
Big Brother
A Novel
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Narrado por:
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Alice Rosengard
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De:
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Lionel Shriver
Acerca de esta escucha
From the acclaimed author of the National Book Award finalist So Much for That and the international best seller We Need to Talk About Kevin comes a striking new novel about siblings, marriage, and obesity.
When Pandora picks up her older brother Edison at her local Iowa airport, she literally doesn't recognize him. In the four years since the siblings last saw each other, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened?
And it's not just the weight. Imposing himself on Pandora's world, Edison breaks her husband Fletcher's handcrafted furniture, makes overkill breakfasts for the family, and entices her stepson not only to forgo college but to drop out of high school.
After the brother-in-law has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It's him or me. Putting her marriage and adopted family on the line, Pandora chooses her brother - who, without her support in losing weight, will surely eat himself into an early grave.
Rich with Shriver's distinctive wit and ferocious energy, Big Brother is about fat - an issue both social and excruciatingly personal. It asks just how much we'll sacrifice to rescue single members of our families, and whether it's ever possible to save loved ones from themselves.
©2013 Lionel Shriver (P)2013 HarperCollinsPublishersLos oyentes también disfrutaron...
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Historia
Shep Knacker has long saved for “The Afterlife”: an idyllic retreat to the Third World where his nest egg can last forever. Traffic jams on the Brooklyn-Queens Expressway will be replaced with “talking, thinking, seeing, and being” — and enough sleep. When he sells his business for a cool million dollars, his dream finally seems within reach. Yet his wife Glynis has concocted endless excuses why it’s never the right time to go.
-
-
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General
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Historia
Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us.
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De: Lionel Shriver
The first part of the book was interesting, but it moved slowly. I found myself cringing whenever Edison, Pandora's brother, spoke. His constant usage of "jazz" lingo was repetitive, and after hearing Ms. Rosengard read "man" after nearly every sentence grated on me. Then, to make it worse, Cory, Pandora's step-daughter picked up Edison's habit of jazz lingo.
I can't say I totally disliked this book. There were many parts I enjoyed. However, I noticed I kept looking at the time remaining to see if the book was close to ending. I stopped reading when I had 2 hours remaining. I just wasn't interested anymore.
In my opinion, this book could have been much shorter. Perhaps the abridged version would have been better. I even tried speeding up the narration at one point, but the echo from the increase, made it difficult to understand the narrator.
The story was a bit overweight too!
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Can’t ask for more than that in a book!
This book messed me up
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Would you listen to Big Brother again? Why?
This book...wow this book! It is one of few books that gave me a great deal to think about, not just a relationship with food but insecurities, ego, maturity and, most important of all, obligation to family.The latter is something most adults struggle with (especially people like me from Asian families) but there seem to be precious few books that deal with it: Where does the responsibility end??? Are needs of your family a bottomless black hole that should be allowed to suck you dry?
It is not a book for easy consumption. I found myself cringing and flinching many times, while being unable to stop listening. You will probably hate most of the characters, especially Edison, who I completely despised. But you will also understand his struggles and the events that contributed to his downfall.
(excuse the atrocious grammar; not a native speaker)
Would you be willing to try another one of Alice Rosengard’s performances?
Pandora is a woman in her early 40's, but the narrator sounded to be in her late 60's or possibly early 70's. Not only the narrator sounded wrong for Pandora (despite her soft, agreeable voice), but also she seemed confused at times and unable to connect with her character, thereby resigning to simply rattling off the text. The intonation was off at times.Example: The first time the husband hints that Pandora has to choose between him and her brother, Pandora (narrator) loudly squeals: "That's cra-aa-a-zy!!". It sounded like a woman reacting with gleeful mock outrage to something naughty her young man whispered to her.
That just plain ruined it for me and it was only downhill from there.
Truly worthy book
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excellent
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Interesting exploration of family and fatness
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wow.
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Shriver's protagonist, Pandora Hafdinarsen, the almost-accidental but successful entrepreneur is jolted out of her comfort zone when her brother, a jazz pianist who is having a "rough patch", arrives in their home weighing 240 pounds more than he did the last time she saw him. This causes all manner of mayhem, particularly offending the aesthetic sensibilities of her husband, Fletcher, who is a designer and builder of art furniture in the basement of the home he shares with Pandora and his two pre-adolescent children. He is additionally an exercise maniac, riding his bicycle 50 miles per day, and a "nutritional nazi", shunning all white flour, white sugar and anything that's wrapped, packaged or processed, his primary meal consisting of brown rice and broccoli. His body is lean and spare, the perfect contrast to the excessively over-nourished-by-junk-food Edison, Pandora's brother, for whom all sorts of spatial and emotional accommodations must be made as they all attempt to deal with his extreme girth.
This is the main plot setup, but woven through the story are musings about food (she's also a former caterer) and its importance (and lack thereof), addiction, fame, loyalty, and what it means to be "successful". Pandora feels divided between her husband and her brother and this forms the fulcrum on which the novel balances perfectly, delicately, and with the precision we've come to love and admire in Shriver's writing.
I have read some reviews on other sites and there seems to be some discussion about the ending. As a reader I favor neither a 'perfect' resolution nor an open-ended plot line - what makes a novel work for me is the writer's attention to detail, characterization, layers of emotion and sense of place. It's more about the story itself, the process, rather than any particular event that signals "the end", and with "Big Brother", IMO ending is organic to the story.
Five stars all around!
Shriver's Super-sized Best!
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Great storytelling, great writing
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Big brother is completely enthralling from the first paragraph to the last. Told from the view point of Pandora who is married and the step-mom of two teenagers---the family is faced with making room in their lives when Pandora's obese brother moves in with them for a "visit" - and it soon becomes obvious he has no real plans to leave. Her brother had been a musician and quite fit last time she saw him-- about four years ago. Apparently he fell on hard times and decided to eat his way to feeling better. Lately he has been living on the couch of a friend, who has had all he can take of the freeloader.
Pandora's husband has an especially hard time as he is a health nut who is committed to eating only healthy food and exercising religiously. Just the presence of Pandora's brother seems to irritate him, and he encourages her to cut the visit short. As the families routines and relationships start to wear thin, Pandora decides to help her brother lose weight (so she won't feel guilty just sending him back home in his current condition) --thinking this will be kind of a new start to his life.
With the main story being the brother and his issues, the little sub-plots are all woven in expertly to bring everything together. A lot of dialogue goes on in Pandora's own head as she reasons with herself about her own actions and what she sees the end goal to be.
Lionel Shriver is always surprising, though, in how her novels all have some kind of twist that you don't expect. This was no exception. A complete pleasure to listen to this one.
Well worth the credit--
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Alice Rosengard did a wonderful job narrating this story. I can still hear Ms. Shriver's characters' idiosyncratic phrases in the narrator's voice ("Panda-bear!").
If you are not used to Ms. Shriver's work, they are not sunny. They are, however, wonderful works of fiction.
Very Shriver, VERY good!
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