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Beowulf
- Narrated by: Stephen Mitchell
- Length: 3 hrs and 7 mins
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Publisher's summary
Stephen Mitchell's marvelously clear and vivid rendering recreates the robust masculine music of the original. It both hews closely to the Old English and captures its wild energy and vitality, not just as a deep "work of literature" but also as a rousing entertainment that can still stir our feelings and rivet our attention today, after more than a thousand years. This new translation - spare, sinuous, vigorous in its narration, and translucent in its poetry - makes a masterpiece accessible to everyone.
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Excellent translation and reading
- By Tad Davis on 04-10-21
By: Michael Alexander, and others
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Beowulf
- By: Francis B. Gummere - translator
- Narrated by: Rosalyn Landor
- Length: 3 hrs
- Unabridged
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When sleep was at its deepest, night at its blackest, up from the mist-filled marsh came Grendel stalking. Thus begins the battle between good and evil, for lying in wait and anxious to challenge the ogre Grendel is a young man, strong-willed and fire-hearted. This man is Beowulf, whose heroic dragon-slaying deeds were sung in the courts of Anglo-Saxon England more than a thousand years ago.
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Wonderfully Grim, Austere, Beautiful Beowulf
- By Jefferson on 10-26-10
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Beowulf
- By: C. W. Kennedy - translator
- Narrated by: Charlton Griffin
- Length: 3 hrs and 43 mins
- Unabridged
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Out of the mixture of Latin and Germanic paganism and the Christianity of the Early Middle Ages has sprung one of the world's supremely great pieces of literature. J.R.R. Tolkien, author of The Lord of the Rings, delivered a famous lecture to the British Academy in 1936 in which he maintained that Beowulf was a poem all of a piece, and not (as had been suggested) a jumble of fragments for pedantic scholars to paw over.
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As good as it gets!
- By James on 07-09-05
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The Iliad
- By: Homer, Stephen Mitchell - translator
- Narrated by: Alfred Molina
- Length: 16 hrs and 4 mins
- Unabridged
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The power and the beauty of The Iliad resound again across 2,700 years in Stephen Mitchell's exciting new translation, as if the lifeblood of its heroes Achilles and Patroclus, Hector and Priam flowed in every word. And we are there with them amid the horror and ecstasy of war, carried along by a poetry that lifts even the most devastating human events into the realm of the beautiful.
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Riveting
- By Tad Davis on 10-23-11
By: Homer, and others
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Grendel
- By: John Gardner
- Narrated by: George Guidall
- Length: 5 hrs and 30 mins
- Unabridged
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This classic and much lauded retelling of Beowulf follows the monster Grendel as he learns about humans and fights the war at the center of the Anglo Saxon classic epic.
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Unselfconscious, powerful narration.
- By Stephanie on 01-12-10
By: John Gardner
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Classics of Childhood, Volume One
- Classic Stories and Tales Read by Celebrities
- By: Blackstone Audio
- Narrated by: Michael York, Sandy Duncan, John Ritter, and others
- Length: 3 hrs and 47 mins
- Abridged
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This collection of children’s stories offers a mix of some best-loved tales as well as newer favorites. Included are “Puss in Boots”, read by Robby Benson; “A Day at Santa’s Workshop”, read by Betty White; “Elfis, the Elf Who Saved Christmas”, read by Brian Austin Green; “Jack and the Beanstalk”, read by John Ritter; “Peter Pan”, read by Sandy Duncan; and “The Wild Swans” and “The Elves and the Shoemaker”, both read by Michael York.
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Utterly weird and scary version of jack the beanstalk
- By Sammy108 on 01-02-22
By: Blackstone Audio
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The Call of the Wild
- By: Jack London
- Narrated by: Pablo Schreiber
- Length: 3 hrs and 22 mins
- Unabridged
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Rediscover one of literature’s most beloved classics, richly reissued in a pivotal new audio recording. Emmy and Tony Award-nominated actor Pablo Schreiber (The Wire, Orange Is the New Black) delivers a stirring performance of Jack London’s fierce yet tender tale of loyalty between man and beast, told from the point of view of a dog.
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The Call of the Wild
- By Amazon Customer on 12-18-18
By: Jack London
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Wuthering Heights
- An Audible Exclusive Performance
- By: Emily Brontë, Ann Dinsdale - introduction
- Narrated by: Joanne Froggatt, Rachel Atkins - introduction
- Length: 12 hrs and 32 mins
- Unabridged
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The unapologetic intensity with which Emily Brontë wrote this story ensures that it will forever be considered one of the greatest works of English literature. A passionate tale of a chaotic and often violent love, Wuthering Heights transcends your average romance and, with its Gothic undertones, takes the listener on a journey through one man's lustful hunt for revenge.
