
Switcheroo
A Gideon Oliver Mystery, Book 18
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Narrado por:
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Jeff Cummings
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De:
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Aaron Elkins
Acerca de esta escucha
The Skeleton Detective is back.
A cold case dating from the 1960s draws forensic anthropologist Gideon Oliver to the Channel Islands decades later to shine a light on the mysterious connection between two men who died there on the same night.
Swapped as young boys by their fathers during the Nazi occupation, wealthy Roddy Carlisle and middle-class George Skinner had some readjusting to do after the war ended - but their lives remained linked through work, trouble with the law, and finally, it would seem, through murder.
Nobody expects that Gideon's modern-day investigation will turn up fresh bodies. But old bones tell many tales, and the Skeleton Detective has to be at his sharpest to piece together the truth before the body count mounts still higher.
Declared "a series that never disappoints" by the Philadelphia Inquirer, the Gideon Oliver mystery series is highly recommended for fans of Agatha Christie and Kathy Reichs.
©2016 Aaron Elkins, all rights reserved. (P)2016 Brilliance Audio, Inc.Los oyentes también disfrutaron...
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Does Anyone Else Notice the Missing Content?
- De pewter en 02-05-13
De: David Rosenfelt
Have enjoyed this entire series immensely!
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Not as enjoyable as I expected
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Pleasant but poor narrtion
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Great Gideon Oliver Mystery
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Elkins never disappoints
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Read it, not worth listening returned after only an hour of listening
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Dreadful narration
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First, the narrator exhibited the worst set of accents from the British Isles I have heard. Really awful. Including the worst Cockney accent since Dick Van Dyke in The original Mary Poppins. And his attempts at growly male voices may be even worse than his light fluffy attempts at female voices.
Second, the pace is agonizingly slow. I often like slow-paced books, but even I do not want nearly real-time (or slower) renditions of how a group of people move from one place to another, or a five minute discussion of decisions generally made in 30 seconds or less. You’d think writers were still paid by the word, it’s so padded.
Third—and here comes the spoiler—you know almost from the beginning who the killer is going to be, both because how else would the (agonizingly slow and excruciatingly detailed) prologue be relevant, AND because the author makes the character so (stereotypically) likable.
Ok, maybe not technically a spoiler because I won’t include his name, but you’ll know throughout who it’s going to be if you read/listen to this.
It’s basically an authorial trick, and it annoyed me. I began thinking “I hope it’s not going to be him” as soon as he was introduced, but sure enough. Nor did I find it at all plausible that the character as described up to the point of the reveal would behave as described at the end.
Elkins isn’t a great writer, but I’ve enjoyed many of his other books, but he lost me on this one.
Major spoiler alert. Sort of.
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Doesn’t seem to be the work of Elkins
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What happened to Gideon Oliver?
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