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Henry VI, Part 1
- Arkangel Shakespeare
- Narrated by: David Tennant, Kelly Hunter, Clive Merrison, Norman Rodway, Isla Blair
- Length: 2 hrs and 39 mins
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The Truth, Best book I have read in years! ⭐️⭐️⭐️⭐️⭐️
- By ♥️🎧♥️***M.R.S.***♥️🎧♥️ on 02-20-19
By: JA Huss
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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The Jane Austen Collection
- An Audible Original Drama
- By: Jane Austen
- Narrated by: Claire Foy, Gugu Mbatha-Raw, Billie Piper, and others
- Length: 45 hrs
- Unabridged
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Renowned as much for her wit and satirical social commentary as for her stories of love and romance, Jane Austen remains unfailingly relevant and one of Britain’s best loved authors. In this Audible Original collection, an all-star list of narrators (Billie Piper, Claire Foy, Emma Thompson, Florence Pugh and Gugu Mbatha-Raw) capture Austen’s pin-sharp humour and tone in these dramatisations of her six beloved novels accompanied by a full cast.
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Not a faithful rendition
- By Anne McClain on 12-13-20
By: Jane Austen
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Dietrich
- By: Don Winslow
- Narrated by: Ed Harris
- Length: 1 hr and 11 mins
- Original Recording
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It’s the summer of ’77 in New York City, and the only thing more unnerving than the scorching heatwave is the rampant murder, leaving washed-up homicide detective Richard Dietrich on edge. When Dietrich investigates a brutal mob hit the brass doesn’t want him to solve, he goes from phoning it in to getting in over his head. Caught up in a mysterious second homicide with an even more perplexing perpetrator, Dietrich starts to second guess his instincts—and his memory—as he searches for answers at the bottom of a bottle.
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Very good!
- By Kathleen on 04-17-24
By: Don Winslow
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All the Ugly and Wonderful Things
- A Novel
- By: Bryn Greenwood
- Narrated by: Jorjeana Marie
- Length: 11 hrs and 8 mins
- Unabridged
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As the daughter of a drug dealer, Wavy knows not to trust people, not even her own parents. It's safer to keep her mouth shut and stay out of sight. Struggling to raise her little brother, Donal, eight-year-old Wavy is the only responsible adult around. Obsessed with the constellations, she finds peace in the starry night sky above the fields behind her house until one night her stargazing causes an accident. After witnessing his motorcycle wreck, she forms an unusual friendship with one of her father's thugs, Kellen, a tattooed ex-con with a heart of gold.
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So many 'hard to listen to' moments
- By jksullycats on 12-27-16
By: Bryn Greenwood
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Not told entirely
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missing important parts
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Henry VI, Pt.1
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After Henry V's death and while Henry VI is young, nobles rule England and fight the French, including Joan of Arc. As Henry VI becomes king, the noble houses begin to divide and take sides between York and Lancaster. The war with France winds down, and the nobles try to find Henry a wife and disagree about who Henry chooses.
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The Two Noble Kinsmen
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Palamon and Arcite, cousins and bosom friends, are taken prisoner by Duke Theseus of Athens. While in captivity, they spy the beautiful Emilia. Both fall instantly in love with her, and their attachment to each other turns to hate. This dark-edged tragicomedy is now widely regarded as having been written by Shakespeare in collaboration with John Fletcher. Composed sometime in 1613-14, The Two Noble Kinsmen is the final play in Shakespeare's dramatic career.
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1
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Troy is besieged by the invading Greeks, but the young Trojan prince Troilus can think only of his love for Cressida. Her uncle Pandarus brings the two together, but after only one night news comes that Cressida must be sent to the enemy camp. There, as Troilus looks on, she yields to the wooing of the Greek Diomedes. The tragic story is undercut by the commentary of Thersites, who provides a cynical chorus.
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Wounds Heal Ill That Men Do Give Themselves
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Brilliantly manipulative and entirely amoral, the hero-villain Richard is one of Shakespeare's greatest roles. The Yorkists have emerged victorious from the civil wars and Edward IV wears the English crown. But Edward's misshapen brother Richard harbors kingly ambitions and will stop at nothing to achieve the throne. In a fatal battle on Bosworth Field, Richard meets the ghosts of all whom he has murdered and the Earl of Richmond, the future King Henry VII.
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Spectacular acting
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Shakespeare: The Complete Works
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All of the Shakespeare plays within the Argo Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations.
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Great collection marred by a few missing sections
- By J. T. Woosley on 02-27-21
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Henry VI: Part 1
- Director's Playbook Edition
- By: William Shakespeare
- Narrated by: David Hopkins
- Length: 2 hrs and 13 mins
- Unabridged
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War and intrigue define the court of the young King Henry VI, who must struggle to maintain dominion of France now that forces have been rallied against him by a young maiden, known by the people as Joan of Arc. The first part of William Shakespeare's War of the Roses tetralogy.
What listeners say about Henry VI, Part 1
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- John W. White
- 01-23-21
Great performance of a great story.
This was way better than I expected. It includes the story of Joan of Arc and much else besides. Highly recommended.
