
Great House
A Novel
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Nicole Krauss
From the internationally best-selling author of The History of Love comes this stunning novel. Great House follows the multiple owners of one writing desk and how the desk shapes their lives. A young novelist inherited the desk from a poet taken by Pinochet’s police. Then the desk is stolen from her by the poet’s supposed daughter. In its drawers, another man discovers a long-kept secret about his wife. And a Jerusalem antiques dealer uses the desk in his family’s study, which was devastated by the Nazis in 1944.
©2010 Nicole Krauss (P)2010 Recorded Books, LLCListeners also enjoyed...




















Reseñas editoriales
In Great House, Nicole Krauss weaves together the stories of five different families, each of whom, at some point, owns or uses the same wooden desk. The desk is passed down, left behind, lost and found but it’s not the only thing the characters have in common: they’re also tied together by human threads of loss, disillusionment, grief, and passion. Five different narrators read alternate sections, giving voice to men and women whose lives intersect in very different ways.
The five short pieces All Rise, True Kindness, Swimming Holes, Lies Told by Children, and Weisz are narrated respectively by Alma Cuervo, George Guidall, Robert McKenzie, Celeste Ciulla, and Paul Hecht. Each narrator puts his or her own style into the text: Cuervo’s thoughtful writer recollects her relationship with a poet who left the desk in her care; Guidall’s sharply-voiced father pines for a relationship with his adult son; McKenzie’s elegant widower discovers a long-held secret about his dead wife and the desk she was so attached to; Ciulla describes her relationship with a pair of siblings under the control of a powerful parent; and Hecht gives life to a man on a lifelong quest to recreate the most important moment of his childhood. Every one of them brings individual pacing, tone, and emphasis to the main and secondary characters, turning the vignettes into a cohesive whole. Great House, which was just nominated for a National Book Award, isn’t a plot-heavy novel, but Krauss’ writing is delicate and haunting, with a lyrical, poignant style that the narrators focus into emotional journeys through each character’s past and present. Blythe Copeland
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Featured Article: 15 Essential Jewish Authors to Hear in Audio
The Jewish diaspora is vast, diverse, and full of stories. In recent years, Jewish authors have published books about everything from love, identity, and history to crime, romance, and what it means to come of age in the modern world. While this list is by no means complete, these 15 Jewish authors have written some of the most fascinating Jewish literature, and they represent a deep catalog of fiction, nonfiction, and poetry in a range of genres.
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This book grabbed my attention from the very beginning. It is worth a good listen. I even sat down in my living room, after everybody else was in bed ... I enjoyed it.
Great House
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It's not a happy book. Plus, the multiple narrators relating seemingly unrelated stories could confuse anyone who's not paying attention.
However, this is one of those books that will definitely reward the patient listener.
About loss, death and ultimately the meaning of life, it is a powerful novel, with richly drawn characters. It definitely left me wanting to know more about what came next; and it's one of those rare books that I plan to re-read.
Great rewards for the patient listener
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Deeply moving and beautifully written
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creative
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Beautiful writing, but probably better to read it
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It wasn't History of Love but....
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What did you like best about Great House? What did you like least?
I think I would have liked this book more if the narration hadn't been so oddly directed. The women narrators were both like public radio announcers, completely without inflection or personality. I don't understand those choices at all. The men were much better, with the possible exception of Weiss at the end... again, very flat.What gives?
Weirdly narrated.
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Great Start
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"Such lyrical philosophizing is typical of Great House, a book told not in scene, but through memories. For this reason, the
novel at times feels slow. All action has already occurred and the tension comes not from the moment to moment situation of
the characters, but from the meta-narrative that ties the characters together. Though it reaches moments of elegant
reflection, the novel lacks urgency."
I liked the inner voice of characters reflecting deeply on their lives, but I was confused by one of the narrators who seemed to have zero connection with the desk. I felt like I missed something important, and I probably did, because in listening to a book you can't flip back through the pages.
Novel lacks urgency, but has other good qualities
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These are not "vignettes," they are different aspects of the same stories told technically out of chronological order, but artistically told in exactly the right order like the thread of Ariadne, unraveling slowly, surely and completely. Much is left unsaid/unresolved. Questions remain unanswered, but if you can enter the dream of this journey, everything is revealed. The writing is fresh and yet classically constructed. The allusions, ancient and new are guideposts; the characters are cut from one massive fabric of life and yet they are separate and whole. The story is not like a plot. It is a story of many people, many years and many artifacts. Will it change your life? Probably not. Will you laugh? Probably not? Will you weep? Maybe, maybe not. You will recognize yourself and your own thoughts in some passages and you will find nothing of yourself in others. Is it a page-turner? Absolutely? At the end, does it all make sense? Most of it, and yet nothing is senseless or falsely placed. Not for everyone, not nearly as accessible as Krauss' "The History of Love," it is deeper and more challenging. Terrific.
Deep and deeply satisfying
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