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Narrated by:
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Julia Franklin
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By:
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Ngaio Marsh
About this listen
A short story from the British Library Crime Classic collection Murder by the Book.
Cryptic inscriptions in an antique Bible appear to record three gruesome deaths that took place in a quiet English village in 1779. Nearly 200 years later, a fourth person is found dead under similarly violent circumstances. As the investigation unfolds, suspicions are roused by the parallels with other events in the village’s history, and the book becomes key to unravelling a more than one mystery.
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On the Yorkshire moors, celebrated author Faye Mathis is coming to terms with her early-onset dementia. She has begun writing her memoir, committing her past to paper before her memory betrays her. But her family history is full of gaps, bloodlines cut short, family ties all ending in knots. When a picture of Faye – dirty and dishevelled, stumbling alone on the moors – goes viral, her life is thrown into chaos. Faye is convinced she is not that person in the photograph. But how can she be sure?
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Nice and twisty
- By Paula Roddy on 04-15-25
By: Sarah A. Denzil
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Aren't We Lucky
- By: Sarah Forbes Stewart
- Narrated by: Nicola Coughlan
- Length: 7 hrs and 33 mins
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Overall
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Performance
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Story
Life’s not going well for forty-year-old Abby. When her beautiful and charismatic best friend dies suddenly, she’s left reeling. Hetty’s always been such a dominant force in her life; now Abby must figure out who she is – and who she wants to be – without Hetty by her side. Abby has always been the odd one out in Hetty’s wealthy, privileged friendship group. Despite their differences, Abby has managed to carve out a place for herself. But Hetty isn’t an easy friend to have. She blows hot and cold, alternating between fierce loyalty and unwarranted cruelty.
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Glad I stuck with it.
- By Bradley Perkins on 04-08-25
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Too Late
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- By: Colleen Hoover
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Overall
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Performance
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- By Katherine Epperson on 07-11-23
By: Colleen Hoover
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Artemis
- By: Andy Weir
- Narrated by: Rosario Dawson
- Length: 8 hrs and 57 mins
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Overall
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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Heathcliff Lennox - France 1918
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Spring, 1918. The Great War is at a crucial stage, the Germans are making one last push into France, and the Allies are struggling to hold them back. Battle lines are shifting, and men, and their machines, are being sent up and down the front to shore up defenses. Major Heathcliff Lennox, and his batman Greggs, are told to report to their new HQ. They set off on a sunlit day to fly the distance, but the enemy is never far away, and disaster strikes. They're sent crashing to the ground behind enemy lines, where life, death, and love await.
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Another great Heathcliff Lennox
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A Body on the Doorstep
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London, 1921: Mabel Canning is proud to be a modern woman working for the Useful Women’s Agency, carrying out tasks for gentlewomen from flower arranging to washing muddy dogs. But when she answers the door for wealthy widow Rosalind Despard, she almost chokes on her cucumber sandwich when she finds a soldier’s body on the doorstep. As she offers tea to the policemen of Scotland Yard, Mabel can’t resist getting drawn into the investigation.
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Excellent
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What listeners say about Chapter and Verse
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- Mary G.
- 12-08-23
Excruciating awful narrator.
This may be a good story. I couldn’t tell. The reading was incomprehensible. Seriously problematic. Read too quickly; hit consonants so they exploded and eclipsed the actual words. Painful to listen.
I have never left a review. Normally willing to adjust to whatever reader I get. This is an awful performance and if I could return it I would!
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