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Narrado por:
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Cassandra Campbell
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De:
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Lisa Klein
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Almost Innocent
- De: Jane Feather
- Narrado por: Rosalind Ashford
- Duración: 16 h y 18 m
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Growing up behind the impenetrable walls of an English fortress, young Magdalen does not know that she is the illegitimate daughter of a powerful English prince and his murdered French mistress - or that she has been a pawn in the struggle between England and France ever since she slipped from her dying mother's womb. All she knows is that she longs for excitement. And then one day, as if in answer to her prayers, the splendid figure of Guy de Gervais, a true knight in shining armor, rides into her cloistered world and spirits her away.
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Beautiful medieval romance, loved it
- De RomReader en 08-06-19
De: Jane Feather
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Katherine
- A Novel
- De: Anya Seton
- Narrado por: Lorna Bennett
- Duración: 29 h y 50 m
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Set in the vibrant fourteenth century of Chaucer and the Black Death, the story features knights fighting in battle, serfs struggling in poverty, and the magnificent Plantagenets—Edward III, the Black Prince, and Richard II—who rule despotically over a court rotten with intrigue. Within this era of danger and romance, John of Gaunt, the king’s son, falls passionately in love with the already-married Katherine. Their affair persists through decades of war, adultery, murder, loneliness, and redemption.
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my favorite novel brought to life
- De Heather en 10-04-23
De: Anya Seton
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A Triple Knot
- De: Emma Campion
- Narrado por: Heather Wilds
- Duración: 14 h y 56 m
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Joan of Kent, renowned beauty and cousin to King Edward III, is destined for a politically strategic marriage. As the king begins a long dynastic struggle to claim the crown of France, plunging England into the Hundred Years' War, he negotiates her betrothal to a potential ally and heir of a powerful lordship. But Joan, haunted by nightmares of her father's execution at the hands of her treacherous royal kin, fears the king's selection and is not resigned to her fate. She secretly pledges herself to one of the king's own knights, one who has become a trusted friend...
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GOOD HISTORICAL FICTION - FOR A CHANGE
- De The Louligan en 10-05-14
De: Emma Campion
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The Agincourt Bride
- De: Joanna Hickson
- Narrado por: Catherine Harvey
- Duración: 16 h y 42 m
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When her own first child is tragically still-born, the young Mette is pressed into service as a wet-nurse at the court of the mad king, Charles VI of France. Her young charge is the princess, Catherine de Valois, caught up in the turbulence and chaos of life at court. Mette and the child forge a bond, one that transcends Mette’s lowly position. But as Catherine approaches womanhood, her unique position seals her fate as a pawn between two powerful dynasties.
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Disappointing
- De Michelle en 02-16-13
De: Joanna Hickson
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Green Darkness
- De: Anya Seton
- Narrado por: Heather Wilds
- Duración: 23 h y 24 m
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The marriage of the Englishman Richard Marsdon and his young American wife, Celia, slowly turns tragic as Richard withdraws into himself and Celia suffers a debilitating emotional breakdown. A wise mystic realizes that Celia can escape her past only by reliving it. She journeys back four hundred years to her former life as the servant girl Celia de Bohun during the reign of Edward VI - and to her doomed love affair with the chaplain Stephen Marsdon.
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A different narrator would have made all the difference.
- De J en 06-04-15
De: Anya Seton
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Captive Queen
- A Novel of Eleanor of Aquitaine
- De: Alison Weir
- Narrado por: Rosalyn Landor
- Duración: 19 h y 21 m
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Renowned for her highly acclaimed and bestselling British histories, Alison Weir has in recent years made a major impact on the fiction scene with her novels about Queen Elizabeth and Lady Jane Grey. In this latest offering, she imagines the world of Eleanor of Aquitaine, the beautiful twelfth-century woman who was queen of France until she abandoned her royal husband for the younger man who would become king of England.
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Why the Negativity?
