Modern Tragedy

A greater emphasis on situations than characters (this numbs the audience's connection to the characters, so that when characters experience misfortune, the audience still finds it laughable) A struggle of young lovers to overcome difficulty, often presented by elders Separation and re-unification Deception among characters (especially mistaken identity) A clever servant Disputes between characters, often within a family Multiple, intertwining plots. Use of all styles of comedy (slapstick, puns, dry humour, earthy humour, witty banter, practical jokes) Pastoral element (courtly people living an idealized, rural life), originally an element of Pastoral Romance, exploited by Shakespeare for his comic plots and often parodied therein for humorous effects Happy Ending.

In the late 1800s, a new disease arrived in North America from Europe and began to claim the lives of children everywhere. Though most today have never even heard of this illness, it would routinely kill over 10,000 children in a single year - more than the polio might take in an entire decade. After much trial and tribulation, a shot was developed that helped both those already afflicted with the illness, and those who might one day become infected. But the shot was dangerous, and many parents refused it for their children.

The call to make the world a better place is inherent in the Christian belief and practice. But why have efforts to change the world by Christians so often failed or gone tragically awry? And how might Christians in the twenty-first century live in ways that have integrity with their traditions and are more truly transformative? In To Change the World, James Davison Hunter offers persuasive answers to these questions.

One of Nietzsche’s earliest works, The Birth of Tragedy (1872) is a remarkable source of inspiration. It is here that the philosopher expresses his frustration with the contemporary world and urges man to embrace Dionysian energy once more. He refutes European culture since the time of Socrates, arguing that it is one-sidedly Apollonian and prevents man from living in optimistic harmony with the sufferings of life.

An elegant essay recalling the tradition of Chesterton, Lewis, Merton, and Muggeridge, George Roche's A World Without Heroes harshly rebukes secular humanism as the most dehumanizing force of our modern age. This ringing defense of Christianity, humorous, insightful, and uncompromising, takes careful and timeless aim at those ideas which have shriveled the will of the West and the faith of millions.

Voice of Conscience, In Search of Retribution is a tale of love and revenge that plays itself out on three continents. It follows the story of an adolescent boy who must flee from his native Turkey to save his life after the brutal murder of his family. As he grows into manhood, he is successful outwardly, taking on all the trappings of a normal life. Ultimately though he must come face to face with the legacy of revenge that has been carefully handed down from father to son.

Senior year already drains enough of spellcaster Sophie Morris’ time. But when her pre-law-student boyfriend discovers an underhanded corporate conspiracy to destroy a rival, she dives in to dig up the clues needed to expose the truth. And as soon as the corrupt conglomerate gets wind of her interest, Sophie and her sweetheart become the targets of their under-the-table heavies.