Midnight Rooms
A Novel
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Narrated by:
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Georgina Campbell
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By:
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Donyae Coles
About this listen
“An immersive horror fairy tale marrying Crimson Peak to Pan’s Labyrinth upon strange foundations. You’re never really safe here, with Midnight Rooms wondrously defying expectation and refusing obedience. Donyae Coles leads us into a house of sinister magic, full of corners for peeking around, but careful—these walls have claws. A feverish, labyrinthine debut.”—Hailey Piper, Bram Stoker Award-winning author of Queen of Teeth
Set in a foreboding Gothic mansion and infused with the heightened paranoia and creeping horror of novels like Catherine House and Crimson Peak, a spine-chilling debut historical thriller from a fresh voice in the genre that will leave you questioning who, or what, you can trust . . . including your own sanity.
England, 1840. Orabella Mumthrope spies an unexpected visitor in her uncle’s parlor. Scruffy in appearance yet claiming to be the scion of a fabulously wealthy family, Elias Blakersby declares a deep desire to make Orabella his wife. The orphaned daughter of a white man and a Black woman—an outsider with no fortune or connections—Orabella never expected to marry. But her uncle has many debts, and Orabella, curious about the seeming devotion Elias bestows upon her, agrees.
The new bride is quickly whisked away to Korringhill Manor, the Blakersby family estate, and far from everything she knows. Expecting splendor, Orabella is shocked to find decay, skittish servants, and curt elders. But her kind new husband’s loving touch, promises of a happy life together, and his assurances she’ll never want for anything soothe her concerns.
Yet there is a darkness deep within this house. Rooms are locked or hidden away, and the walls seem to thrum with secrets. Orabella can never venture outside unattended; she spends her days having tea with a catatonic sister-in-law and evenings at Elias’s side, dutifully hosting lavish dinners. The darkness soon begins to engulf her, too. Becoming dizzy and drowsy after dinner, she falls into a fitful sleep filled with macabre dreams, and is awakened by blood-curdling screams in the night. In the morning she rises from her bed covered in mysterious bruises. Confused and terrified, she begins to question where her dreams end and reality begins. The longer Orabella stays in this place, the more she loses parts of herself . . . how long until she no longer exists?
Midnight Rooms is a sweeping saga with supernatural undertones set in Victorian England. Vibrating with tension, richly atmospheric—haunted by ghosts, guilt, and familial bonds—it is an electrifying story that will linger in your dreams.
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- By Robert Scott Read on 10-30-24
By: James Patterson, and others
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George Orwell’s 1984
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- By: George Orwell, Joe White - adaptation
- Narrated by: Andrew Garfield, Cynthia Erivo, Andrew Scott, and others
- Length: 3 hrs and 27 mins
- Original Recording
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- By wotsallthisthen on 04-07-24
By: George Orwell, and others
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The Grandmother
- By: Jane E. James
- Narrated by: Anna Cordell, Max Dinnen
- Length: 8 hrs and 39 mins
- Unabridged
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Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.
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Underdevelop Ending
- By tanya on 12-16-24
By: Jane E. James
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7 Hours to Die
- By: James Patterson, Duane Swierczynski
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Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- By Mdc on 10-08-24
By: James Patterson, and others
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The Woman in Coach D
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- Length: 11 hrs and 26 mins
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Overall
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Story
Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.
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Too long
- By Anonymous User on 11-15-24
By: Sarah A. Denzil
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The Mysterious Affair at Styles
- By: Agatha Christie, Anna Lea - adaptation
- Narrated by: Peter Dinklage, Himesh Patel, Harriet Walter, and others
- Length: 3 hrs and 53 mins
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England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.
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It’s a perfect audible movie!
- By Malissa Caudell on 11-15-24
By: Agatha Christie, and others
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Artemis
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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The Ex
- By: Freida McFadden
- Narrated by: Nicol Zanzarella
- Length: 8 hrs and 33 mins
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Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.
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Too bizarre for someone who loves bizarre
- By G. C. Webster on 07-01-22
By: Freida McFadden
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Audible vs. Kindle
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The stories in Fifty Beasts to Break Your Heart are about the abomination that resides within us all. That churning, clawing, ravenous yearning: the hunger to be held, and seen, and known. And the terror, too: to be loved too well, or not enough, or for long enough. To be laid bare before your sweetheart, to their horror. To be recognized as the monstrous thing you are. In these lush, strange stories, GennaRose Nethercott explores human longing in all its diamond-dark facets to create a collection that will redefine what you see as a beast, and make you beg to have your heart broken.
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Folklore for the Modern Age
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Trunks packed with potions and cures, Jane Aire sets out on a crisp, clear morning in October to face the greatest challenge of her sheltered girls’-school existence. A shadow lies over Thornfield Hall and its reclusive master, Edward Rochester. And he’s hired her only as a last resort. Jane stumbles again and again as she tries to establish a rapport with her prickly new employer, but he becomes the least of her worries as a mysterious force seems to work against her.
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A lovely, bewitching, retelling of Jane for fans and newcomers alike.
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On the day she returns to active duty with the Serial Crimes Unit, Detective Inspector Anjelica Henley is called to a crime scene. Dismembered body parts from two victims have been found by the river. The modus operandi bears a striking resemblance to Peter Olivier, the notorious Jigsaw Killer, who has spent the past two years behind bars. When he learns that someone is co-opting his grisly signature - the arrangement of victims’ limbs in puzzle-piece shapes - he decides to take matters into his own hands.
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This had so much potential
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What listeners say about Midnight Rooms
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Brittany Lieber
- 12-02-24
It was so vague and repetitive
I actually got through the whole book. It was hard to continue, so repetitive, I guess to lean in hard on mysterious. Would not read/listen again.
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- Jodeanna
- 07-16-24
Brilliant!
I was hooked! The story kept me hanging on and wondering what was going on and what would happen next. I truly felt for the main character and shared her confusion. I can't wait for more books from this author! The narrator did an excellent job at bringing the story to life.
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- J. Davis
- 09-04-24
Wow, creepy, unsettling, addictive
Best book I have read in awhile. It used the tropes of gothic horror to heighten the experience rather than just repeating the tropes for the sake of it. You knew as soon as she said yes that this wasn’t going to be a good situation but you wanted her to say yes so you could see what would happen. Made good use of sensory detail to put you deep into Orabellas perspective and to make the horror all the more horrible. Truly twisted and scary.
Towards the end I did feel like it was getting repetitive and I did want Orabella to take a bit more agency in trying to get out of her situation…and at the end I was still a bit confused as to the full extent of what was happening. But all in all first book this length I read in less than two days because I just could not put it down and I’m grateful for that reading experience after finding a lot of new releases to be duds. Look forward to more from the author.
I thought the narrator la voice could have reflected a bit more emotion of what all was happening.
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- Amazon Customer
- 08-20-24
Just so you know, there’s smut in this!
None of the reviews I saw mentioned the “spicy” scenes and there’s 3 of them. The first one goes on for a bit. So if you don’t like spice at all, maybe pick another book.
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4 people found this helpful
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- Amazon Customer
- 07-15-24
This house will absolutely haunt me
So atmospheric and creepy but so visceral too. I was there. I could see and smell, even taste everything in that house in delicious detail. There's all this quiet dread, tension. Any fan of Gothic horror is going to love but it's also really special for Black girls like me who grew up without seeing ourselves in the genre. I can't wait to get my print copy in the mail. This is one for the shelf! Lol. The narrator was perfect too.
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- Amazon Customer
- 11-27-24
Shadows and ashes
Not what I expected at all. Dark. Devoured. Disillusionment. Hang on until the end if you dare.
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