
Private Rites
A Novel
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Narrado por:
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Hannah van der Westhuysen
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De:
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Julia Armfield
Acerca de esta escucha
“One of my favorite novels of the past few years.”—Jeff VanderMeer, New York Times bestselling author of Annihilation
From the award-winning author of Our Wives Under the Sea, a speculative reimagining of King Lear, centering three sisters navigating queer love and loss in a drowning world
It’s been raining for a long time now, so long that the land has reshaped itself and old rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father, an architect as cruel as he was revered, dies. His death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will.
The sisters are more estranged than ever, and their lives spin out of control: Irene’s relationship is straining at the seams, Isla’s ex-wife keeps calling, and cynical Agnes is falling in love for the first time. But something even more sinister might be unfolding, something related to their mother’s long-ago disappearance and the strangers who have always seemed unusually interested in the sisters’ lives. Soon, it becomes clear that the sisters have been chosen for a very particular purpose, one with shattering implications for their family and their imperiled world.
A Macmillan Audio production from Flatiron Books.
©2024 Julia Armfield (P)2024 Macmillan AudioLos oyentes también disfrutaron...
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Reseñas de la Crítica
A Most Anticipated Book (Goodreads, LitHub, BookRiot, Bookish)
“Inspired by Shakespeare’s King Lear, this characteristically eerie and emotive novel explores faith, legacy, and grief for loved ones and for the world as we know it.”—GQ
“[Armfield] is both poet and prophet of the watery and the queer and the channels connecting them…Seductive…Compelling…Brilliantly audacious.”—The Guardian
“As an Our Wives Under the Sea evangelist, I was absolutely foaming at the mouth for Private Rites...It’s gay and eerie and vibey and weird...Drink it up, baby!”—LitHub
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- Duración: 1 h y 49 m
- Versión completa
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General
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Narración:
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Historia
Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.
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Narrator doesn’t get Backman’s satire or rhythm
- De joey1603 en 12-01-24
De: Fredrik Backman, y otros
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Say No More
- De: Caroline Overington
- Narrado por: Anna Skellern
- Duración: 5 h y 47 m
- Grabación Original
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General
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Narración:
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Historia
Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Seriously, that was the ending?
- De alicia in athens en 02-13-25
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Claudia is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she's just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.
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Dr. Richmond Dougherty is a renowned pediatric surgeon, an infamous tragedy survivor, and a national hero. He’s also very dead—thanks to a fall down the stairs. His neighbors angrily point a finger at the newest Ms. Dougherty, Addison. The sudden marriage to the mysterious young woman only lasted ninety-seven days, and he’d had two suspicious “accidents” during that time. Now Addison is a very rich widow.
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Decent listen
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De: Darby Kane
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Woo Woo
- A Novel
- De: Ella Baxter
- Narrado por: Cat Gould
- Duración: 5 h y 48 m
- Versión completa
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General
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Narración:
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Historia
Woo Woo follows Sabine, a conceptual artist on the verge of a photo exhibition she hopes will be pivotal, as she plunges deeper into her neuroses and seeks validation in relationships—with her frustratingly rational chef husband, her horde of devoted Gen Z TikTok followers, and even a mysterious, potentially violent stalker. Accompanying her throughout are Sabine’s strange alter egos, from hyperrealistic puppets of her as a baby to the ghost of conceptual artist Carolee Schneemann, who shows up with inscrutable yet sage life advice.
De: Ella Baxter
Lo que los oyentes dicen sobre Private Rites
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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Ejecución
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Historia
- Megs
- 02-26-25
Beautifully Written, But Mainly Fluff and Filler
Where to start? I want to give this book praise for everything it does well. Like everything Julia Armfield does, this book is gorgeously written in a way that brings you smack dab in the middle of the world and makes you forget reality. The sisters all feel real, grounded, and believable. Their flaws will resonate, and they feel like they could be your own family, struggling through life and love. But, unfortunately, that is the height of what this book does well. It is less a novel and more a snapshot of three sisters going through life at the end(?) of the world. The plot, while roughly that of King Lear, is basically non-existent. 90% of the book feels like filler and fluff, setting up back stories and side interests that ultimately don't mean a damn thing. The plot doesn't really exist, and is basically all rushed through in 1-2 chapters at end. And speaking of endings, Julia's works never really seem to end, just kind of stop. This isn't necessarily a bad thing, just something to expect. In Our Wives Under The Sea, it helps fit the jarring changes of the characters and their lives. Here it really just felt lazy. All in all, it's a gorgeous piece of prose that lacks the substance it needs to be a true winner.
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Historia
- Hallie
- 01-15-25
sisters aren't always great
Prefacing this with the fact I have not read King Lear.
However, I really enjoyed this book. I think it captures growing up with sisters you love, but weren't particularly close to. How you feel loyal and connected to them, and yet can't quite bridge your gaps. I think the commentary of your family holding you to a past-you standard when everyone else knows the now-you is genius as well.
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Historia
- Shayne
- 01-28-25
Narration and writing was absolutely beautiful
This is one I wish I had read instead of listened to. Except it was such a beautiful listen. I think I missed a lot that I would have caught by reading.
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Historia
- Amybooksit
- 12-21-24
Outstanding ending
The first half had me concerned but the ending made the initial trudge well worth it
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- C. Stachnik
- 02-25-25
Never a sunshine, how is it possible to have so much bad weather
I found this very sad and depressing. Too much focus on the weather and water.
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- Betsy
- 12-15-24
Confusing
Terrible ending- completely confused. The story finally wraps up with 6 minutes remaining- and introduces a completely unfamiliar story line.
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