Agricola, Germania, A Dialogue Concerning Oratory
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Narrated by:
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Leighton Pugh
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By:
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Tacitus
About this listen
These three vibrant texts show different sides of the Roman historian Tacitus (c56–c102 CE), best known for his principal (and much longer) legacies of The Annals and The Histories.
Agricola was a successful general and governor of Britain (77-83CE), a task which he carried out with firmness and probity - in contrast to much of the corruption and repression in place during the reign of Emperor Domitian. Included in his account are the prebattle speeches of both Agricola and the Briton Calgacus.
Tacitus' account of Germania shows a very different land with its many tribes, their habits and qualities in a strongly rural and resistant environment.
A Dialogue Concerning Oratory, by contrast, is placed decidedly at the heart of Roman culture, a survey of rhetoric and the art of eloquence. The ability to speak clearly and well was admired throughout the Greek and Roman eras; educated men were expected to have received training in form and delivery: exordium, narration, period. Tacitus presents individuals who display the art of oratory in various forms, referring to the giants of the past - the speeches of Cicero, Brutus, Caesar and many others were kept in volumes and studied. And they question whether eloquence and the skills of oratory had declined in the age.
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Hilarious, fascinating, and a roller coaster of dizzying, historical what-ifs, Napoleon's Hemorrhoids is a potpourri for serious historians and casual history buffs. In one of Phil Mason's many revelations, you'll learn that Communist jets were two minutes away from opening fire on American planes during the Cuban missile crisis, when they had to turn back as they were running out of fuel. You'll discover that before the Battle of Waterloo, Napoleon's painful hemorrhoids prevented him from mounting his horse to survey the battlefield.
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They just throw the facts too fast
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The Real Life of a Roman Gladiator
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The Roman gladiator has long been a figure of fascination. Portrayed frequently in fine art and popular culture alike, the gladiator is both a real part of history and a legend of a romanticized past. We know that these men entertained Roman audiences by fighting in dangerous and often deadly games. But who were the gladiators? What were their lives like? And why do they continue to have such a strong hold on our imagination, centuries after the fall of the Roman Empire?
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Prosecuting attorney in the Manson trial Vincent Bugliosi held a unique insider's position in one of the most baffling and horrifying cases of the 20th century: the cold-blooded Tate-LaBianca murders carried out by Charles Manson and four of his followers. What motivated Manson in his seemingly mindless selection of victims, and what was his hold over the young women who obeyed his orders? Now available for the first time in unabridged audio, the gripping story of this famous and haunting crime is brought to life by acclaimed narrator Scott Brick.
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For two centuries, the deep-seated fear that many White people feel—of losing power, of losing economic standing, of losing a particular “way of life”—has been the driving force behind American politics and culture. And as we approach a future where White people will become a racial minority in the US, something estimated to occur as early as 2043, that fear is only intensifying, festering, and becoming more visible. Are we destined for a violent clash? What can we do to step into our country’s inevitable future, without tearing ourselves apart in the process?
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an interesting and informative lesson
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What listeners say about Agricola, Germania, A Dialogue Concerning Oratory
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- That Chap
- 12-28-24
Two Out of Three Ain't Bad
The section on Agricola is compelling and interesting. Likewise, the section on Germania gives a splendid description of that territory and the tribes which inhabited it in Roman times. A corresponding map would be tremendously helpful to visualize what Tacitus describes, but I suppose that is the drawback of audio books.
The section on Oratory is interesting, and describes well the finer points which separate that lost art from mere speech, but listening grows tedious after his point has already been made. I imagine that the original in Latin would be required reading to understand how the great orators left their marks upon history, but alas.
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