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À la recherche de Notre Dame
- Narrated by: Gaël Kamilindi, Clara Ponsot, Gabriel Dufay, Thierry Pietra, Élodie Huber, David Houri
- Length: 52 mins
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Publisher's summary
Pour profiter au mieux de cette expérience immersive en son binaural, nous vous recommandons de l’écouter au casque.
À la recherche de Notre-Dame nous plonge dans la tête du jeune Victor Hugo au moment où il commence ses recherches pour écrire son futur "roman cathédrale" Notre-Dame de Paris. Nous sommes en 1828. Victor Hugo a 26 ans. Notre-Dame est alors une église en état de délabrement. Elle ne sera rénovée par Viollet-le-Duc et Jean-Baptiste Lassus qu’à partir de 1843. Notre-Dame se meurt et Hugo veut la ressusciter, telle qu’elle était au Moyen-Âge. Victor Hugo va se livrer à une véritable enquête / expérience sur le son de Notre-Dame nous faisant explorer ses acoustiques et paysages sonores au cours des siècles.
Il va rencontrer plusieurs personnes pour ses recherches : curé, historiens, musiciens, Viollet-le-Duc, Mérimée... Il puise son inspiration dans la fréquentation de Notre Dame, la consultation des manuscrits (dont le Livre noir qui a été jeté dans la Seine), des livres d’histoire, et surtout dans son imagination qu’il va nourrir en écoutant des polyphonies, en se documentant sur le mobilier de Notre-Dame, en lisant des Mystères du Moyen-âge etc.
Le scénario s’inspire de l’histoire de l’écriture du roman Notre-Dame de Paris, largement documentée par Victor Hugo lui-même dans son journal personnel, et par son entourage. Ainsi les événements relatés dans cette histoire s’inscrivent dans une véracité spatio temporelle (les dates, les événements historiques, la temporalité du récit), sur fond de l’histoire intime de Hugo (naissance de sa fille Adèle, adultère de sa femme avec son meilleur ami, rencontres littéraires, disputes avec son éditeur pour renégocier des délais, recherche de documentations, perte de la première version du manuscrit de Notre-Dame de Paris lors de la révolution de Juillet 1830).
Le scénario inclut de nombreux passages du roman de Victor Hugo, intégrés sous forme de lecture par les protagonistes, ou de citations dans les descriptions et les dialogues.
Ce scénario nous fait voyager, dans la tête de Victor Hugo, dans les paysages sonores et reconstitutions acoustiques de Notre Dame du 12ème au 19ème siècle, mettant en scène les recherches de pointe menées dans le cadre du projet PHEND “PAST HAS EARS AT NOTRE DAME” depuis l’incendie 2019.
On y entend par exemple les bruits du chantier de construction, une oraison funèbre de Bossuet telle que prononcée au 17ème, les événements de la révolution française, les cloches, l’orgue du 18ème siècle, et nombre d’extraits d'œuvres musicales composées ou données à Notre Dame.
À la recherche de Notre Dame est cette narration immersive qui invite à redécouvrir cette cathédrale de sons et de papier. Bienvenue à Notre-Dame !
Réalisation : Laurence Courtois
Scénario : Timothée de Fombelle and Nelly Labère
Production : Cécile Cros, Narrative
Coordination éditoriale Audible : Lidwine Hô
Coordination scientifique : Brian Katz, Sorbonne Université
Prise de son et montage : Simon Cacheux
Bruitage : Gilles Marsalet
Mixage 3D : Jean Marc Lyzwa, Julia Griner-Abraham
En partenariat avec :
Maison des Sciences de l'Homme Lyon Saint -Etienne
IReMus Institut de recherche en Musicologie
Institut Jean le rond d’Alembert
Centre André Chastel : : Laboratoire de recherche en histoire de l'art Sunmetron
Avec le soutien de l’Agence Nationale de Recherche, du Centre National de la Recherche Scientifique et de la « European Joint Programming Initiative on Cultural Heritage ».
Un financement partiel a été fourni par le projet PHE (The Past Has Ears, Grant No. 20-JPIC-0002-FS) à l'Initiative de la « European Joint Programming Initiative on Cultural Heritage » et le projet français PHEND (The Past Has Ears at Notre-Dame, Grant No. ANR-20 -CE38-0014).
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