待つ
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Narrated by:
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大島 昭彦
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By:
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太宰 治
About this listen
茶目っ気があり、中学校では友人を笑わせては先生に叱られることも多かったそうです。
そしてこの頃から文学作品に親しむようになり、友人らと同人誌「蜃気楼」を創刊、太宰自身も作品を発表しました。
そんな彼が、ノートに何度も名前を書いたり講演会に足を運んだり、格好を真似て写真を撮ったりと深く愛好していた作家に芥川龍之介がいます。
その芥川の死に強い衝撃を受けたことがきっかけで、学業を投げ出し悪遊びをするようになりました。
それから太宰の姿は、今までとは想像もつかないような変貌を遂げていきます。
感受性が強く情緒不安定で、突拍子もない行動を起こし、故に波乱万丈な人生となります。
そうした彼の資質や様々な経験から生み出された小説はとても人間くさく、今でも読む人々を魅了しています。
<作品冒頭>
省線のその小さい駅に、私は毎日、人をお迎えにまいります。
誰とも、わからぬ人を迎えに。
市場で買い物をして、その帰りには、かならず駅に立ち寄って駅の冷いベンチに腰をおろし、買い物籠を膝に乗せ、ぼんやり改札口を見ているのです。
上り下りの電車がホームに到着するごとに、たくさんの人が電車の戸口から吐き出され、どやどや改札口にやって来て、一様に怒っているような顔をして、パスを出したり、切符を手渡したり、それから、そそくさと脇目も振らず歩いて、私の坐っているベンチの前を通り駅前の広場に出て、そうして思い思いの方向に散って行く。
私は、ぼんやり坐っています。
誰か、ひとり、笑って私に声を掛ける。
おお、こわい。ああ、困る。胸が、どきどきする。
考えただけでも、背中に冷水をかけられたように、ぞっとして、息がつまる。
けれども私は、やっぱり誰かを待っているのです。
いったい私は、毎日ここに坐って、誰を待っているのでしょう。
どんな人を?………
太宰治(だざい・おさむ)
津軽の大地主の六男として生まれる。共産主義運動から脱落して遺書のつもりで書いた第一創作集のタイトルは「晩年」(昭和11年)という。この時、太宰は27歳だった。その後太平洋戦争に向う時期から戦争末期までの困難な間も妥協を許さない創作活動を続けた数少ない作家の一人である。戦後「斜陽」(昭和22年)は大きな反響を呼び、若い読者をひきつけた。©2022 PanRolling
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