No One Is Talking About This
A Novel
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Narrated by:
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Kristen Sieh
About this listen
FINALIST FOR THE 2021 BOOKER PRIZE & A NEW YORK TIMES TOP 10 BOOK OF 2021
WINNER OF THE DYLAN THOMAS PRIZE
“A book that reads like a prose poem, at once sublime, profane, intimate, philosophical, witty and, eventually, deeply moving.” —New York Times Book Review, Editors’ Choice
“Wow. I can’t remember the last time I laughed so much reading a book. What an inventive and startling writer…I’m so glad I read this. I really think this book is remarkable.” —David Sedaris
From "a formidably gifted writer" (The New York Times Book Review), a book that asks: Is there life after the internet?
As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?"
Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary.
Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.
©2021 Patricia Lockwood (P)2021 Penguin AudioListeners also enjoyed...
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Critic reviews
Finalist for the Booker Prize
Finalist for the Women’s Prize for Fiction
Finalist for The Center for Fiction First Novel Prize
Winner of the Dylan Thomas Prize
Named a Best Book of 2021 by The New York Times Book Review, The Washington Post, NPR, TIME, Vulture, Esquire, Entertainment Weekly, BuzzFeed, PopSugar, Harper's Bazaar, LitHub and Publishers Weekly
“One of the most incisive observers of the spectacle of digital discourse . . . Lockwood is a sharp and often funny social critic. She writes wisely of the emotionally labile landscape of the internet . . . many of her images are evocative and often beautiful . . . More inventive than lapidary, Ms. Lockwood’s style is artful without being precious . . . What begins as an ironical story about irony becomes an intimate and moving portrait of love and grief. In this way, a novel that had been toying with the digital surface of modern life finds the tender heart pumping away beneath it all.” —Emily Bobrow, The Wall Street Journal
“Lockwood is sending a bulletin from the future . . . [She] has set out to portray not merely a mind through language, as Joyce did, but what she calls ‘the mind,’ the molting collective consciousness that has melded with her protagonist’s singular one . . . Lockwood gets it right, mimicking the medium while shrewdly parodying its ethos . . . God, is she funny! . . . Lockwood’s conceit is smart, her prose original, hugely entertaining and witty . . . a powerful, paradoxical observation about what digital platforms take from us . . . Lockwood’s own writing takes on new depth and a more focussed, richer beauty as her protagonist gets farther from the portal and deeper into the tangible present . . . Lockwood’s writing grows radiant . . . it is a story, simply, about love, selfless and delighted.” —Alexandra Schwartz, The New Yorker
“[An] attention-grabbing mind-blower which toggles between irony and sincerity, sweetness and blight . . . surprisingly beautiful . . . Lockwood is a master of sweeping, eminently quotable proclamations that fearlessly aim to encapsulate whole movements and eras . . . It's a testament to her skills as a rare writer who can navigate both sleaze and cheese, jokey tweets and surprising earnestness, that we not only buy her character's emotional epiphany but are moved by it. Of course, people will be talking about this meaty book, and about the questions Lockwood raises about what a human being is, what a brain is, and most important, what really matters.” —NPR
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The author of Break in Case of Emergency follows up her the “extraordinary debut” (The Guardian) with a moving novel about motherhood and marriage, adolescence and bodily autonomy, family and love, religion and sexuality, and the delicate balance between the purity of faith and the messy reality of life.
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Just OK - Considered Bailing
- By Madeleine Homan on 04-18-21
By: Jessica Winter
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The Dark Side of Innocence
- Growing Up Bipolar
- By: Terri Cheney
- Narrated by: Coleen Marlo
- Length: 7 hrs and 10 mins
- Unabridged
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The New York Times best-selling author blends a pitch-perfect childlike voice with keen adult observation as she shares her heartrending, groundbreaking insider's look into the fascinating and frightening world of childhood bipolar disorder.
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Eye opening
- By Anonymous User on 03-13-23
By: Terri Cheney
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The Seven or Eight Deaths of Stella Fortuna
- A Novel
- By: Juliet Grames
- Narrated by: Lisa Flanagan
- Length: 16 hrs and 57 mins
- Unabridged
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Overall
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Performance
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Story
For Stella Fortuna, death has always been a part of life. Stella’s childhood is full of strange, life-threatening incidents - moments where ordinary situations like cooking eggplant or feeding the pigs inexplicably take lethal turns. Even Stella’s own mother is convinced that her daughter is cursed or haunted. When the Fortunas emigrate to America on the cusp of World War II, Stella and her sister, Tina, must come of age side by side in a hostile new world with strict expectations for each of them.
