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Self-Portraits
- Stories
- Narrated by: Brian Nishii
- Length: 6 hrs and 43 mins
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Publisher's summary
Bringing together novelist Osamu Dazai’s best autobiographical shorts in a single, slim volume, SELF-PORTRAITS shows the legendary writer at his best and worst.
“Art dies the moment it acquires authority.” So said Japan’s quintessential rebel writer Osamu Dazai, who, disgusted with the hypocrisy of every kind of establishment, from the nation’s obsolete aristocracy to its posturing, warmongering generals, went his own way, even when that meant his death and the death of others. Faced with pressure to conform, he declared his individuality to the world in all its self-involved, self-conscious, and self-hating glory. “Art,” he wrote, “is ‘I.’”
In these short stories, collected and translated by Ralph McCarthy, we can see just how closely Dazai’s life mirrored his art, and vice versa, as the writer/narrator falls from grace, rises to fame, and falls again. Addiction, debt, shame, and despair dogged Dazai until his self-inflicted death, and yet despite all the lies and deception he resorted to in life, there is an almost fanatical honesty to his writing. And that has made him a hero to generations of listeners who see laid bare, in his works, the painful, impossible contradictions inherent in the universal commandment of social life—fit in and do as you are told—as well as the possibility, however desperate, of defiance.
Long out of print, these stories will be a revelation to the legions of new fans of NO LONGER HUMAN, THE SETTING SUN, and THE FLOWERS OF BUFFOONERY.
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Set in the early postwar years, it probes the destructive effects of war and the transition from a feudal Japan to an industrial society. Ozamu Dazai died, a suicide, in 1948. But the influence of his book has made "people of the setting sun" a permanent part of the Japanese language, and his heroine, Kazuko, a young aristocrat who deliberately abandons her class, a symbol of the anomie which pervades so much of the modern world.
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MORE OSAMU DAZAI TRANSLATIONS PLEASE!!!!!
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The Flowers of Buffoonery opens in a seaside sanitarium where Yozo Oba—the narrator of No Longer Human at a younger age—is being kept after a failed suicide attempt. While he is convalescing, his friends and family visit him, and other patients and nurses drift in and out of his room. Against this dispiriting backdrop, everyone tries to maintain a lighthearted, even clownish atmosphere: playing cards, smoking cigarettes, vying for attention, cracking jokes, and trying to make each other laugh.
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Essentially the start of Dazai's career, Schoolgirl gained notoriety for its ironic and inventive use of language. Now it illuminates the prevalent social structures of a lost time, as well as the struggle of the individual against them—a theme that occupied Dazai's life both personally and professionally. This new translation preserves the playful language of the original and offers the listener a new window into the mind of one of the greatest Japanese authors of the 20th century.
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Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.
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No Longer Human - Confessions of a Faulty Man
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good
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One night in New York City’s Chinatown, a woman is at a work reunion dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. And then another. And...another. Nothing is quite what it seems as the city becomes awash with ghosts of heartbreaks past. What would normally pass for coincidence becomes something far stranger.
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Favorite Author
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The Setting Sun
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- By: Osamu Dazai
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Overall
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Story
Set in the early postwar years, it probes the destructive effects of war and the transition from a feudal Japan to an industrial society. Ozamu Dazai died, a suicide, in 1948. But the influence of his book has made "people of the setting sun" a permanent part of the Japanese language, and his heroine, Kazuko, a young aristocrat who deliberately abandons her class, a symbol of the anomie which pervades so much of the modern world.
-
-
MORE OSAMU DAZAI TRANSLATIONS PLEASE!!!!!
- By Lucky on 10-19-22
By: Osamu Dazai
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The Flowers of Buffoonery
- By: Osamu Dazai
- Narrated by: Brian Nishii
- Length: 1 hr and 48 mins
- Unabridged
-
Overall
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Performance
-
Story
The Flowers of Buffoonery opens in a seaside sanitarium where Yozo Oba—the narrator of No Longer Human at a younger age—is being kept after a failed suicide attempt. While he is convalescing, his friends and family visit him, and other patients and nurses drift in and out of his room. Against this dispiriting backdrop, everyone tries to maintain a lighthearted, even clownish atmosphere: playing cards, smoking cigarettes, vying for attention, cracking jokes, and trying to make each other laugh.
