Beware of Pity

By: Stefan Zweig

Narrated by: Nicholas Boulton

In the twilight of the Austro-Hungarian Empire, a young cavalry officer is invited to a dance at the home of a rich landowner.

There - with a small act of attempted charity - he commits a simple faux pas. But from this seemingly insignificant blunder comes a tale of catastrophe arising from kindness and of honour poisoned by self-regard.

Beware of Pity has all the intensity and the formidable sense of torment and of character of the very best of Zweig's work. Definitive translation by the award-winning Anthea Bell.

©1976 Atrium Press, 2011 Anthea Bell (P)2017 Ukemi Productions Ltd

Critic reviews

"Zweig’s fictional masterpiece." ( Guardian)

Profound novel with a subtle message about our responsibility as guardians of democracy in the face of totalitarianism.

Great storyline. Always on the uncomfortable side, yet smooth and freely flowing. Great ending. But it’s all about the bigger picture and what Zweig was really trying to convey: how to deal with fascism. This novel is very applicable to our current political situation.

Terrific story!

Great classical story of unrequited love, this narrator was fantastic! Will look for more by him.

Complex characters and circumstances

This book examines the consequences of acting on impulse and being concerned with reputation above real virtue.

Masterpiece that is also extremely enjoyable

If you could sum up Beware of Pity in three words, what would they be?

Extremely enjoyable masterpiece

Have you listened to any of Nicholas Boulton’s other performances before? How does this one compare?

This is the first time I listened and his performance is excellent

Who was the most memorable character of Beware of Pity and why?

The doctor, because he gives off an amazing amount of philosophy, advice, background history, opinion and is a very colorful character in everyday life as well.

Any additional comments?

The reading of this book could not have done a better job, it was excellent. There are so many layers to this story and different references to pity. Besides pity to the girl Edit these is also pity elicited to the lieutenant. In addition, the father of Edit is in need of pity. There are substories within the story which are of high interest as well. The entire story is packed with meaning and submeaning. In addition the mood is set so well that the reader can feel the mood of that period in Vienna and the mindset of a soldier and the atmosphere of the times. Zweig is a master at conveying mood and bringing the reader into his world. The writing is very erudite and there is philosophy at every corner. On top of all that, the story comes off anything but dry and instead is immensely entertaining. This is a classic for all time.

Wow, captivating book, great reading

Timeless and covers humanity to the point and yet describes the period with accuracy and interest. The translation and reading are of the highest level. A must!

A great novel–psychologically penetrating

Although I knew of Stephen Zweig, I hadn't heard of this novel before coming across it on Audible. I highly recommend it. It's an interesting story excellently narrated. I find some of the emotional reactions of the characters rather exaggerated--melodramatic, in fact. And the climax involves some unrealistic or obviously stupid actions. For all that, I found the novel compelling, and psychologically insightful.

Amazing suspense

The way the narrator put their emotion and emphasis on the stress and suspense of the protagonist is something that will never leave my mind, we get to see the lieutenant fall into a deeper pit, this pity that will have hurt more than benefited others and himself

Pick up a bee from kindness, and learn....

'Pick up a bee from kindness, and learn the limitations of kindness.'
Sufi Proverb

Upon finishing this, Stefan Zweig's only completed novel, after having already read his memoir, The World of Yesterday, I've found that this Austrian author was one of those singularly gifted observers of the human condition, that come along maybe only once a generation, able to regularly discern the profound in the mundane as if such a talent came like riding a bicycle.

Beware of Pity sated my love for an exploration of human emotions I've not yet encountered in a story but have experienced in the real world. First was pity, and the negative that can flow therefrom. Second is the feeling of having someone in love with you at a time in youth when you want nothing to do with her/him.

Though I'd of course encountered the emotion of pity in other novels, none had made it a central theme and covered it like this novel did.

As for the second--see Zweig's brilliant quote below--I look back with deep regret at how mean and callous I was to the girl, and think how I'd have handled it differently. I'd not seen this fleshed out in a story from the viewpoint of the *unloving beloved* before this one.

The surface moral of this novel is laid out by its title: pity, as an emotion, can result in disaster. The deeper message seems the old maxim, you cannot judge a book by its cover. Hofmiller may wear the medal of the Military Order of Maria Theresa--the highest military decoration Austria could offer, equivalent to the Victoria Cross in Great Britain and the U.S.'s Medal of Honor--but he is plagued by his knowledge that his badge of 'courage' actually came from a colossal act of cowardice.

The Austrian writer Stefan Zweig's popularity seems to be making a bit of a comeback, with the new publication of a number of his novellas and his memoir The World of Yesterday in which his writing shines. According to a number of sources, when this novel was published in 1939, Zweig was likely the most popular author in the world, for his short stories, novellas and biographies of famous people.

This was, again, the only novel he completed. He wrote it, as a Jewish refugee from Nazi persecution, in the U.S. (where he arrived in 1935) and then England (1938). He and his wife moved to Brazil in 1942 and shortly thereafter committed suicide together.

The story is set in Austria, mostly as it was on the brink of World War I. The tale is told though through a framing narrator (presumably Zweig) who meets the famously decorated cavalry lieutenant Anton Hofmiller at a social function. The narrator asks about the lieutenant's decoration as a hero of WW I, the Military Order of Maria Theresa, which Hofmiller disdains.

To explain why, he must take the narrator (and readers) back to the time he was invited to the castle of an immensely wealthy Hungarian named Lajos Kekesfalva. There, he asked the old man's crippled daughter to dance. A spoiled girl in her late teens, she throws a fit. Feeling pity for the girl, Hofmiller makes trips to see the Kekesfalvas nearly every day for an extended period. He is a man who gets nearly everything wrong: his gaffe that ultimately leads to awful consequences, believing Kekesfalva was a nobleman, and thinking the girl's doctor was incompetent, and leading the girl to believe she and he were engaged to be married only to deny it later in the evening, fearful of what his peers may think of him.



From BEWARE OF PITY, on the 'Torment' of Being "Loved Against Your Will

'a worse torment, perhaps, than feeling love and desire...is to be loved against your will, when you cannot defend yourself against the passion thrust upon you. It is worse to see someone beside herself, burning with the flames of desire, and stand by powerless, unable to find the strength to snatch her from the fire.

If you are unhappily in love yourself, you may sometimes be able to tame your passion because you are the author of your own unhappiness, not just its creature. If a lover can't control his passion then at least his suffering is his own fault. But there is nothing someone who is loved and does not love in return can do about it since it is beyond his own power to determine the extent and limits of that love and no willpower of his own can keep someone else from loving him.'

Masterpiece

This is a work of a great novelist, and it will draw you in immediately. Zweig, in my opinion, can be compared to Dostoyevsky. Like a surgeon, and with a delicate knife, Zweig portraits the inner, most delicate emotions, desires, fears, and demons of the mind.
Not to talk about the superb narration by Nicholas Boulton. Bravo!

Zweig’s and his novel of a era long gone

All that we praise in another of the great minds of Vienna’s past are here: a novel within a novel which makes for good entertainment - and a few useful lessons!