Gallows Thief

By: Bernard Cornwell

Narrated by: James Frain

1820s Britain: after the wars with France, when unemployment was high and soldiers could be paid off, when the government was desperately afraid of social unrest, any crime was drastically punished and thousands were hung. But one could petition the King and an investigation might ensue…

The man in the dark cell in Newgate Prison was due to hang in a week. He had been found guilty of murdering the aristocrat whose portrait he was painting. He claimed to be innocent – but then the hangman had never hung a guilty man, he said. But even in 1820, the Home Secretary could occasionally use his powers to grant mercy if his investigator found cause and Captain Hawke, once of the First Foot Guards, is given the job, since justice must be seen to be done as the accused man's mother is seamstress to the Queen.

Robert Hawke, a hero of Waterloo, has family debts to repay but when his first steps in the investigations produce a sizeable bribe to look the other way, this only arouses his smouldering anger over the condition of England, a country which he and others in Wellington's army had fought to preserve. Stepping between gentlemen's clubs and taverns, talking to aristocrats, fashionable painters, their models, and their mistresses, dodging professional cut-throats and deceptive swordsmen, Hawke uncovers a conspiracy of silence, a group whose proudest boast was that they would do anything for any one of them.

Hawke is a wonderful character, as yet undaunted by the sleazy streets, dank jails or the looming scaffold, and uncorrupted by politicians, sneering gentlemen or frightening bruisers, an investigator in the making and a brilliant, but very different hero for all Bernard Cornwell fans.

©2001 Bernard Cornwell (P)2012 HarperCollins Publishers Limited

Critic reviews

‘What a very fine writer Mr Cornwell has become’ The Economist

‘The book’s richly realised, Regency England scenes of high life and low life are brilliantly projfected by James Frain, who enters with impressive completeness into the characters, be they simpering artist, cockney whore, sardnic rake or salt-of-the-earth sergeant.’ The Independent