Tess of the D'urbervilles
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Narrated by:
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Jennifer Dixon
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By:
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Thomas Hardy
About this listen
Tess of the d'Urbervilles is the 19th century novel lately thought to be one of the inspirations of E .L.James' Fifty Shades of Grey. It depicts the life of an impressionable, naive, somewhat educated young woman, who yearns to be free to live her own life, but finds herself constricted by the bonds of the sexual, religious and socially hypocritical customs that have surrounded her from birth.
Considered a Victorian Realist, Thomas Hardy criticized social constraints on those living in the 19th and early 20th century through most of his novels. He was also a renowned poet and many of his works were set to music by notable English composers. He was an Anglican who questioned traditional Christian views and had difficulty reconciling the 'horrors of pain' with the so called existence of a loving God. He also showed in his writings a fascination with the supernatural even as he held a strong emotional attachment to the Christian liturgy and rituals which were a major influence in his childhood. The narrator, Jennifer M. Dixon, is a board-certified Music Therapist and Licensed Counselor, veteran of Michigan Opera, Piccolo Opera and Community Theater.
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Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.
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Momma's Boy (The Dangers of Overbearing Parenting)
- By W Perry Hall on 02-01-14
By: D. H. Lawrence
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The Phantom Coach
- A Connoisseur's Collection of the Best Victorian Ghost Stories
- By: Michael Sims
- Narrated by: Matthew Waterson
- Length: 10 hrs and 48 mins
- Unabridged
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Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.
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Excellent Narration and Great Selection of Stories
- By Robert on 05-03-15
By: Michael Sims
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The Professor
- By: Charlotte Brontë
- Narrated by: James Wilby
- Length: 9 hrs and 27 mins
- Unabridged
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The Professor is Charlotte Brontë's first novel albeit the last to have been published. Edited and distributed by Arthur Bell Nicholls, two years after Brontë's death, it is based on her experiences of living as a language student in Brussels. The Professor follows the career and love affairs of William Crimsworth, a reserved but compassionate aristocrat who has been ostracised by his family and left penniless.
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Beautiful
- By ilene on 12-26-16
By: Charlotte Brontë
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The Anne of Green Gables Collection
- Anne Shirley Books 1-6 and Avonlea Short Stories
- By: L.M. Montgomery
- Narrated by: Susie Berneis, Tara Ward
- Length: 73 hrs and 19 mins
- Unabridged
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Fans of L. M. Montgomery's Anne Shirley rejoice! Collected here are six of the original Anne Shirley books in the order they were published. This collection includes Anne of Green Gables, Anne of Avonlea, Anne of the Island, Anne's House of Dreams, Rainbow Valley, and Rilla of Ingleside. Published between 1908 and 1921, these heartwarming tales of hidden hopes and cherished dreams will enchant fans and new listeners alike.
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Part Guide
- By J. Cooper on 03-08-19
By: L.M. Montgomery
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Anna Karenina
- By: Leo Tolstoy
- Narrated by: Maggie Gyllenhaal
- Length: 35 hrs and 35 mins
- Unabridged
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Leo Tolstoy's classic story of doomed love is one of the most admired novels in world literature. Generations of readers have been enthralled by his magnificent heroine, the unhappily married Anna Karenina, and her tragic affair with dashing Count Vronsky.
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Need to Disclose and Highlight Name of Translator
- By Charles B on 08-27-18
By: Leo Tolstoy
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Father
- By: Elizabeth Von Arnim
- Narrated by: Penelope Freeman
- Length: 12 hrs and 25 mins
- Unabridged
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Since her mother's death, Jennifer has devoted years of her life to her father, managing the family home. After the sudden announcement that he has taken a new wife, Jennifer, at 33, seizes the opportunity to lead an independent life. Quickly she secures the lease of Rose Cottage and turns her attention to her own interests. While Jennifer is desperate to experience life on her own terms within her reduced financial means, her neighbour, Alice, is pre-occupied with ensuring her position as head of her brother's household is never challenged.
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Worse Audio Book I Have Ever Heard
- By Phyllis Woodford on 11-05-21
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The Dead Secret
- By: Wilkie Collins
- Narrated by: Nicholas Boulton
- Length: 13 hrs and 20 mins
- Unabridged
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A masterful blend of Gothic drama and romance, Wilkie Collins' mystery novel is an exploration of illegitimacy and inheritance. Set in Cornwall, the plot foreshadows The Woman in White with its themes of doubtful identity and deception and involves a broad array of characters. The "secret" of the book's title is the true parentage of the book's heroine, Rosamond Treverton, which has been written down and kept in an unused room at Porthgenna Tower. This is where, 20 years later, much of the novel's action is set.
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Only complaint is I wish it were longer
- By alisammeredith on 03-15-22
By: Wilkie Collins
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Lady Audley's Secret
- By: Mary Elizabeth Braddon
- Narrated by: Juliet Stevenson
- Length: 5 hrs and 12 mins
- Abridged
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A fast-paced Victorian thriller that will delight audiences today as it did 100 years ago, Lady Audley's Secret has subterfuge, kidnapping, jealousy, and fraud, all thrown into the mix and shaken up for good measure.
A mystery which keeps a listener guessing until the last moments, this production is a must-listen for anyone who enjoys playing detective.
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Narrator creates the listen
- By connie on 02-06-12
What listeners say about Tess of the D'urbervilles
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 08-09-15
Jenny Dixon
Jenny Dixon is magnificent in her naration of the story listening to her serene voice made the story flow.
I really enjoyed this version of Tess
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4 people found this helpful
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- Emily
- 03-14-17
Odd performance; Frustrating book
Would you recommend Tess of the D'urbervilles to your friends? Why or why not?
Not really. Hardy did an admirable job pointing out the hypocrisy of Victorian double standards and the damage they could wreak on a woman's life. But to do so, he apparently felt that he needed to make the heroine a weak, pathetic, simpering, long-suffering little simpleton. Kind of like Victor Hugo's Fantine (who, to be sympathetic, had to be somehow inherently "pure" despite her sins), Hardy made Tess into some sort of uber-victim for the Victorian age. It undoubtedly served a useful rhetorical purpose at the time, but it makes for extremely frustrating reading in the 21st century.
What didn’t you like about Jennifer Dixon’s performance?
There were strange silences at times in this reading -- sometimes it almost felt like the book had accidentally skipped ahead (this might be an editing problem, rather than an issue with Ms. Dixon's performance). For her performance, Ms. Dixon sounded a bit fatigued at times and she placed emphasis in odd places in some sentences. She used a weird voice for most of the female characters that made pretty much all of them sound like blathering idiots or old biddies. She made Tess sound completely pathetic, but that's consistent with the writing at least. I would be curious to see if I enjoyed this book more reading it myself.
If this book were a movie would you go see it?
No. But I never go see film adaptations of Victorian novels. Mini-series are a different story.
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