Modern Dance

Modern dance was a movement that began at the turn of the 20th century when American dancers Loie Fuller, Isadora Duncan, and Ruth St. Denis broke from formal dance traditions with their own personal vision of movement. Soon, their visions evolved through Martha Graham, Doris Humphrey, and Charles Weidman, who would all go on to teach their methods and present modern dance as a serious art form.

Time magazine called her “the Dancer of the Century.” Her technique, used by dance companies throughout the world, became the first long-lasting alternative to the idiom of classical ballet. Her pioneering movements—powerful, dynamic, jagged, edgy, forthright—combined with her distinctive system of training, were the epitome of American modernism, performance as art. Neil Baldwin, author of admired biographies, gives us the artist and performer, the dance monument who led a cult of dance worshippers as well as the woman herself in all of her complexity.

Love always deserves a second chance... Ella and Ema were the best of friends, and more, until that fateful night fourteen years ago. Escaping with her heart in shreds, Ella vows that she will never be happy again. When a bad break up and her sister’s wedding lead Ella back to Oakview for the first time in over a decade, the last thing on her mind is Ema. But when her sister demands that Ella learn to dance before the festivities, the stars align and she unknowingly walks into Ema’s dance studio. The old sparks haven’t died, and before she knows it, the only thing Ella wants is to be ...

From the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988, to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built.

My new dance teacher had a rhythm that was impossible to resist. I thought I'd explored the depths of my desires with Jenny, Sophia, Claire, and Lisa, but my education in passion was about to take a mesmerizing turn. When Jenny introduced me to her friend Marisa, a captivating dance teacher, I was drawn into a world of movement and seduction. Marisa offered me a free private class, and with the encouragement of Jenny, Sophia, Claire, and Lisa, I stepped onto the dance floor. What I found was far more than just a lesson in dance. Marisa's graceful movements and intense gaze taught me the art...

The story of modern dance is known to be one of subversion. But it's less widely acknowledged how often its schisms concerned social attitudes towards women and feminist politics. From the late 1800s to the late 1950s, a diverse group of trailblazing women changed the face of dance, and in the process, contributed to shifting attitudes about women's bodies and rights. In Wild Grace, Sara Veale focuses predominantly on nine women, each of whom were instructive in the development of modern dance.

From the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988, to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built.