Children of the Lens

Lensman Series, Book 6

By: E. E. Doc Smith

Narrated by: Reed McColm

Twenty years have passed since the events in Second State Lensman. Kimball Kinnison and his wife, Clarrissa, now have five children - the "Children of the Lens". As the offspring of generations of selected matings, they are the most brilliant and capable minds in the universe. Their mission: to conclude the Boskonian war.

Children of the Lens is the sixth and concluding volume of the classic Lensman series, long recognized as the greatest space opera ever written.

Hi-fi sci-fi: listen to more in the Lensman series.©2006 The Estate of E. E. "Doc" Smith and Virginia Kidd, Inc. (P)2006 Books in Motion. This recording is produced by arrangement with The Estate of E. E. "Doc" Smith and Virginia Kidd, Inc.

Critic reviews

"The most towering figure in science fiction, thanks to the enormous scope of his novels." (Isaac Asimov)
"If you wish to understand the roots of modern science fiction, you have to read the Lensman saga." (Allen Steele)
"A finalist for a special Hugo Award for All-Time Best Series, 'Lensman' is considered by many sf heads to be the greatest of the space operas and clearly a source for such successors as Star Trek and Star Wars." ( Library Journal)

very old style but interesting take on psychic

Smith's efforts to imagine a civilization based on sexual equality are laughable now though progressive for it's time. I am just interested in his use of psychic ability and his aliens. Avoid Triplanetary and Vortex Blasters. Skylark Duquane is fair.

Lensman Series is Still Fun

Okay. The narrator of this series is not the best. Nevertheless, this story still works if you can get past some of writing (the "look of eagles" in the eyes of Lensmen for instance). If you've never dipped into these before, get Galactic patrol, Gray Lensman, Second Stage Lensmen and Children of the Lens in that order. If you are still hooked, go back and pick up First lensman. You have to be a real diehard lensmen fan to slug through Triplanetary.

This is classic space opera, good versus evil, with the guys in the white hats destined to win. Smith wasn't very good at envisioning future technology, but he comes up with some fun ideas. The inertialess drive is an interesting solution to FSL travel and the negasphere is one of the best Sci_Fi weapons ever imagined. His aliens are fun too, especially the frigid planet dwellers. Considering that the series was started in the late 30s, it holds up amazingly well.

Hm

Soo… on the downside, we have two things which I can’t decide on which is worse:
One, the whole cycle is built on a strangely good vs evil, deeply intolerant religious philosophy. The good guys do good, and only good things because good, higher-level beings nudge them in that direction - the bad guys do the (only bad) things they’re doing because bad, higher-level beings manipulate them to do them. That is just garbage, sorry. Not only were there already much more open-minded and facetted (science fiction or not) stories around then - but this really disgusting slave perspective also limits any character decelopment or any real depth to the characters to near-zero. Somewhat hard to separate from that issue is the fact that 99% of the population are really just background fodder for the heroic superbeings - and no consideration that maybe every person, even a Lensman, is just one.

The other galling issue is the treatment of women. It’s almost comical how even when those elite superhumans evolve oh-so-far beyond their measly earthly roots… across space and time… still everyone wants to get married. Even at the time that must have been a peculiarly quaint perspective - even given the fact that society made life impossibly hard for women, especially if not being married, wanting to live their lifes, maybe even with a kid. I read somewhere that the author had pulled in his wife for advice on female characters… but the result then is an artwork completed under the mental duress of the societal Stockholm syndrome. And not to speak of the limitations this all puts on the potential of an interesting story.

Add to this the whole Lensmen thing. Yeah, I know, wouldn’t it be great to have the lens, an indestructible super-device ensuring complete fidelity of any wearer to a common greater goal, weeding out all spies and not-quite-good enough folks? Uh… maybe… but maybe the SS (from the time of the author) would have loved to have that type of device, too… for technological reasons, they just had to do with brainwashing and tattoos. And this isn’t a minor quibble - the whole story would completely fall apart without that. You’d immediately have all kinds of complications - like, you know, in real life!?! And this, too, limits the books. Yes, there’s a lot going on… but ultimately, nothing is really happening.

Compare to Star Trek. They also had/have heroes and villains in a fantastic future, sure… but there are moments where life intervenes, and weak humans have to come up with answers to moral questions and stand up for those answers, or not. THAT makes a hero - not some gadget. And THAT is life. And THAT is interesting.

Soo… why is this still somewhat readable (listenable) at all? I’m thinking it’s primarily because of the steady high-speed clip of the ever-expanding action - it’s just flying by, the universe. Which in turn is in the writing perfectly adapted to the original serialized publication of the stories as pulp fiction.

For some reason, I actually feel like the pure science fiction of it all is less interesting here than in the Skylark cycle. It’s just overshadowed here by the genetically engineered, merciless, neverending cult-like postulated goodness of the Lensmen.

Titanic

A fittingly titanic end to the first and (possibly) greatest space opera series of all time!

50 years ago I read this series.

Back in high school I loved reading about the lensmen. It was fun to do it again.