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-
A meandering mess
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By: Osamu Dazai
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Schoolgirl
- By: Osamu Dazai, Allison Markin Powell - translator
- Narrated by: Traci Kato Kiriyama
- Length: 1 hr and 42 mins
- Unabridged
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Overall
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Performance
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Story
Essentially the start of Dazai's career, Schoolgirl gained notoriety for its ironic and inventive use of language. Now it illuminates the prevalent social structures of a lost time, as well as the struggle of the individual against them—a theme that occupied Dazai's life both personally and professionally. This new translation preserves the playful language of the original and offers the listener a new window into the mind of one of the greatest Japanese authors of the 20th century.
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-
Short and introspective
- By brandy on 12-12-23
By: Osamu Dazai, and others
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No Longer Human
- By: Osamu Dazai
- Narrated by: David Shih
- Length: 4 hrs and 13 mins
- Unabridged
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Overall
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Performance
-
Story
Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.
-
-
A voice of depression
- By Owen on 08-28-24
By: Osamu Dazai
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No Longer Human - Confessions of a Faulty Man
- By: Osamu Dazai
- Narrated by: Simon Jackson
- Length: 3 hrs and 3 mins
- Unabridged
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Overall
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Performance
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Story
No Longer Human (1948, Ningen Shikkaku / A Shameful Life / Confessions of a Faulty Man) was an attack on the traditions of Japan, capturing the postwar crisis of Japanese cultural identity. Framed by an epilogue and prologue, the story is told in the form three notebooks left by Ōba Yōzō, whose calm exterior hides his tormented soul. Osamu Dazai was a Japanese author who is considered one of the foremost fiction writers of 20th century Japan. A number of his most popular works, such as Shayō (The Setting Sun) and Ningen Shikkaku (No Longer Human), are considered modern-day classics in Japan.
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One night in New York City’s Chinatown, a woman is at a work reunion dinner with former colleagues when she excuses herself to buy a pack of cigarettes. On her way back, she runs into a former boyfriend. And then another. And...another. Nothing is quite what it seems as the city becomes awash with ghosts of heartbreaks past. What would normally pass for coincidence becomes something far stranger.
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Favorite Author
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Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji - widely considered the world’s first novel - during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki’s tale came to occupy a central place in Japan’s remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.
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Brian Nishii breathes life into The Tale; bravo!
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The Last Yakuza
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Makoto Saigo is half-American and half-Japanese in small-town Japan with a set of talents limited to playing guitar and picking fights. With rock stardom off the table, he turns toward the only place where you can start from the bottom and move up through sheer merit, loyalty, and brute force―the yakuza. Saigo, nicknamed “The Tsunami”, quickly realizes that even within the organization, opinions are as varied as they come, and a clash of philosophies can quickly become deadly. One screw-up can cost you your life, or at least a finger.
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absolutely astounding work. you will not put this down.
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Kokoro
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The subject of Kokoro, which can be translated as 'the heart of things' or as 'feeling,' is the delicate matter of the contrast between the meanings the various parties of a relationship attach to it. In the course of this exploration, Soseki brilliantly describes different levels of friendship, family relationships, and the devices by which men attempt to escape from their fundamental loneliness. The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight.
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The Heart Of Things, Relationships & Feelings
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Japanese Ghost Stories
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In this collection of classic ghost stories from Japan, beautiful princesses turn out to be frogs, paintings come alive, deadly spectral brides haunt the living and a samurai delivers the baby of a Shinto goddess with mystical help. Here are all the phantoms and ghouls of Japanese folklore: 'rokuro-kubi', whose heads separate from their bodies at night; 'jikininki', or flesh-eating goblins; and terrifying faceless 'mujina' who haunt lonely neighbourhoods.
