Persuasion
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Narrated by:
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Jill Masters
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By:
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Jane Austen
About this listen
In Persuasion, the book's heroine, Ann Elliot, was earlier engaged to Frederick Wentworth, a young navel officer, who now has become a captain. Anne is 27, and the early bloom of youth is past, when she and Captain Wentworth are thrown together again.
This book is often thought to be the story of Jane Austen's own lost love. In it, she seems mellowed and more philosophical, touched perhaps by the sentiment of a story in which she saw herself as the heroine but in whose happy outcome she has a premonition that she would never play a part.
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Jane Austen's last completed novel, published posthumously in 1818, depicts the trials and tribulations of the young Englishwoman Ann Elliot as she reconnects with naval captain Frederick Wentworth. After spurning his marriage proposal years earlier on the advice of friends, she is practically a spinster by the time Wentworth returns to town. After suffering through the vain, shallow society around her, Ann and Captain Wentworth do eventually find a happy ending. Although this is an earlier recording with some inconsistent sound quality, performer Jill Masters' genteel English accent is enjoyable to listen to and perfectly suited to the tale.
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Swann’s Way is the first of seven volumes in Remembrance of Things Past. It sets the scene with the narrator’s memories being famously provoked by the taste of that little cake, the madeleine, accompanied by a cup of lime-flowered tea. It is an unmatched portrait of fin-de-siècle France.
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Not a book one reads but inhabits & floats through
- By Darwin8u on 02-24-13
By: Marcel Proust
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Tom Jones
- The History of Tom Jones, a Foundling
- By: Henry Fielding
- Narrated by: Bill Homewood
- Length: 37 hrs and 52 mins
- Unabridged
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Tom Jones, a foundling, is brought up by the kindly Mr. Allworthy as if he were his own son. Forced to leave the house as a young man after tales of his disgraceful behavior reach his benefactor's ears, he sets out in utter despair, not only because of his banishment but because he has now lost all hope of gaining the hand of the beautiful Sophia. But she too is forced to flee her parental home to escape an undesirable marriage and their stories and adventures intertwine.
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terrific story BUT
- By tom on 01-28-14
By: Henry Fielding
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David Copperfield
- By: Charles Dickens
- Narrated by: Richard Armitage
- Length: 36 hrs and 30 mins
- Unabridged
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Between his work on the 2014 Audible Audiobook of the Year, Hamlet, Prince of Denmark: A Novel, and his performance of Classic Love Poems, narrator Richard Armitage ( The Hobbit, Hannibal) has quickly become a listener favorite. Now, in this defining performance of Charles Dickens' classic David Copperfield, Armitage lends his unique voice and interpretation, truly inhabiting each character and bringing real energy to the life of one of Dickens' most famous characters.
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A PERFECT narration of an English classic!
- By Wayne on 09-03-17
By: Charles Dickens
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The Bostonians
- By: Henry James
- Narrated by: Xe Sands
- Length: 17 hrs and 48 mins
- Unabridged
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From Boston's social underworld emerges Verena Tarrant, a girl with extraordinary oratorical gifts, which she deploys in tawdry meeting-houses on behalf of "the sisterhood of women." She acquires two admirers of a very different stamp: Olive Chancellor, devotee of radical causes and marked out for tragedy; and Basil Ransom, a veteran of the Civil War who holds rigid views concerning society and women's place therein. Is the lovely, lighthearted Verena made for public movements or private passions?
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Fantastic reading!
- By FranceyO on 07-15-11
By: Henry James
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Pride and Prejudice and Zombies
- Now with Ultraviolent Zombie Mayhem!
- By: Seth Grahame-Smith, Jane Austen
- Narrated by: Katherine Kellgren
- Length: 11 hrs and 5 mins
- Unabridged
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"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem.
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One word - Awesome!
- By Katelyn on 05-22-09
By: Seth Grahame-Smith, and others
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My Lady Ludlow
- By: Elizabeth Gaskell
- Narrated by: Susannah York
- Length: 7 hrs and 55 mins
- Unabridged
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Lady Ludlow's appalling snobbery, prejudice and bred-in-the-bone conviction as to the superiority of the English aristocracy and their feudal way of life are deliciously tested, and found wanting, in this gently radical tale of the collapse of a social system. Elizabeth Gaskell's My Lady Ludlow is a brilliant picture of the shift in power in a rural northern village, from the velvety feudal Ludlows to the glitter of the new money rattling through the system courtesy of the brazen baker from Birmingham.