- De E. Willaims en 06-28-11
De: Alison Weir
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All the Ever Afters
- The Untold Story of Cinderella’s Stepmother
- De: Danielle Teller
- Narrado por: Jane Copland
- Duración: 10 h y 50 m
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In the vein of Wicked, The Woodcutter, and Boy, Snow, Bird, a luminous re-imagining of a classic tale, told from the perspective of Agnes, Cinderella’s "evil" stepmother. We all know the story of Cinderella. Or do we? As rumors about the cruel upbringing of beautiful newlywed Princess Cinderella roil the kingdom, her stepmother, Agnes, who knows all too well about hardship, privately records the true story...
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Not what I was expecting...
- De IonyWinter en 07-15-19
De: Danielle Teller
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Miranda and Caliban
- De: Jacqueline Carey
- Narrado por: Gemma Dawson, Alex Wyndham
- Duración: 10 h y 34 m
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A lovely girl grows up in isolation where her father, a powerful magus, has spirited them to in order to keep them safe. We all know the tale of Prospero's quest for revenge, but what of Miranda? Or Caliban, the so-called savage Prospero chained to his will? In this incredible retelling of the fantastical tale, Jacqueline Carey shows listeners the other side of the coin - the dutiful and tenderhearted Miranda, who loves her father but is terribly lonely. And Caliban, the strange and feral boy Prospero has bewitched to serve him.
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Beautiful, charming, slightly scary story
- De DabOfDarkness en 09-16-17
De: Jacqueline Carey
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The Crown
- De: Nancy Bilyeau
- Narrado por: Nicola Barber
- Duración: 14 h y 45 m
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In this debut historical thriller, an aristocratic young nun must find a legendary crown in order to save her father’s life and preserve all she holds dear. When novitiate nun Joanna Stafford learns her rebel cousin is condemned by King Henry VIII to be burned at the stake, she makes the decision to break the sacred rule of enclosure and flee her Dominican order in Dartford to stand at her cousin’s side. Arrested for interfering with king’s justice, Joanna, along with her father, Sir Richard Stafford, is sent to the Tower of London.
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Torture
- De S. Wells en 03-24-13
De: Nancy Bilyeau
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Reign of Madness
- De: Lynn Cullen
- Narrado por: Susan Lyons
- Duración: 13 h y 43 m
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Juana of Castile, third child of the Spanish monarchs Isabel and Fernando, grows up with no hope of inheriting her parents' crowns, but as a princess knows her duty: to further her family's ambitions through marriage. Yet stories of courtly love, and of her parents' own legendary romance, surround her. When she weds the Duke of Burgundy, a young man so beautiful that he is known as Philippe the Handsome, she dares to hope that she might have both love and crowns.
De: Lynn Cullen
Lo que los oyentes dicen sobre Ophelia
Calificaciones medias de los clientesReseñas - Selecciona las pestañas a continuación para cambiar el origen de las reseñas.
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Historia
- Anonymous User
- 05-23-17
My all-time favorite book.
I love this book, and I am so happy to have found it on audible! The narrator was a perfect fit, and told the story beautifully.
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Historia
- Ariel Vetter
- 12-26-24
Great background story of Ophelia
At times a little removed or cold in tone. It’s a good read, but the character isn’t especially compelling.
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Historia
- morgan warren
- 06-03-21
Love love love!!
Wow. I went into this not knowing what to expect, but it blew me away. I loved hearing this classic from the perspective of Ophelia. I was absorbed in her story and didn’t want to stop listening. I felt the author did a great job of portraying her story.
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Historia
- Darryl
- 06-11-16
nice idea, poorly executed
I had high hopes for this Shakespeare/Hamlet "pastiche", but things fell apart rather quickly and went exactly where I was afraid they were going. Aside from the cliche ending, I will say only one thing, and this pertains to many current writers: why, if you are ostensibly writing some new interpretation or revisionist story, or for that matter any of the plethora of current novelists, why are you using a totally unnecessary prologue, to give away the key "surprises" that lie behind your vision of the story???? If I'm in a theater, watching a movie, do I want the person behind me to tell me the key plot twists before the movie even begins?? This trend baffles me. I think it points out the woefully inadequate editorship going on now, as I would have demanded the prologue be cut completely, and I would have suggested many other points to alter. Describing the basic plot points to a friend, he simply replied, "Oh, that is bad". This is to be a movie next year, but there is much that needs fixing, and whatever interest I had being a Shakespeare fan, is greatly diminished to the point I doubt that I will see it.
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