
In Malice, Quite Close
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Narrated by:
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Michael Kramer
French ex-pat Tristan Mourault is the wealthy, urbane heir to a world-renowned collection of art - and an insatiable voyeur enamored with Karen Miller, a 15-year-old from a working-class family in San Francisco. Deciding he must 'rescue' Karen from her unhappy circumstances, Tristan kidnaps her and stages her death to mask his true crime. Years later, Karen is now Gisele, and the pair leads an opulent life in idyllic and rarefied Devon, Washington. But when Nicola, Gisele's young daughter, stumbles upon a secret cache of paintings - all nudes of Gisele - Tristan's carefully constructed world begins to crumble. As Nicola grapples with the tragedy that follows, she crosses paths with Amanda Miller, who comes to Devon to investigate the portraits' uncanny resemblance to her long-lost sister. Set against a byzantine backdrop of greed, artifice, and dangerous manipulations, this is an intoxicating debut that keeps its darkest secrets until the very last page.
©2011 Brandi Lynn Ryder (P)2011 Dreamscape MediaListeners also enjoyed...



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Critic reviews
In malice,Quite close
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Enjoyed it.
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Would you consider the audio edition of In Malice, Quite Close to be better than the print version?
Yes!! Great narration.What did you like best about this story?
Great combination of edge of your seat suspense,twists & turns,while haunting & sophisticated. Stunning surprise ending!!!What does Michael Kramer bring to the story that you wouldn’t experience if you just read the book?
Wonderful accents completely capture the characters.Was this a book you wanted to listen to all in one sitting?
YesAny additional comments?
Highly recommend this new writer. Hope to see more from her!!!Wow!! Suspenseful,Haunting,&Sophisticated
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Hard to Pull Myself Away...
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The author can write an English sentence, so there's that. And many readers will be enthralled by the coincidences, late-breaking plot twists, beautiful-young-woman in peril sequences (and there are THREE beautiful young women ... all related!). Other readers -- including this one -- will find the logic and details of this novel a little over the top, especially those long-drawn-out, melodramatic passages in which a critical turn of the plot is described. Sometimes less really IS more, but this author did not get the memo. The neatest trick telling the story through personal diary entries and the consciousness of several characters without revealing to readers crucial facts that are already known to the character/narrator in question. Yes, this trick can give readers a surprise, but in a number of cases the surprise is not a surprise to the characters through whose consciousness the plot is moved along.
Towers, Ruined Castles, Secret Passageways, OH MY!
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