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Misogyny at its worst
- By brenda on 01-15-20
By: Juliet Grames
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Willis Wu doesn’t perceive himself as a protagonist even in his own life: He’s merely Generic Asian man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but he is always relegated to a prop. Yet every day he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy - the most respected role that anyone who looks like him can attain. At least that’s what he has been told.
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Martha Friel just turned forty. Once, she worked at Vogue and planned to write a novel. Now, she creates internet content. She used to live in a pied-à-terre in Paris. Now she lives in a gated community in Oxford, the only person she knows without a PhD, a baby or both, in a house she hates but cannot bear to leave. But she must leave, now that her husband Patrick—the kind who cooks, throws her birthday parties, who loves her and has only ever wanted her to be happy—has just moved out.
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Very Disappointed -- 2.75 Stars
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The Prophets
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Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man - a fellow slave - seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own.
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LOVED IT
- By Des on 04-18-21
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Girl, Woman, Other
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Performance
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From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.
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smart, compassionate, confronting and enjoyable
- By Kelly on 12-20-19
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Paradise Rot
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Overall
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Performance
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Story
Jo is in a strange new country for university and having a more peculiar time than most. In a house with no walls, shared with a woman who has no boundaries, she finds her strange home coming to life in unimaginable ways. Jo's sensitivity and all her senses become increasingly heightened and fraught, as the lines between bodies and plants, dreaming and wakefulness, blur and mesh.
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Wrong Voice
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What listeners say about No One Is Talking About This
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- Boomer
- 03-29-22
Written like a work of poetry
This book was written from the point of view of a young adult who is constantly scrolling on her phone. The writing is insightful, poetic, and left me laughing and crying. I will definitely be looking for more books by this author. While the story does not have a conflict leading to resolution plot I was amazed that I hung on her every word. (I am not a writer so please excuse this badly written review.)
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4 people found this helpful
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- Anna G
- 07-12-23
Beautiful, moving, hilarious, astute.
This book moves from a haphazard collection of irreverent impressions of modern life into one of the most tender, precious and reverent stories we know.
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2 people found this helpful
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- Tails32x
- 09-25-21
The last half is amazing.
If you can somehow survive the nonsensical first 2 1/2 hours, you’re in for a beautiful and tender story. That said, that first 2 1/2 hours feels incomprehensible. Maybe a text better read than listen to
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3 people found this helpful
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- Phil
- 02-25-23
Effective and moving, but requires trust and patience
This is to a standard narrative what Cubism must have seemed like to an Impressionist audience. It’s wild and seems random at the start. Then it ends up having a lot to say. From shallow to deep. I really enjoyed it. And the audio performance really helped.
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2 people found this helpful
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- Amazon Customer
- 10-19-22
Funny, heartbreaking, profound
I loved this book so much. It captures something so true about the contemporary experience and about human life. The narrator did an amazing job bringing the text to life, so much more than simply “reading” it.
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1 person found this helpful
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- Terra
- 05-26-21
Funny, moving, glad to have read it
I read several reviews that said this book didn’t have a plot and one that said it did. The positive reviewer said something like they were glad to have read it. I am also glad and still crying.
Part one required my attention. I had to sit and listen, which makes me think that part may have been easier to follow with a hard copy book. I had to stop part 2 several times because I was crying (and not quietly).
I’m thankful to the writer and the voice actress for gifting such preciousness to us. Worth it. Worth it. Worth it.
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16 people found this helpful
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- Teri
- 03-03-21
Fascinating and profound
A poetic and dreamy exploration of love, grief, human strength and adaptability in the age of online immediate gratification and judgement. It is incredibly ironic while sharply realistic and honest. I did not know what to expect but I found it to be a haunting, joyful and eye opening surprise.
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3 people found this helpful
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- Jules
- 01-22-23
Unexpectedly Great
I don’t know what to say except I was in literal tears by the end.
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- Andrew
- 01-24-23
Bizarre and wonderful
Never read anything quite like this book, but I found it sharp and funny and even sweet at times.
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- Erik Stearns
- 11-14-21
Stunning heart string puller
For most f this book, I thought it was some woke feminazi rantings of a bunch of random nonsense. I kept thinking to myself, "Why the hell did I choose this book?" But then, when the life of the baby was illustrated, I began to realize the contrast of the beauty of that life in contrast to all the other minutia that we so often think of as important. The chapters that walked the reader through the babies life kept me in tears. That infant was beauty incarnate and even though she wasn't around, she left a priceless gift to us. That we are human and being human is beauty in simplicity and amid complexity. Nonetheless, no matter what, this is the precious gift we must always hold on to for dear life, for that is the breath of our soul. It's amazing how things come at you from such strange origins, and yet, that is where the strongest medicine resides, because it gets our attention so. For this, I'm thankful. This was a wonderful read. Thank you for sharing that story.
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1 person found this helpful