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Тень орла
- Narrated by: Александр Клюквин
- Length: 3 hrs and 6 mins
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Тень орла
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Publisher's summary
Артуро Перес-Реверте по праву считается одним из самых популярных испанских писателей 90-х годов. Интеллектуал, мастер изящной словесности, он завоевал сердца своих читателей блестящим знанием истории, захватывающей интригой и филигранной прозой. Настоящий успех пришел к писателю после выхода романа "Фламандская доска", получившего во Франции Гран-при как лучший детектив.
Потом были романы "Клуб Дюма, или Тень Ришелье" (на основе которого Романом Поланским снят триллер "Девятые врата"), "Территория команчей" и многие - многие другие не менее увлекательные и интригующие произведения. В их числе, безусловно, и повесть "Тень орла". В этой книге мастерски смешаны эпохи и стили, фарс и высокая трагедия.
По сути - это рассказ о последней, подмосковной битве Наполеона в местечке под названием Сбодуново, описанной глазами солдата испанского батальона линейного пехотного полка Наполеоновской армии. Изрешеченная русской артиллерией армия Подлючего Недомерка (так называют солдаты Наполеона) - спасается позорным бегством. На русские батареи движется лишь испанский батальон. В чем же причина такой отваги? Ответ прост.
"Шагая по горящему жнивью на правом фланге наполеоновской армии, оголенном и смятом огнем русских батарей, держа равнение и не расстраивая рядов, четыреста пятьдесят испанцев из второго батальона 326-го пехотного полка не совершали ничего героического. Так что не кладите венков к нашему пьедесталу. Ни один раненый, если мог держаться на ногах, не отстал и не поплелся в тыл, а мы все надвигались на русские позиции по одной простой - проще некуда - причине: мы собрались дезертировать. Под шумок - если можно так назвать гром и грохот сражения - второй батальон 326-го полка с барабанным боем и развернутым знаменем переходил на сторону противника"...
Ну а о том, чем закончились злоключения испанского батальона, вы сможете узнать, прослушав аудиоверсию этой блистательной, смешной и умной книги "Тень орла" в замечательном прочтении Александра Клюквина.
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