Shakespeare Histories

Politics, power and the tragedy of war are played out in these sweeping histories that continue to surprise and entertain. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Derek Jacobi, Prunella Scales, William Squire and Timothy West can be heard in these recordings.

William Shakespeare may have been the greatest playwright in the English language, but how does he measure up as a historian? In this brilliant comparison between the events and characters in Shakespeare's history plays and the actual events that inspired them, acclaimed historian John Julius Norwich examines the nine works that together amount to an epic masterpiece on England's most fascinating period.

A collection of BBC Radio 3's iconic Shakespeare productions: six tragedies with all star casts including Michael Sheen, Juliet Stevenson, Kenneth Cranham, Corin Redgrave, Ken Stott, Geraldine James, Bill Wallis, Siân Phillips and Sophie Dahl.

The 1590s were bleak years for England. The queen was old, the succession unclear, and the treasury empty after decades of war. Amid the rising tension, William Shakespeare published a pair of poems dedicated to the young Earl of Southampton: Venus and Adonis in 1593 and The Rape of Lucrece a year later. Although wildly popular during Shakespeare's lifetime, to modern readers both works are almost impenetrable. But in her enthralling new book, the Shakespearean scholar Clare Asquith reveals their hidden contents.

For sustained dramatic intrigue and sophistication of plot, William Shakespeare's sonnets are at least the equal of his greatest plays. Throughout the centuries since their first publication in 1609, critics, psychologists and curiosity-seekers alike have pondered the nature of the poet's relationships with the mysterious young man, "Mr. W.H.", and the "ill-coloured" Dark lady.

The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.

Award-winning author Stephen Greenblatt is one of the most influential literary thinkers in the world. An acclaimed interpreter of Shakespeare's works, his ideas have changed the way countless people approach the classics. Now Greenblatt's uniquely brilliant voice delivers a magnificent biography of the Bard himself.

All of the Shakespeare plays within the Argo Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations.

Actor William Shaksper of Stratford had little education, never left England, and apparently owned no books. How could he have written the great plays and poetry attributed to him? Journalist Mark Anderson's biography offers tantalizing proof that Edward de Vere, 17th Earl of Oxford, courtier, spendthrift, scholar, traveler, soldier, scoundrel, and writer, was the real "Shakespeare".

What was life like for Shakespeare's first audiences? In a time of political and religious unrest and economic expansion, how did Elizabethan play-goers make sense of their changing world? What did the plays mean to the public when they were first performed? In this fascinating series, Neil MacGregor attempts to answer these questions by examining 20 objects from that turbulent period. There are grand objects such as a communion chalice, a Venetian goblet, and Dr Dee's mirror, as well as everyday items.

In Globe Catherine Arnold takes the listener on a tour of Shakespeare's London, looking at how they shaped each other. Acting turned into a trade, and troupes of touring players perfected their craft. Shakespeare's own company, the Chamberlain's Men, opened the Globe Playhouse on Bankside in 1599, creating a new focal point for the city.

Britain's most esteemed scholar of 16th and 17th century literature, Frank Kermode is also a noted author and professor. In this Modern Library Chronicle, he uses the context of the Elizabethan Era to link each of Shakespeare's plays to their probable years of creation. By portraying the bard's England in terms of its society, economy, and arts, Kermode provides an invaluable guide to understanding Shakespeare?s works.

In its long history, the English language has had many lawmakers - those who have tried to regulate or otherwise organize the way we speak. The Lexicographer's Dilemma poses a pair of questions: What does proper English mean? And who gets to say what's right? Our ideas of correct or proper English have a history, and today's debates over the state of the language - whether about Ebonics in schools, the unique use of language in a South Park episode, or split infinitives in the Times - make sense only in historical context.

Welcome to the George Inn near London Bridge; a cosy, wood-panelled, galleried coaching house a few minutes' walk from the Thames. Consider this: who else has made this their local over the last 600 years? Chaucer and his fellow pilgrims almost certainly drank in the George on their way to Canterbury. Shakespeare may have popped in from the nearby Globe, and we know that Dickens definitely did. Mail carriers changed their horses here, while sailors drank here before sailing.

William Shakespeare understood power: what it is, how it works, how it is gained, and how it is lost. In The Hollow Crown, Eliot A. Cohen reveals how the battling princes of Henry IV and scheming senators of Julius Caesar can teach us to better understand power and politics today. The White House, after all, is a court—with intrigue and conflict rivaling those on the Globe's stage—as is an army, a business, or a university. And each court is full of driven characters, in all their ambition, cruelty, and humanity.

In Richard III’s Bodies from Medieval England to Modernity, Jeffrey Wilson tracks disability over 500 years, from Richard’s own manuscripts, early Tudor propaganda, and x-rays of sixteenth-century paintings through Shakespeare’s soliloquies, into Samuel Johnson’s editorial notes, the first play produced by an African American Theater company, Freudian psychoanalysis, and the rise of disability theater.

The Age of Reason Begins brings together a fascinating network of stories in the discussion of the bumpy road toward the Enlightenment. This is the age of great monarchs and greater artists - on the one hand, Elizabeth I of England, Philip II of Spain, and Henry IV of France; on the other, Shakespeare, Cervantes, Montaigne, and Rembrandt. It also encompasses the heyday of Francis Bacon, Galileo, Giordano Bruno, and Descartes, the fathers of modern science and philosophy.

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

This entertaining introduction to Shakespeare's work weaves biographical information with excerpts from 33 of his plays. Informative, well-researched commentary, written by two Royal Shakespeare Company actors, provides a glimpse of the man and little-known lore about his work.

In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard’s era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare’s audiences would have recognized.