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Almost Peerless
- By Brad Simkulet on 02-04-18
By: Emily Brontë, and others
What listeners say about Beowulf
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Traut
- 09-21-23
Poor Performance
The reading could not keep my interest; the monotone was weak and difficult to continue listening to. I kept rewinding but found myself far ahead without having captured what had happened before. I will just read a hard copy.
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- Anonymous User
- 02-14-24
Well written
For some reason the audio is very quiet and it makes it hard to hear
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- Shirah
- 03-14-24
The reader is a scholar, not a performer.
The reader, who I understand to also be the translator, did an excellent job in portraying the story but his affect was very flat.
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- Amazon Customer
- 11-10-23
A classic well done.
The story is timeless and sad in what it says about our love of war. I disagreed with the criticism of the narrator. It was presented as a very old text, not a dramatic, enactment, and I think Mitchell did extremely well in both the translation and the narration. I listen to the sample to make sure you agree.
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- Amazon Customer
- 02-20-24
Classic
The foreword had me hooked! The style and storytelling is historic and expands the taste pallet for a well rounded reader
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- front of the man 123
- 05-04-23
Not a great reading.
Another example of an author (or translator, in this case) who should not be reading his own work.
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1 person found this helpful
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- Marduk
- 05-13-24
Weak narration.
The reading feels weak, slow, almost fragile. Like read by someone scared and tired, without any resemblance to any kind of will. Im pretty sure i´ve heard him to sigh at some point. It sounds sad and yeah, its not a good choice for a story about power, manhood, heroism, and pure action.
So, it was ok, but damn...
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- Tad Davis
- 10-24-17
Great translation, weak reading
I’ve been looking forward to Stephen Mitchell’s translation of Beowulf ever since I heard it was coming. I’ve enjoyed several of his other works, and this tale seemed like it was right up his alley. His version is a model of clarity and narrative drive, and he retains enough of the technical features of the original to give a sense of Anglo-Saxon poetry. Most of all he manages to convey the sadness that seems to cling to every line of the poem: a world-weariness that pervades the most exciting battle scenes.
As an audiobook, it suffers from Mitchell’s narration. In his attempt to be clear and understated, he’s managed to compress everything into the same matter-of-fact tone. Beowulf the poem includes single combat, battle sequences, meadhall celebrations, bardic songs, betrayal and grief. Mitchell’s text captures all of this beautifully. But Mitchell’s voice stays on the same (un)emotional level throughout.
I plan to listen to it again, and to evaluate the translation in print. It’s a worthwhile outing, but I wish it was a more dramatic audio experience.
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8 people found this helpful
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- Heather
- 10-26-23
Great story, Should’ve been read by Someone Else
The translator begins this rendition with a brief history of the original manuscript. It’s fascinating! Written in England, it takes place in Scandinavia referring often to the Danes and the Swedes. It is miraculous that we still have the text. There was a time when only one copy was known to be in existence. When a fire broke out at the library where it was held, the copy was saved by being thrown out a window. Then monks decided to copy it down from that solitary one, it was said that the brittle, burnt pages were crumbling away even as they copied.
Until J.R.R. Tolkien’s translation and commentary of Beowulf, it was virtually unknown and unappreciated. Mitchell spends a good portion of the introduction discussing the unknown author’s Christianity which is debated among scholars today. Christianity came to England at about the 4th century, and Beowulf is believed to have been written in about the 6th century; but this translator, who seems Biblically literate himself, clarifies that the author’s Christianity seems like a strange one. Only Genesis is quoted throughout, opportunities for the hero to praise Jesus are absent, and instead, pagan rituals and values seem to reign. It seems more like Christi-pagan synchronism. I felt like he belabored the point, but while reading it, the religion really doesn’t have the same feel as the Norse or Greek mythos of the “Poetic Edda” or “The Iliad”. Tolkien believed that it was a Christian author writing about his pagan past.
A quick read, Beowulf journeys to a nearby kingdom to defeat the demonic giant Grendel who snatches and eats people in their sleep. After defeating Grendel, his mother rises up to take revenge on her dead son. She is described as a hunched over, as demonic as her son. No wonder the translator openly scoffs at the casting of Angelina Jolie in the 2007 film adaptation! After he defeats Grendel’s mother, Beowulf goes on to be a kind, generous king. His kingdom later becomes haunted by a beastly dragon which he goes out to defeat. This adventure correlates most easily with Tolkien’s “The Hobbit”. His love of Beowulf rings loud and clear. This will make it an entertaining read for Tolkien fans.
The translator is the narrator… which is unfortunate. He was so bland and monotonous. Other Audible reviewers agreed. It was a real let-down.
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