
Doctor Faustus
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Narrado por:
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David Rintoul
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De:
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Thomas Mann
Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.
Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius—both national and individual—and the terrible responsibilities of the truly great artist.
"John E. Woods is revising our impression of Thomas Mann, masterpiece by masterpiece."—The New Yorker
"Doctor Faustus is Mann's deepest artistic gesture. . . . Finely translated by John E. Woods."—The New Republic
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'Arguably the great German novel'—New York Times
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Wonderful Narration of a Great Translation
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A performance well mach for such a master piece.
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Worth it
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Extraordinarily written and voiced.
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Beautiful book
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At long last! Absolutely essential
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The translation is superb. Parts of the original german text are written in early modern German. The translator provides a very satisfying rendition in English, imparting the same "feel" for the text.
The narration is outstanding, clearly differentiating between the various interlocutors, and spot on when conveying irony, mania, etc.
I had read Doctor Faustus twice in the past and doubted that an audio version would appear (due to difficulty in narration). I was very pleasantly surprised. The narrator did not disappoint.
Thought provoking novel, skillful narration
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The Good: The narrator’s performance. He’s gifted with an incredible voice and gives an outstanding oration.
The Bad:
1. The faux-classic writing style. Doctor Faustus reads like a book written hundreds of years before its time. Hell, Von Goethe’s Faust is less antiquated at times!
2. NOTHING HAPPENS FOR FAR TOO LONG. The promise of the book is a lie - the single chapter that I enjoyed, in retrospect, seems like it was inserted into the novel at the 55% mark when the editor reminded Mann that his intention was to write a Faustian tale.
3. The digressions into obscure musical theory are tedious, self indulgent and… perhaps insecure? It almost seems like he writes those sections with an agenda. They don’t serve the story! It’s as though the author feels he has something to prove regarding his musical knowledge and is writing for an audience of one. They’re so woefully unnecessary, I label their inclusion as obscene. Where was the editor?!?
4. Horrendous dialogue. Awful chunks of long winded, irritating dialogue. There’s one monologue (not a lecture) that must’ve gone on for ten or more pages. Furthermore - every character sounds the same - as if they’re the same personality exchanging words back and forth.
5. I despise every character. I didn’t find redeeming qualities in any of the personalities on display. The main character lacks any motivation. And lastly, nobody does anything! Things kind of happen to them occasionally but your own life is more exciting and less mundane than most of the occurrences in this novel (with a few rare exceptions).
I’ve wasted too much damn time with this book. I hate it. I’m going to finish it, but I hate it.
Literary self flagellation
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