King Kong Theory
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King Kong Theory
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Narrado por:
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Maxine Peake
Acerca de esta escucha
‘I write from the realms of the ugly, for the ugly, the frigid, the unf--ked and the unf--kables, all those excluded from the great meat market of female flesh, and for all those guys who don’t want to be protectors, for those who would like to be but don’t know how, for those who are not ambitious, competitive, or well-endowed. Because this ideal of the seductive white woman constantly being waved under our noses – well, I’m pretty sure it doesn’t exist.'
Powerful, provocative and personal, King Kong Theory is a candid account of how the author of Baise-moi came to be Virginie Despentes. Drawing from personal experience, Despentes shatters received ideas about rape and prostitution and explodes common attitudes towards sex and gender. King Kong Theory is a manifesto for a new punk feminism, reissued here in a brilliant new translation by Frank Wynne.
©2006 Virginie Despentes (P)2020 Fitzcarraldo EditionsLos oyentes también disfrutaron...
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Vernon Subutex was once the proprietor of Revolver, an infamous music shop in Paris, where his name was legend throughout Paris. By the 2000s, however, with the arrival of the internet and the decline in CD and vinyl sales, his shop is struggling, like so many others. When it closes, Subutex finds himself with nowhere to go and nothing to do.
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Women, especially feminists and lesbians, have long been accused of hating men. Our instinct is to deny it at all costs. (After all, women have been burnt at the stake for admitting to less.) But what if mistrusting men, disliking men - and yes, maybe even hating men - is, in fact, a useful response to sexism? What if such a response offers a way out of oppression, a means of resistance? What if it even offers a path to joy, solidarity and sisterhood?
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- Narrado por: Christopher Harper
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- Versión completa
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General4.5 out of 5 stars 49
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Narración:4.5 out of 5 stars 45
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Historia4.5 out of 5 stars 43
Vernon Subutex was once the proprietor of Revolver, an infamous music shop in Paris, where his name was legend throughout Paris. By the 2000s, however, with the arrival of the internet and the decline in CD and vinyl sales, his shop is struggling, like so many others. When it closes, Subutex finds himself with nowhere to go and nothing to do.
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5 out of 5 stars
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Need no 2 in english , now
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- Duración: 1 h y 39 m
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General4.5 out of 5 stars 35
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Historia5 out of 5 stars 32
Who Killed My Father rips into France’s long neglect of the working class and its overt contempt for the poor, accusing the complacent French - at the minimum - of negligent homicide. The author goes to visit the ugly gray town of his childhood to see his dying father, barely 50 years old, who can hardly walk or breathe: “You belong to the category of humans whom politics consigns to an early death.” It’s as simple as that.
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5 out of 5 stars
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I Hate Men
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General4.5 out of 5 stars 143
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Historia4.5 out of 5 stars 117
Women, especially feminists and lesbians, have long been accused of hating men. Our instinct is to deny it at all costs. (After all, women have been burnt at the stake for admitting to less.) But what if mistrusting men, disliking men - and yes, maybe even hating men - is, in fact, a useful response to sexism? What if such a response offers a way out of oppression, a means of resistance? What if it even offers a path to joy, solidarity and sisterhood?
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5 out of 5 stars
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4 out of 5 stars
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Mixed Feelings
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On Women
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General4.5 out of 5 stars 6
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Narración:4.5 out of 5 stars 5
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Historia4.5 out of 5 stars 5
Susan Sontag was one of the most formidable, original, and influential thinkers of the last century. On Women presents seven essays and exchanges, spanning a range of subjects: the challenges and humiliations women face as they age; the relationship between women’s liberation and class struggle; beauty, which Sontag calls “that over-rich brew of so many familiar opposites”; feminism; fascism; and film. Taken together, these pieces—relentlessly curious, historically precise, politically robust, and allergic to easy categorization Sontag’s inimitable mind at work.
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5 out of 5 stars
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history repeats itself
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General5 out of 5 stars 31
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Historia5 out of 5 stars 28
Sometimes we feel a bit like "I'm a feminist, but...." As in, "I'm a feminist, but I skipped the Women's March to buy face cream." As in, "I'm a feminist, but I've never found time to read Sylvia Plath (but I have watched 15 seasons of Keeping Up with the Kardashians)." In The Guilty Feminist, Deborah Frances-White reassures us that we don't have to be perfect to be a force for meaningful change. Exploring big issues of identity, equality, intersectionality, and the current feminist agenda, she explodes the myth of the model activist and offers a realistic path....
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5 out of 5 stars
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A must-read
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General5 out of 5 stars 26
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Narración:5 out of 5 stars 24
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Historia5 out of 5 stars 24
Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. Last Days at Hot Slit brings together selections from Dworkin's work, both fiction and nonfiction, with the aim of putting the contentious positions she's best known for in dialogue with her literary oeuvre. It includes “Goodbye to All This” (1983), a scathing chapter from an unpublished manuscript.
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5 out of 5 stars
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Almost perfect reading
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Reseñas de la Crítica
"I can think of almost no book I’ve enjoyed in recent years as much as King Kong Theory – in part for its content, in part for the ferocity of its style. In a world that continues to have difficulty contending with sex work, porn, class and sexual violence without resorting to tired tropes, Virginie Despentes offers a fresh, necessary, inspiring path forward, just as she has been doing for decades now in a variety of media. This book is a classic, and I’m so grateful for it." (Maggie Nelson, author of The Argonauts)