
Benighted
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Narrated by:
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Brian Clarke
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By:
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J. B. Priestley
Philip and Margaret Waverton and their friend Roger Penderel are driving through the mountains of Wales when a torrential downpour washes away the road and forces them to seek shelter for the night. They take refuge in an ancient, crumbling mansion inhabited by the strange and sinister Femm family and their brutish servant Morgan. Determined to make the best of the circumstances, the benighted travelers drink, talk, and play games to pass the time while the storm rages outside. But as the night progresses and tensions rise, dangerous and unexpected secrets emerge. On the house's top floor are two locked doors; behind one of them lies the mysterious, unseen Sir Roderick Femm, and behind the other lurks an unspeakable terror. Which is more deadly: the apocalyptic storm outside the house or the unknown horrors that await within? And will any of them survive the night?
Benighted (1927), a classic 'old dark house' novel of psychological terror, was the second novel by J. B. Priestley (1894-1984), better known for his classics The Good Companions (1929), Angel Pavement (1930), and Bright Day (1946). The basis for James Whale's 1932 film The Old Dark House, Benighted returns for the first time in 50 years.
©1927, 1955, 2018 The Estate of J. B. Priestley (P)2018 Valancourt Books, LLCListeners also enjoyed...




















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I have long adored the 1932 film "The Old Dark House" and thank Audible for making the source novel available for free to members. It's not a perfect rendition, but the novel is eerie and erudite, stirring and appalling, in ways a movie can never be. A gem.
Sounds like it was home-recorded, but not bad
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Same voice for all characters ruins this
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Great performance/audio by Brian Clarke.
Haunting!
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Take a second take
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Great period piece
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Listener received this title free
Priestley again delivers a parable exploring the collapse of the British gentry with a dash of the rise of the lower and middle classes (with the lower classes making the greatest sacrifices.)
Now, mood happens and happens well. But there is a lack of events – there’s a synopsis of what actually happened in Chapter 14 that sucks all the tension out by showing how thin the menace actually was. There’s an awful lot of page-count spent on philosophy and shopgirl romance, none of which contribute to the tension and cause the middle to drag. Also, Chapter 14 was a decision – portraying the climax from the perspective of the two girls locked up in a separate room for their own good might be forgivable in a film, but I am struggling to find a good reason in a book. Also their handwringing made me desiring a feminist take on this whole chapter and the decisions that were made. The saggy middle knocked off a star for me, and Chapter 14 knocked off another. Chapter 15 was the unsatisfying denouement and conclusion.
While the book is –for the most part -- a nicely crafted gothic, I have to give the edge to the film. The movie adaptation does an excellent job of portraying all the character development in the book, while keeping the pacing snappy and tension high. Quite an accomplishment to do everything effective in a more compact space.
I wanted to love this more
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The narrator is okay and does a good job, but he fumbles a lot and THEY LEFT IT IN. This is not the reader's fault. It is the editor's. (unless they are the same person, in which case Valancourt books needed to fix it)
I think this would definitely benefit from a redo. A more versatile narrator, and good editing. won't improve the story. But great performance and help a middling story.
Mediocre at best, needs re-edited.
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Didn’t the J.B. Priestley estate listen to a sample chapter before settling on this narrator? He has a nice voice, but not for fiction. I can imagine him doing the Mr. Kipling ads on television, but for this he’s hopeless.
A Great Book Ruined by the Wrong Narrator
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Dreadfully Depressing...
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