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Japanese pronunciation a problem
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Bungo Stray Dogs, Vol. 1
- Osamu Dazai's Entrance Exam
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Doppo Kunikida is an idealist and a straitlaced detective at the Armed Detective Agency, an organization that takes on dangerous jobs even the police won’t handle. Everything in his life is going just as he’s planned…until one day, he’s paired up with the agency’s newest hire: a suspicious, eccentric, suicide-obsessed man named Osamu Dazai. Their first case together turns out to be far more complicated than Kunikida anticipated—and it looks like the detective agency’s sworn enemy, the Port Mafia, is somehow involved, too!
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🚕
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Early Light
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- Length: 1 hr and 51 mins
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Overall
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Performance
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Early Light offers three very different aspects of Osamu Dazai's genius: the title story relates his misadventures as a drinker and a family man in the terrible fire bombings of Tokyo at the end of WWII. Having lost their own home, he and his wife flee with a new baby boy and their little girl to relatives in Kofu, only to be bombed out anew.
By: Osamu Dazai
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Kusamakura [Grass Pillow]
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Overall
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Performance
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Story
Natsume Soseki's Kusamakura - meaning “grass pillow” - follows its nameless young artist-narrator on a meandering walking tour of the mountains. At the inn at a hot-spring resort, he has a series of mysterious encounters with Nami, the lovely young daughter of the establishment. Nami, or "beauty", is the center of this elegant novel, the still point around which the artist moves and the enigmatic subject of Soseki's word painting.
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This beautiful novel deserves a better narration
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By: Natsume Soseki, and others
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Thousand Cranes
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- Unabridged
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Overall
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Performance
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Story
With a restraint that barely conceals the ferocity of his characters' passions, one of Japan's great postwar novelists tells the luminous story of Kikuji and the tea party he attends with Mrs. Ota, the rival of his dead father's mistress. A tale of desire, regret, and sensual nostalgia, every gesture has a meaning, and even the most fleeting touch or casual utterance has the power to illuminate entire lives - sometimes in the same moment that it destroys them.
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Painfully beautiful
- By Erez on 12-02-10
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The Sound of Waves
- By: Yukio Mishima
- Narrated by: Brian Nishii
- Length: 5 hrs
- Unabridged
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Overall
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Performance
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Story
Set in a remote fishing village in Japan, The Sound of Waves is a timeless story of first love. A young fisherman is entranced at the sight of the beautiful daughter of the wealthiest man in the village. They fall in love, but must then endure the calumny and gossip of the villagers.
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Remote Japanese island beautifully depicted
- By Bruce on 09-17-15
By: Yukio Mishima
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Spring Snow
- By: Yukio Mishima
- Narrated by: Brian Nishii
- Length: 14 hrs and 31 mins
- Unabridged
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Overall
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Performance
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Story
Spring Snow is set in Tokyo in 1912, when the hermetic world of the ancient aristocracy is being breached for the first time by outsiders -- rich provincial families unburdened by tradition, whose money and vitality make them formidable contenders for social and political power. Among this rising new elite are the ambitious Matsugae, whose son has been raised in a family of the waning aristocracy, the elegant and attenuated Ayakura.
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An extraordinary work.......
- By Raj Saberwal on 05-29-14
By: Yukio Mishima
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Snow Country
- By: Yasunari Kawabata
- Narrated by: Brian Nishii
- Length: 3 hrs and 56 mins
- Unabridged
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Overall
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Performance
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Story
The story of the doomed love affair of a wealthy sophisticate, Shimamura, and the geisha Komako, at a mountain hotspring resort in western Japan, one of the snowiest regions on earth.
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A beautifully written book
- By just asking for some common sense on 03-19-19
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The Tale of Genji, Volume 1
- By: Murasaki Shikibu, Dennis Washburn - translator
- Narrated by: Brian Nishii
- Length: 35 hrs and 35 mins
- Unabridged
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Overall
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Performance
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Story
Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji, widely considered the world's first novel, during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki's tale came to occupy a central place in Japan's remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.
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Tales of Genji
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By: Murasaki Shikibu, and others