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Detective
The Complete BBC Radio 4 Crime Drama
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Narrated by:
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full cast
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Ray Brooks
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By:
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Robert Barr
About this listen
All four radio series of Robert Barr’s gripping London-based police drama.
Originally broadcast as Detective: Stories of Crime and Detection in London, this BBC radio drama ran for four series between 1980 and 1985. Written by the award-winning creator of Z Cars and Softly Softly, Robert Barr, it comprised 39 thrilling stories set in London’s criminal underworld, all of which are collected here for the first time.
DS Dave Brook is a long-serving, ducking-and-diving police officer who takes armed robberies and violent crime in his stride. But then he is teamed up with young 'grammar school boy' DC Blair Maxton from sleepy Epsom. How will Max cope with the mean streets of his new patch?
Among the thrilling cases in these four series, the detectives tackle an armed gang, confront a notorious crime family, search for a missing wife, investigate a gruesome ax murder and the death of a reclusive young woman, and assist ‘The Sweeney’ flying squad. It’s all in a day’s work for Brook and his team....
Ray Brooks stars as DS Brook, with Christopher Blake as DC Maxton, David Daker as Chief Inspector Roach, Peter Cleall as DC Harrison, Jacqueline Tong as Judy and Stephen Garlick as DC Tully.
Written by Robert Barr
Produced and directed by Martin Fisher
First broadcast 3 January-27 March 1980, BBC Radio 4 (Series 1), 16 March-18 May 1982, BBC Radio 4, (Series 2), 27 June-15 August 1984, BBC Radio 2 (Series 3), 24 June-12 August 1985, BBC Radio 2 (Series 4)
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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Say No More
- By: Caroline Overington
- Narrated by: Anna Skellern
- Length: 5 hrs and 47 mins
- Original Recording
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Wow! Didn’t see that coming!
- By linda on 02-10-25
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The Grandmother
- By: Jane E. James
- Narrated by: Anna Cordell, Max Dinnen
- Length: 8 hrs and 39 mins
- Unabridged
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Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.
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Not too outlandish
- By Jackie H on 12-14-24
By: Jane E. James
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10 Rules for the Perfect Murder
- By: James Patterson, Chris Tebbetts
- Narrated by: Reid Scott, Cobie Smulders, full cast
- Length: 3 hrs and 2 mins
- Original Recording
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- By Robert Scott Read on 10-30-24
By: James Patterson, and others
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7 Hours to Die
- By: James Patterson, Duane Swierczynski
- Narrated by: Sarah Paulson, Patina Miller, Mel Rodriguez, and others
- Length: 2 hrs and 25 mins
- Original Recording
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Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- By Mdc on 10-08-24
By: James Patterson, and others
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The Ex
- By: Freida McFadden
- Narrated by: Nicol Zanzarella
- Length: 8 hrs and 33 mins
- Unabridged
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Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.
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Too bizarre for someone who loves bizarre
- By G. C. Webster on 07-01-22
By: Freida McFadden
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Too Late
- Definitive Edition
- By: Colleen Hoover
- Narrated by: Ryan Gray, Maxine Mitchell, Joe Arden
- Length: 10 hrs and 19 mins
- Unabridged
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- By Katherine Epperson on 07-11-23
By: Colleen Hoover
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What listeners say about Detective
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- JudyB
- 08-01-20
It was ok I guess.
I could do without the music and the “police radio” between each episode. I thought it was rather annoying. Some episodes were only a few short minutes long.
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3 people found this helpful
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- daddeedogdavid
- 11-05-21
Detective: radio
I was very pleased with both the storyline and the performance of the series. The actors did a great job and their voice inflections and background sounds. Lots of interesting twist and quirks. The entire broadcast was a good lesson.
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- brian mcveigh
- 04-08-20
Excellent radio drama
A lovely taste of the 80’s in London.
Good story lines and characters classics police drama
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5 people found this helpful
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- Jessieth
- 08-03-22
Nothing but Love
How can i express the entertainment this is for me. I will be looking for more of Barr's Detective books. Very much enjoyed it.
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- Thomas
- 11-14-19
Cheerful cop always one step ahead
I remember hearing a few of these high quality BBC Radio 4 dramatisations on the radio years ago and am thrilled to find them available - complete! - on Audible along with their distinctive theme tune. The scripts play it straight and the cops play it straighter but always stay one step ahead of the most serious crooks who seem unable to evade them for long.
The main character is a street smart and pretty cheerful detective sergeant with a talented but inexperienced young detective constable under his wing. As the senior officer explains what's happening to his junior, like Holmes to Watson, the audience get an explanation of the criminal's motive and means, helping us understand the story and direction. I don't mind this plotting device at all and find the stories entirely engaging without breaking the mould for solid police proceedural. I would definitely recommend them to fans of Sherlock, Poirot or Wimsey.
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21 people found this helpful
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- Melinda
- 04-05-24
Old days
Reminds me of the days when there was only radios and the family sat around and listened as a family.
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- Pedro
- 11-20-22
Wonderfully Unwoke
Read a reviewer who was bleating about sexism, racism, etc, in the story. Poppycock I say! This production is very entertaining and well acted. And unlike modern Police Procedurals these stories are from a time not burdened with public service announcements every five minutes trying to please all the woke Karens and Kens.
Also read a reviewer who didn't like the music but since I'm from the 70's and 80's I love this music. It reminds me of better times. Keep 'em coming!
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3 people found this helpful
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- Francine E Forestell
- 03-22-23
Old time radio venue
Enjoyed the variety of the stories and characters. good old policing, snitches, lots of pints. enjoyable narration-came to know the main characters. listening to old time radio with sound effects. didn't like the volume with each episodes beginning and ending.
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- willow33
- 09-27-20
Dated
The radio productions are very good, but I found the POV to be very dated. After awhile, I found myself rooting for the criminals.
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1 person found this helpful
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- Angry Vegan Chef
- 03-25-21
Dated, racially insensitive
I'm usually a fan of this genre, but the use of the word colored, darkie and nigger during a few of the stories put me off. Not to mention how the police profiled african American and ethnic "suspects". I can now officially say in the age of officer Chauvin there is no space for cop dramas like this.
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5 people found this helpful