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- Derek Hunter
- 10-29-20
Excellent production of early Shakespeare play
While not in any shape or form one of Shakespeare's best, it is still brilliant and this is an excellent production. This could be one of Shakespeare's worst plays and yet still very enjoyable and full of human drama.
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1 person found this helpful
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- S. Riggs
- 01-27-18
Very well done!
I loved the story. It was my first time through but I look forward to many more reads!
2nd read through. I like the first half better. 🙂
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- Tad Davis
- 07-14-14
Action-packed, crowded with characters
Henry VI Part One is another one of Shakespeare's early plays. There are three Henry VI plays, and there's a lot of discussion in scholarly circles as to what order they were written in and whether Shakespeare had any collaborators. The first part is especially problematic in that respect.
One theory that seems to be in favor at present is that Shakespeare originally wrote a two-part play about Henry VI that were later designated parts two and three. Rival playwrights, seeing the success of his plays about the reign, created a play that focused on other parts of the story: the wars in France, the hero John Talbot, and the evil and cunning (to the English!) Joan of Arc. This play was also successful; and eventually, because Elizabethan actors often moved from one company to another, it came into the possession of Shakespeare's company. He added a few scenes to tie it more closely to his own plays, and it was staged as a prequel.
However it came to be written, it's an exciting, colorful play with one spectacular battle scene after another. The courageous Talbot fights the evil French at Orleans, Rouen, and Bordeaux; cities are taken, lost, and retaken; swords clang and cannon go off. Meanwhile the English nobles at home quarrel amongst themselves and fail to send Talbot the support he needs.
The quarreling is more intense than usual because the King of England, son of the valiant Henry V, is a studious, uncertain, and ostentatiously devout minor. Played by none other than David Tennant, Henry VI is a weak king, who pleads ineffectually with his nobles to love God and befriend each other.
Meanwhile the Duke of York, played by Clive Merrison - the voice of Sherlock Holmes for BBC radio - begins to lay the groundwork for his own bid for the throne. He is, as so many characters in this play are, a descendant of Edward III, and while York's claim isn't as strong as he would like to think, it's not imaginary; and there's no question he would make a stronger and more effective king.
Talbot is overcome and killed by the deceitful French, and the "witch" Joan of Arc - played by Amanda Root - is captured and burned. The play ends in midstream, as the Duke of Suffolk lays plans to have Henry marry the noble but penniless Frenchwoman Margaret. Suffolk's intention is to dominate Henry through Margaret. Part Two will show how that works out for him. (Spoiler alert: not so well.)
The Arkangel production is terrific, as almost all of the Arkangels are, giving this rarely produced and imperfect play the same commitment and energy they give to the major tragedies. Sound, music, and top-knotch acting are all integrated into a rapidly moving historical epic.
One caveat. Though the producers go out of their way to make the factions clear, it IS audio. On stage, when the various groups enter, they wear white roses or red, instantly communicating their allegiance. That important visual cue is missing in audio. With such a large number of characters, it might be helpful to keep a copy of the play handy.
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6 people found this helpful
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- Anonymous User
- 01-28-20
Really hard to follow...
...all of the battles. Had to refer constantly a Sparknote summary to keep things straight. But some really memorable scenes (e.g. white vs. red rose) and characters (e.g. Joan of Arc).
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- Nicholas Luthy
- 01-27-23
My First History
I truly enjoyed this entire title. I didn’t know what to expect, but it was delightful from beginning to end. I loved that Shakespeare was able to work into the play some truly funny interactions.
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- Darwin8u
- 01-22-17
Good Lord, what madness rules in brainsick men
Henry VI, Part I is considered by some to have been written AFTER Henry VI, Part II and Part III so I'm technically reading this one a bit early. However, for narrative flow I am reading it first. Along with the other two Henry VI plays, and along with Richard III it makes up Shakespeare's War of the Roses tetralogy.
I wasn't super impressed. I mean this isn't Richard III or Hamlet or Macbeth. But this is young Shakespeare gearing up and there are flashes of brilliance and moments of perfection. I love how Shakespeare is utilizing Hall's The Union Of The Two Noble Families Of Lancaster And York, 1550 and Holinshed Chronicles of England, Scotland and Ireland to frame the fractures that happen between the nobles. While I think Joan of Arc is not given her due by Shakespeare and I really feel there was room here for more of an expansion of Joan, the scenes she was in, she stole. Finally, I LOVED the scenes between Lord Talbot and his son as they prepare to Battle Joan of Arc and Charles, Dauphin of France.
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Some of my favorite lines:
"For I must not yield to any rites of love,
For my profession's sacred from above.
When I have chased all thy few form hence,
Then will I think upon a recompense."
- Joan, Act I, 3
"For friendly counsel cuts off many foes."
- Henry, Act III, 1
"...partner of your weal or woe."
- Bedford, Act III, 5
"Care is no cure, but rather corrosive,
For things that are not to be remedied."
- Joan, Act III, 7
"Poor boy, he smiles, methinks, as who should say
'Had death been French, then death had died today.'
Come, come and lay him in his father's arms
My spirit can no longer hear these harms,
Soldiers, adieu. I have what I would have,
Now my old arms are young John Talbot's grave."
- Talbot, Act IV, 7
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13 people found this helpful