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Three months ago, Tansy Bloom quit monster hunting. Since then, she’s been trying to live a normal life (whatever that means), but ending up single, unemployed, and living on a boat outside her godfather’s pub definitely wasn’t part of the plan. So, when Tansy’s ex-husband – fellow monster hunter Rex Barclay – turns up like a bad penny and asks for her help with his latest investigation, Tansy reluctantly agrees. At first, the job appears to be a straightforward monster hunt – following a spate of large creature sightings, Rex believes a werewolf is on the loose in Norfolk.

Beckett: If you’re reading this, well, you know the last-letter drill. You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have. I need one thing from you: get out of the army and get to Telluride. My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. And here’s the kicker: there’s something else you don’t know that’s tearing her family apart.

Weaving together the stories of three extraordinary women across five centuries, Emilia Hart's Weyward is an enthralling novel of female resilience and the transformative power of the natural world.

We are in a small room with the vampire, face to face, as he speaks--as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . . He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir--young, romantic, cultivated--to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless," life....

Sue Keller is lost. When her father dies suddenly, she's orphaned in her mid-20s, her mother already long gone. Then Sue meets Annie. It’s been 20 years, but Annie could never forget that face. She was Sue’s live-in nanny at their big house upstate, and she loved Sue like she was her own. Craving connection and mothering, Sue is only too eager to welcome Annie back into her life, but as they become inseparable once again, Sue starts to uncover the truth about Annie's unsettling time in the Keller house all those years ago, particularly the manner of her departure - or dismissal.

Graphic designer Sonya MacTavish is stunned to learn that her late father had a twin he never knew about—and that her newly discovered uncle, Collin Poole, has left her almost everything he owned, including a majestic Victorian house on the Maine coast, which the will stipulates she must live in for at least three years. Her engagement recently broken, she sets off to find out why the boys were separated at birth—and why it was all kept secret until a genealogy website brought it to light.

When Penny Dahl calls the Finders Keepers detective agency, hoping for help locating her missing daughter, Holly Gibney is reluctant to accept the case. Her partner, Pete, has Covid. Her (very complicated) mother has just passed away. And Holly is meant to be on leave. But something in Penny’s desperate voice makes it impossible to turn her down. Meanwhile, mere blocks from where Bonnie Dahl disappeared live Professors Rodney and Emily Harris. But they are also harboring a shocking, unholy secret.

Autumn and Finn used to be inseparable. But then something changed. Or they changed. Now, they do their best to ignore each other. Autumn has her boyfriend, Jamie, and her close-knit group of friends. And Finn has become that boy at school, the one everyone wants to be around. That still doesn't stop the way Autumn feels every time she and Finn cross paths, and the growing, nagging thought that maybe things could have been different. Maybe they should be together. But come August, things will change forever.

Death walks alongside me. But the reaper is no match for me. I'm trapped in a world full of monsters dressed as men, and those who aren't as they seem. They won't keep me forever. I no longer recognize the person I've become. And I'm fighting to find my way back to the beast who hunts me in the night. They call me a diamond. But they've only created an angel of death.

Kiara and her brother, Marcus, are barely scraping by in a squalid East Oakland apartment complex optimistically called the Regal-Hi. Both have dropped out of high school, their family fractured by death and prison. But while Marcus clings to his dream of rap stardom, Kiara hunts for work to pay their rent—which has more than doubled—and to keep the nine-year-old boy next door, abandoned by his mother, safe and fed.