languages, especially French, and there's quite a bit of it. It's nearly comical how unintelligible his pronunciation turns out. He even manages to read incorrectly a simple name like Gonzalez, placing the accent in the last syllable, which is annoying when done repeatedly. Also, although his English is very clear, I find his monotone style very boring. It reminds me of old, black and white documentaries that feel quite dated. I suppose it's a matter of taste. Luckily, the book is interesting enough that I remained engaged despite these issues.
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4 people found this helpful
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- Nancy
- 08-18-23
Bad Behavior Mixed with Bad Narration
Four sets of artists living in different time periods but very much alike in their narcissism and selfishness, who expected that they had the right to do and say anything they pleased because of their talent. Some, like Jackson Pollock, seemed to even hate themselves but weren’t content to just destroy themselves but often took others with them. A strange sort of arrogance.
The pronunciation of artists, salons and methods by the narrator was terrible. How many different ways can he mispronounce Ingre in one chapter? Note to future readers: spend time learning correct pronunciations; it de-legitimizes you when you don’t, is distracting and brings down the quality of the author’s work.
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- Gabriele
- 06-03-17
Better read than listen
I thoroughly enjoyed listening to these so interesting stories but missed the 'real book' to look at the illustrations and to catch up on the many details and names.
While Bob Souer is an excellent narrator I felt unhappy with the pronunciation of foreign names.
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6 people found this helpful
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- James Hanley
- 12-24-23
Masterful storytelling
Smee brings art history to life with brilliant stories about these breakthrough artists supporting and competing with one another. I was compelled to go online to study the artwork throughout this audio book. Bravo!
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- Colin Heath
- 12-17-16
Bob Souer's French pronunciation is atrocious.
I found the story and writing well-researched and engaging. Bob Souer's reading was excellent with the exception of his French words and phrases, of which there were many in the book. He was so far off in his guesses, and inconsistent that I had to look the names up elsewhere. It was laughable for example when the "Salon d'Automne" was read as "Salon de Thon" which means the Salon of Tuna.
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3 people found this helpful
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- mary
- 08-06-17
Great Book!
As a painter ,this is wonderful insight to the modern art ,abstract world of the 20th centenary. I will listen more than just once or twice to this book. I will also buy the book to have in my personal library.
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2 people found this helpful
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- SKWAD
- 01-18-18
Death by bob souer
The book is interesting enough as a historical account of various artistic frenemies, but the narration is so bland and ugly that it kills any lyrical flow inherent in the stories. Bob Souer needs to learn how to pronounce foreign words— he waged an aural attack, with non-English terms as his weapons. Boo!
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10 people found this helpful
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- Amazon Customer
- 02-27-18
great read
lovely book. open my understanding about some very important life lessons in art. Thank you
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1 person found this helpful