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A treat
- By Tad Davis on 03-04-20
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Clarissa, or The History of a Young Lady, Volume 1
- By: Samuel Richardson
- Narrated by: Samuel West, Lucy Scott, Roger May, and others
- Length: 33 hrs and 40 mins
- Unabridged
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A milestone in the history of the novel, Samuel Richardson’s epistolary and elaborate Clarissa follows the life of a chaste young woman desperate to protect her virtue. When beautiful Clarissa Harlowe is forced to marry the rich but repulsive Mr. Solmes, she refuses, much to her family’s chagrin. She escapes their persecution with the help of Mr. Lovelace, a dashing and seductive rake, but soon finds herself in a far worse dilemma. Terrifying and enlightening, Clarissa weaves a tapestry of narrative experimentation into a gripping morality tale of good versus evil.
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Gripping Novel & Performance
- By Harold on 07-29-18
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What Matters in Jane Austen
- Twenty Crucial Puzzles Solved
- By: John Mullan
- Narrated by: Paul Collins
- Length: 10 hrs and 37 mins
- Unabridged
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In What Matters in Jane Austen?, John Mullan shows that we can best appreciate Austen's brilliance by looking at the intriguing quirks and intricacies of her fiction. Asking and answering some very specific questions about what goes on in her novels, he reveals the inner workings of their greatness. In 20 short chapters, each of which explores a question prompted by Austen’s novels, Mullan illuminates the themes that matter most in her beloved fiction.
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Intriguing details and background
- By Barbara JA on 11-12-13
By: John Mullan
What listeners say about Persuasion
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- laral
- 09-02-18
Beware of dull narration with horrible background noise
Narration was not as bad but joy of going through another of Austen’s stories, this one believed to be somewhat of autobiography, was completely ruined by constant background noise in recording. There are much better versions and narrations than this one
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- Vic S.
- 01-27-18
Pure, unalloyed pleasure
“Persuasion” is my favorite novel of all time and Jill Masters my favorite reader of Jane Austen. There is some distracting background noise in a few spots but does not mar the utter pleasure of listening to this great masterpiece by a stellar reader.
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- LaurynG
- 07-10-21
Almost great
This book is one of my favorites of all time, and definitely would make my top five desert island list. This performance is very very good, but the reader has some pronunciation problems. While Ms Masters' delivery is generally excellent and certainly consistent, her repeated mispronunciation of words like "ascertain" and the name "Benwick" seem out of place and is terribly annoying. Hopefully a little more research might be done before she tackles her next book.
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1 person found this helpful
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- Kindle Customer
- 09-04-17
Disappointed
I enjoyed reading Persuasion but a different narrator will do this audio version justice. I fell asleep no less than three times listening. She made this book sooo boring.
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- Gwendolyn
- 09-03-11
Personal bias review!
This is my favorite of Jane Austen's six novels. I think it's because the passion is so English-ly understated throughout until the end where it veritably explodes off the page with first Anne's appeal to Captain Harville and culminating in Captain Wentworth's letter to Anne. (To receive a letter from the kind of quietly confident man that can carry off a line like "You pierce my soul" would be rather, shall we say, motivating.) One can easily commiserate with the desperation Anne feels to make sure she does not lose yet another chance with him. I rather like to think Miss Austen was relieved as well when Anne caught him. Perhaps it's only because my own interpretation of intonation differs from the author's that I find her narration a bit off the mark. I felt as though Ms. Masters missed the whole point of persuasion as a theme.
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- C. Crowther
- 08-06-19
You can hear talking in the background
This is a poor recording. You can hear people talking in the background and the narration is not my favorite.
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- Tracy Larrabee
- 01-13-16
Worst audio performance I've ever had in a book
There was noise in audible background in the performance and there was a change in volume up and down it was really, really awful. If the booking been wonderful it would've been intolerable.
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- testbadge
- 08-28-18
hhwha
bjajja just. audible.co.jp. audible.co.jp. audible.co.jp. she. don't doubt should food done so. she. she. she sjja
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- Winslow
- 02-26-15
For everyone woman of eight and twenty
The first time I attempted Persuasion I was left wanting. The book fell to the wayside and was not picked up again for two years. This time--with the assistance of Jill Masters charming narration--I not only finished the story, but fell in love. Perhaps this is the perfect example a book finding you at the right time in your life. I was 26 when I first attempted the story and at 28 I fully understood the brain of Anne Elliot. While I might not have acted as she did--I tend to be less easily persuaded--I admired and understood her every decision. Jane never really lets me down.
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- Amazon Customer
- 02-03-19
The performance...
I didn’t think it was possible to ruin anything Jane Austen wrote. I was wrong. This reading was really bad. If I’m giving the benefit of the doubt, I would hope that this is just an early recording of the book (perhaps when audiobooks were newly conceived, and the production crew and reader hadn’t quite worked out all the kinks yet). I can’t think of any other excuse for such a bad performance of this book. This is actually my favorite of Austen’s work, and the fact that I couldn’t make it through two chapters speaks volumes.
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